The images scrolled down below link to the latest posts from our daily collecting guide, Peter's quotes, notes and reflections from forty years of collecting and dealing in photography. Started during lockdown and continued by popular demand for almost three years now, daily posts are sent by email to our mailing list subscribers, with live works for sale and related works to explore, as well as advance previews of exhibitions and events.
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#1271 | The Naples Art Institute
The Power of photography Museum exhibitionWe are thrilled to share that the “The Power of Photography” exhibition has been met with a wonderful reception! The Naples Press recently covered the exhibition in their Arts and Leisure section. Harriet Howard Heithaus's review for the paper is shared below.
Visit the exhibition online
There's still time to see the exhibition. The exhibition of 122 original prints curated by collector and gallerist Peter Fetterman, is on view now until April 28th 2024. For more information on visiting the museum, please see below for tickets and more information.
The Power of Photography Exhibition
Naples Art Institue
585 Park Street
Naples, FL 34102
Naples Art Institue and Gallery Store
Monday/Wednesday/Friday/Saturday: 10 a.m. - 6 p.m.
Tuesday/Thursday: 10 a.m. - 8 p.m.
Sunday: 11 a.m. - 4 p.m. -
#1265 - Edouard Boubat
Lella, Bretagne, 1947"I have often been asked what I think of that photo. What I think, to quote Proust, is that it is charged with something of the “transparent substance of our best moments,” those that we shared while we were young. Boubat and I, before the course of life made us drift apart, caught upon the spell that we were living under back then and what can only be called a poetic adventure.”
~ Lella, 1987
(Great muse of artist Edouard Boubat)'Never give all the heart for love'
Never give all the heart for love
Will hardly seem worth thinking of
To passionate women if it seem
Certain, and they never dream
That it fades out from kiss to kiss:
For everything that’s lovely is
But a brief, dreamy, kind delight.
O never give the heart outright.
For they, for all smooth lips can say
Have given their heart up to the play.
And who could play it well enough
If deaf and dumb and blind with love?
He that made this knows all the cost
For he gave all his heart and lost
~ W B Yates
(1865-1839) -
#1262 - Cig Harvey
Emily in the River, 2019“I have often felt that beauty is the only language worth speaking”
~ Cig Harvey -
#1260 - Flor Garduño
La Mujer Que Sueña, Pinotepa Nacional, México, 1991“The models are friends of mine. These photographs involve moments of complicity that only a friend could accept. If there is no fondness between the model and the photographer, this kind of work cannot be done”
~ Flor Garduno
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#1250 - Elliott Erwitt
New York City [Three men in tutu], 1956“You can find pictures anywhere. It’s simply a matter of noticing things and organizing them. You just have to care about what’s around you and have a concern with humanity and the human comedy”
~ Eliott Erwitt
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#1248 - Sabine Weiss
Mode pour Vogue, Paris, 1955“Photography is an alibi, a pretext to see everything, to go everywhere, to communicate with everyone”
~ Sabine Weiss
(1924-2021) -
#1246 - Lillian Bassman
It's A Cinch: Carmen, New York, Harper's Bazaar, 1951“You see, when models work with men, they strike up a pose and so on…..with me they were always totally relaxed. I was just a woman photographing another woman who was very relaxed as well”
~ Lillian Bassman
(1917 - 2012) -
#1237 | Ilona Langbroek
Expectations #2 (from the series Silent Loss), 2012"I create my images based upon stories and memories, in which I try to visualize the bond between man, spirit and nature. I love to use the contrast between light and dark and the twilight zone between them."
~ Ilona Langbroek
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#1230 - William Helburn
Red Canoe, 1956“It never entered my mind that I was going to make it, but as I look back on my life I can see why I did. I made it because I had to always do something a little different. I made it because my taste was never bad. I had undying energy. If I did a picture, I couldn’t wait to see it. I always wanted to get things done as fast as possible. It’s going to be the way I want it. The model will meet my approval. They’re never going to force anybody down my throat. Every picture should be as good as I could make it.”
~ William Helburn
(1924-2020) -
Exhibition opening
Uomo, 1988, printed 1994 -
#1120 - Sarah Moon
A Bouche Perdue, 2000“I want to find an echo between myself and the world, a resonance”
~ Sarah Moon
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#1116 - Sheila Metzner
Rosemary, Ungaro Hat, Couture, Vogue , 1985“The work is grounded. It’s solid and it hasn’t changed.. I have, but not the photographs.. I have great admiration for whoever I was, whoever the person was that did the work somehow in that time”
~ Sheila Metzner
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#1114 - Kurt Markus
Oro Ranch, Prescott, Arizona , 1986"The awful truth is that I love all of cowboying, even when everything has gone wrong and it's not looking to get any better. Sometimes I especially like it that way."
~ Kurt Markus
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#1107 - Sheila Metzner
Uma. Patou Dress, 1986, Printed 2016“The idea was that if I could light the cone and the sphere, the girl and the clothes would look alright”
~ Sheila Metzner
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#1106 - Lillian Bassman
Barbara Mullen, (Flat Hat, Bare Back), c. 1950's“I moved very well in front of the camera. My arms, my legs - I seemed able to do anything with them - I felt absolutely wonderful when I moved with Lillian. It was like being free - it was like being in heaven"
~ Barbara Mullen
(1927-2023)“There are models that are not models but muses. She had everything marvelous: a beautiful neck, grace, the ability to respond to me”
~ Lillian Bassman
(1917-2012) -
The Power of Photography Exhibition at the Bowers Museum
Audrey Hepburn with Flowers, 1955 (Printed 2017)We are looking forward to the opening of “The Power of Photography” exhibition at the Bowers Museum this Saturday! This exhibition will feature a selection of over 70 original prints curated by collector and gallerist Peter Fetterman, on view October 7th, 2023 to January 14th 2024. The museum will also be hosting a number of events around the exhibition including a lecture and book signing by Peter Fetterman on October 7th at the Bowers Museum. To attend the event online or at the museum please see below for tickets and more information.
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#1097 - Elliott Erwitt
New York City, [Empire State Building], 1955"It's just seeing - at least the photography I care about. You either see or you don't see. The rest is academic. Anyone can learn how to develop. It's how you organize what you see into a picture."
~ Elliott Erwitt
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#1076 - Ilona Langbroek
Longing for Insulinde #3 (from the series Silent Loss), 2021“In my personal quest for my family history, my aim is to make photographs that are not bound by time. Using the atmosphere of the past, I want to make history tangible and recognizable in the present”
~ Ilona Langbroek
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#1064 - William Klein
Dolores Wants a Taxi, New York (Vogue), 1958, printed 2016“Be yourself. I much prefer seeing something, even it is clumsy, that doesn't look like somebody else's work."
~ William Klein
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#1053 - Sarah Moon
John Galliano for Dior, 2022‘’Fashion designers offer one of the last refuges of the marvelous.They are in a way, the masters of dreams”
~ Christian Dior
“For me photography is pure fiction, even if it comes from life”
~ Sarah Moon
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#1052 - Lillian Bassman
Coat by Christian Dior, Barbara Mullen, Paris, c. 1949"In a machine age, making clothes is one of the last refuges of the human, the personal, the inimitable”
~ Christian Dior
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#1051 - Lillian Bassman
Barbara Mullen, Harper's Bazaar, New York, 1950s"Long necks. The thrust of the head in a certain position. The way the fingers work, fabrics work. It’s all part of my painting background."
~ Lillian Bassman
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“And so with the sunshine and the great bursts of leaves growing on the trees, just as things grow in fast movies, I had that familiar conviction that life was beginning over again with the summer.”~ F. Scott Fitzgerald
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#1024 - William Klein
Two Hats in Room, Paris (VOGUE), 1963"What would please me most is to make photographs as incomprehensible as life is."
~ William Klein
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#1020 - Frances McLaughlin-Gill
Fiona Campbell, The Palace at Versailles, Paris, 1951"Fashion is not frivolous. It is a part of being alive today."
~ Mary Quant
(1930-2023) -
#1010 - Jerry Schatzberg
Carmine & Janet Randy with Car, 1959“I think I like seeing honesty and I like seeing the truth, and I think I bring that to my films and I bring that to my stills as much as I can. I don't like superficial-looking things.”
~ Jerry Schatzberg
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#1001 - Melvin Sokolsky | The Fashion Show & The Flower Show
Side Kick, Paris, 1963, printed laterPeter Fetterman Gallery is proud to present The Fashion Show and The Flower Show. The exhibitions will be on view between June 17th, 2023 – October 7th, 2023. An opening reception will be held today, Saturday, June 17th from 3:00 – 6:00 PM.
We look forward to seeing you this evening and sharing these two beautiful exhibitions with you all.
Please join us at:
Peter Fetterman Gallery
2525 Michigan Ave, Suite A1
Santa Monica, CA
90404 -
#995 - Noell Oszvald
Untitled #1, 2013"What I try to achieve is to set up concepts using the human body as a base, while not making it the main focus of the picture. The result is a still image that is built around a person, but all parts of the whole are of equal importance. I reduce my pictures to content, composition, and form because this minimalist approach allows me to put equal emphasis on the idea behind the artwork and the entirety of the image. Portraying a sense of calmness with images that are built up based on geometric shapes is a recurring theme of my work."
~ Noell Oszvald -
#990 - Peter Fetterman At Photo Basel, Switzerland | Lillian Bassman
Dress by Thierry Mugler, German VOGUE, 1998 / Printed 2007“Lillian made visible that heart breaking invisible place between the appearance and the disappearance of things.”
~ Richard Avedon
(1923-2004) -
#989 - Ralph Gibson
Place de La République, Paris, 1986“For me, photography is a subtractive process. If you're making a drawing, you add lines until you've finished, so that's an additive process. If you're making a sculpture out of marble, you subtract and keep chipping away until you have what you want. In the same way, in a world of infinite possible objects to photograph, I eliminate everything I don't want in a frame until I'm finally left with what I do want.”
~ Ralph Gibson
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#988 - Janine Niépce
L' Elegante et les Colonnes Morris, Paris, 1950/Printed Later“In winter, the elegant ladies wore fur coats that were fitted and cut in such a unique manner, that one could immediately recognize each designer's signature. In the summer, printed dresses made of Lyon silk, combined in rare color harmonies, impeccably made-up faces, protected by flowery capelines illuminated the grey-blue city after sunset. Fragrance trails accompanied these beautiful passers-by. Chanel's N°5 or Guerlain's Chant d'Arômes. To decipher and to recognize them was a magical feeling. The proportions, the balance, the refinement, the purity of the lines of the French creations embodied a rare harmony.”
~ Janine Niépce
(1921 – 2007) -
#985 - Gianni Berengo Gardin
Break During Workday, Milan, 1987 (Printed 2023)“I am a photographer. I’m not an artist. I’m just a witness of what I see.”
~ Gianni Berengo Gardin -
#983 - The Fashion Show | Len Prince
Ford Model VIII Bathing Cap, New York City, 1991, printed 2017"I make clothes. Women make fashion."
~ Azzedine Alaïa -
#973 - Lillian Bassman
Barbara Mullen, Essex House, c. 1950“Would you like to have an adventure now or would you like to have your tea first?”
~ J.M. Barrie
“Peter Pan”
“Long necks. The thrust of the head in a certain position. The way the fingers work. It’s all part of my painting background”~ Lillian Bassman
(1917-2012) -
#971 - Thurston Hopkins
End of a Coming Out Party, Highgate, London, 1954“I can’t recall anyone at Picture Post Magazine mentioning the ethics of photo journalism. It was just understood, a code of behavior which reflected the seriousness of the magazine”
~ Thurston Hopkins
(1913-2014)
“This Royal Throne of Kings, this sceptered isle,
This earth of majesty this seat of Mars,
This other Eden, demi paradise
This fortress built by Nature for herself
Against infection and the hand of war
This happy breed of men, this little world
This precious stone set in a silver sea
Which serves it in the office of a wall
Or as a moat defensive to a house
Against the envy of less happier lands
This blessed plot, this earth
This realm, This England”
~ William Shakespeare
(Richard II) -
#968 - William Helburn
Dovima under the El, 1956"It’s up to us, as mothers and mother-figures, to give the girls in our lives the kind of support that keeps their flame lit and lifts up their voices — not necessarily with our own words, but by letting them find the words themselves.”
~ Michelle Obama
(Former First Lady of the United States) -
#962 - Willy Ronis | Mother's Day
Le Nu Provençal, Gordes, 1949"Mothers hold their children's hands for a short while, but their hearts forever."
~ Unknown
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#959 - Arthur Elgort
Nadja Auermann in Ireland, Vogue, 1993“A good editor, a good stylist and a good model are what makes a good fashion photograph. That and having a good rapport with your subject. If they are comfortable with you they’ll be comfortable in front of your camera”
~ Arthur Elgort“Being the muse of the photographer is what I like about this profession”
~ Nadja Auermann
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#948 - Barry Lategan - Back to the 60s
Twiggy, 1966, printed later“I grew up not wanting to grow up. Growing up seemed terrible. To me it was awful. Children were free and sane and grown ups were hideous”
~ Mary Quant
(1930-2023)“It is given to a fortunate few to be born at the right time, in the right place with the right talents. In recent fashion there are three. Chanel, Dior and Mary Quant”
~ Ernestine Carter“At 16 I was a funny, skinny little thing, all eyelashes and legs. And then suddenly people told me I was gorgeous. I thought they had gone mad”
~ Twiggy -
#920 - Eve Arnold
Gala opening, Metropolitan opera, New York, 1950- printed later“If a photographer cares about the people before the lens and is compassionate, much is given. It is the photographer, not the camera, that is the instrument.”
~ Eve Arnold
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#914 - Grace Robertson
On the Caterpillar, Women's Pub Outing, Clapham, England, 1956“There is no limit to what we, as women, can accomplish.”
~ Michelle Obama
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#906 - Horst P. Horst
Round the Clock, N.Y., 1987“He put a little bit of himself into every picture. He was humble, very quiet, very kind. It was as if he didn’t understand or couldn’t connect to the fact that he held a major place in fashion history and photographic history”
~ Carol Alt
(Model) -
#904 - Horst P. Horst
Nina de Voogh, N.Y., 1951 (Printed Later)“For some people the word “elegance” has acquired objectionable, snobbish connotations. But I myself prefer to regard elegance as an attractive and admirable - if admittedly rare - human attribute: a form of physical and mental grace that has nothing to do with pretension or over refinement or an excess of money to spend. Unlike Huene, who had absorbed an infallible sense of elegance from his upbringing, I had to invent it on my own: more exactly, to learn gradually to recognize elegance in others and try to portray it in my photographs.”
~ Horst P Horst -
#895 - Noell Oszvald
Untitled #5, 2014"When you're observant, inspiration can show up in the most unusual places, triggering a new idea to appear.”
~ Noell Oszvald
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#892 - Sarah Moon
Yves Saint Laurent for Dior, 2022"Everything I know, see or hear, every part of my life is transformed into dresses."
~ Christian Dior
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#888 - Horst P. Horst
Lisa, Hands with Flask & Flowers, 1941 (Printed Later)"I like taking photographs because I like life. And I like photographing people best of all because most of all I love humanity."
~ Horst P. Horst -
#886 - Sarah Moon
Maria Grazia Chiuri for Dior, 2017"Real elegance is everywhere, especially in things that don't show it"
~ Christian Dior -
#865 - Sarah Moon
Blues, 1996“I’ve always known that I didn’t know what I was looking for, that the quest was more important than the prize, that was enough to keep me going”
~ Sarah Moon
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#862 - Jean-Philippe Charbonnier
Backstage at the Folies Bergeres, 1960/Printed 2002“To me exotic is a subway ticket away from my home. There is no need for me to buy a round trip ticket to Japan. I photographed people not always without cruelty, certainly, but with an impassioned interest with a lucid tenderness”
~ Jean-Philippe Charbonnier
(1921-2004) -
#857 - Sarah Moon
For Bill Blass, 1993“In this world of illusion, moments are rare. For a moment to become reality it needs to have a “before” and an “after”, it needs to be related but forgotten in order to be found again”
~ Sarah Moon
“Simplicity is the soul of modern elegance”
~ Bill Blass -
“In 1963, Mrs Kennedy came to London for a visit with her sister, Princess Lee Radziwill, who lived there. I read the daily press bulletin from Buckingham Palace and saw they were expected for lunch with the Queen. I ran from outside Princess Radziwill’s home to Buckingham Palace and took this photograph as their limousine was about to turn into the gate. Recently when I showed the photograph to a close friend of Mrs Kennedy’s he immediately said, "That was taken before 1963", And when I asked how he knew, he replied simply, “Because Jackie never smiled that way again after 1963.”
~ Harry Benson“The children have been a wonderful gift to me and I’m thankful to have once again seen our world through their eyes. They restore my faith in the family’s future”
~ Jacqueline Kennedy -
#843 - John Swannell
Marianne Lah Swannell in Laura Ashley, 1980 (Printed 2022)"Laura Ashley asked me to photograph some of her summer collection in the studio. I told her they need to be photographed in the countryside because her dresses were considered “romantic”. She said “Why don’t you come and stay at my house in Wales as I’m going on holiday” So Marianne Lah who was my girlfriend and I drove to Wales. We took no hair, make up or stylist. Just the two of us. The countryside around her house was spectacular. I just had to point the camera”
~ John Swannell“I don’t like ephemeral things. I just like things that last forever”
~ Laura Ashley
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#836 - Georges Dambier
Sophie Litvak et le petit chien (Sophie with little dog), Paris, 1952“Darling, you are in love with my camera!”
~ Georges Dambier
(1925-2011) -
#832 - Harry Benson
Jackie, 1968“Crowds of skiers were waiting to catch a glimpse of the elegant former First Lady who was on holiday with her children. You could tell it was her from a mile away, even in a ski mask with the signature sunglasses propped on her head. You could still see her eyes - those eyes like no others”
~ Harry Benson
(b. 1929) -
#827 - John Swannell
Marianne Lah Swannell on the beach, 1983“On the day of this picture, I think we’d just had lunch and strolled down to the beach to have a swim. It was September but it was still vey warm. I was just snapping away and said, “I love this beautiful house, just please sit down here.” So Marianne sat down and I did a few pictures with my Pentax 67 which is actually pretty big for carrying on the beach, but I just have to have a camera with me all the time. It was a bit like a fashion shoot because I was directing her rather than just letting her do her thing.I think I even said, “Please put your hand up to your head and close your eyes. Head up a bit and just go into a dream world”. The scene was very posh and I wanted to get that across. I always say my wife belongs to the 1950’s”.
~ John Swannell
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#818 - Noell Oszvald
Untitled #9, 2013"I see my pictures like pages of a coloring book in which content is stripped to the bare essence."
~ Noell Oszvald -
#814 - Manuel Alvarez Bravo
La Hija de los Danzantes [The Daughter of the Dancers], 1933“I just get the will to do it. I don’t plan a photograph in advance… I work by impulse. No philosophy. No ideas. Not by the head but by the eyes. Eventually inspiration comes - instinct is the same as inspiration, and eventually it comes.”
~ Manuel Alvarez Bravo (Mexico, b. 1902-2002)
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#802 - Noell Oszvald
Untitled #19, 2019"Everyone is free to figure out what the picture says to them. It’s very interesting to read so many different thoughts about the same piece of work.”
- Noell Osvald