The images below link to posts from our daily collecting guide, Peter's quotes, notes and reflections from forty years of collecting and dealing in photography. Started during lockdown and continued by popular demand for almost three years now, daily posts are sent by email to our mailing list subscribers, with live works for sale and related works to explore, as well as advance previews of exhibitions and events.

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  • #867 - Eve Arnold

    Marilyn Monroe, on the Nevada desert going over her lines for a difficult scene she is about to play with Clark Gable in the film, "The Misfits" by John Huston, 1960
    #867 - Eve Arnold

    “Although she seems uncertain, her understanding of what would make her a movies star was so great. The need also was so great. The intelligence was there too. She created Marilyn. She created that character, it wasn’t the movies that did it. She did it. She had much more control with a still camera than in the movies. We would discuss what we were going to do and then we would play. We used to laugh a lot. It was great.
    Neither one of us knew what we were doing and that was a bond between us. Secondly, I was not a threat to her. I had six sessions with her. The shortest was two hours which was a press event, and the longest was two months on the set of “The Misfits”. Her enemy was that she couldn’t sleep, so she would take sleeping tablets. I saw an enormous change in her over the ten years that I photographed her. In that time she had gone from a beginner to a world figure and it had taken its toll. She created “Marilyn Monroe” but it was very hard on her. To my knowledge as long as she could fantasize about being a movie star she was fine. It was when the fantasy became the reality that it was hard”


    ~ Eve Arnold
    (1912 - 2012)

    “A nice girl knows her limits, a smart girl knows that she has none”

    ~ Marilyn Monroe
    (1926 - 1962)


  • #858 - Robert Doisneau

    Jacques Tati, Paris, 1949
    #858 - Robert Doisneau

    "Jacques is the most meticulous person I know. He spent 2 hours taking the old bicycle to pieces. He has the same patience with every kind of mechanism. A gag is just another piece of clockwork”


    ~ Robert Doisneau

    “The images are designed so that after you see the picture 2 or 3 times, it’s no longer my film. It starts to be your film. You recognize the people, you know them and you don’t even know who directed the picture. “Play Time” is nobody.


    ~ Jacques Tati

  • #844 - Harry Benson

    Coretta Scott King & Family, 1968
    #844 - Harry Benson

    On April 4, 1968 amidst rising racial tension, Martin Luther King Jr, was shot while the balcony of the Lorraine Motel in Memphis,Tennessee. America was shocked, stunned and again pitched into the nightmare of violent death and public agony, not five years after President John F Kennedy’s assassination in Dallas. I was nearby and flew to Memphis and then on to Atlanta to cover the funeral. Arriving in advance of the plane that was carrying the body of the slain civil rights leader, I moved out of the photographers’ allotted area on the tarmac for a moment and caught one frame of his widow, Coretta Scott King and their children as they prepared to step down from the plane. Crowds lined up outside the Ebenezer Baptist Church in Atlanta to quietly view the casket and pay tribute to the slain leader.”

    ~ Harry Benson

    Struggle is a never-ending process. Freedom is never really won, you earn it and win it in every generation”

    ~ Coretta Scott King
    (1927 - 2006)

  • #8 - Dan Budnik

    March on Washington - Martin Luther King Jr. after delivering his, ‘I Have a Dream’ speech, Lincoln Memorial, Washington D.C., August 28, 1963
    #8 - Dan Budnik
    "I need to become completely anonymous if I’m to capture the essence, the root fact about the person and not merely their surface."

    ~Dan Budnik
  • #7 - Ansel Adams

    Trailer - Camp Children, Richmond, California
    #7 - Ansel Adams

    Ansel Adams is justly celebrated for his epic depictions of majestic landscapes, but this rare, little discussed, haunting image of displaced children shows his profound empathy for humanity. Certainly on a par with his close colleague Dorothea Lange’s, “Migrant Mother”, certainly no less powerful.

  • #6 - Julia Margaret Cameron

    The Dream (Mary Ann Hillier), 1869
    #6 - Julia Margaret Cameron

    Taking up photography at the age of 40 years old, urged on by her children as an antidote to her husband leaving to run the family plantations in India, Julia Margaret Cameron became the first great female photographer. It is so hard to find her prints in such perfect condition as this one. I had collected several in the past in not so great a condition but it was always a dream to find a 10. My dream came true with this one and it just transports me to a special pace each time I look at it.

  • #5 - Kristoffer Albrecht

    Small Apples, 1984
    #5 - Kristoffer Albrecht

    I was visiting our great friend and artist, Pentti Sammallahti, in Helsinki and I casually said to him, “Perhaps there is another great photographer in Finland I should meet?”

  • #4 - Arnold Newman

    Senator John F. Kennedy at the Capitol, Washington DC, 1953
    #4 - Arnold Newman

    This is my favorite Arnold Newman image. Such a great environmental portrait with a true sense of destiny as JFK looks to the future. Where is our leader now?

  • #3 - Wynn Bullock

    Woman's Hands, 1956 (printed 1991)
    #3 - Wynn Bullock
    Wynn Bullock, to my mind, is one the greatest 20th Century photographers. Often eclipsed by his more well known contemporaries, Edward Weston and Ansel Adams.  This is a haunting portrait of his mother’s hands taken in his modest house in Carmel in 1956. The beauty of the print just knocks me out and is the definition of the word “primal”.