The images scrolled down below link to the latest posts from our daily collecting guide, Peter's quotes, notes and reflections from forty years of collecting and dealing in photography. Started during lockdown and continued by popular demand for almost three years now, daily posts are sent by email to our mailing list subscribers, with live works for sale and related works to explore, as well as advance previews of exhibitions and events.
You can access the previous 800 posts in our archive pages starting in March 2020 here
Use the #tags below right to search by category and subject.
If there is a particular subject, era, style or artist of interest, please contact our concierge service for a tailor-made private view. If you are an advisor or interior designer, or are thinking of a gift for someone, we can create a specific collection for you to explore.
-
#1286 - Steve McCurry and Jeffrey Conley
Exhibitions extended to Saturday, May 4th, 2024Due to popular demand Jeffrey Conley's exhibition, An Ode to Nature and Steve McCurry's The Endless Traveler have been extended until Saturday May 4th, 2024. Don't miss this opportunity to experience two amazing shows at our Santa Monica gallery. We look forward to your visit.
-
#1270 - Steve McCurry
Floating Offerings, Varanasi, India, 1996"There’s a contemplative or meditative quality to photography, which I find to be a sort of peaceful state. When I’m walking around photographing, I get into a particular mindset where I become much more attuned to the world around me."
~ Steve McCurry
-
#1264 - Henri Cartier-Bresson
Rue Mouffetard, 1954“It is through living that we discover ourselves, at the same time as we discover the world around us”
~ Henri Cartier-Bresson
(1908 - 2004) -
#1261 - Eve Arnold
Baby's Arm, 1959“I have been poor and I wanted to document poverty. I had lost a child and I was obsessed with birth. I was interested in politics and I wanted to know how it affected our lives. I am a woman and I wanted to know about women”
~ Eve Arnold
(1912-2012) -
#1259 - PFG in New York
The photography show at the Park Avenue ArmoryThe Photography Show is approaching quickly! Join PFG in New York City this spring for AIPAD 2024 at one of our favorite venues, the Park Avenue Armory. The fair will take place between April 25th - 28th, 2024. Tickets are available to purchase now! More information included below.
Is there a photograph that catches your fancy on our website and you would like to see the print in person? We are happy to bring photographs with us for special VIP viewings at the fair.
To schedule a viewing please contact peter@peterfetterman.com with viewing requests. -
#1252 - Henri Cartier-Bresson
Simiane-la-Rotonde, 1970“For me the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which in visual terms, questions and decides simultaneously. In order to give a meaning to the world, one has to feel involved in what one frames through the viewfinder. This attitude requires concentration, discipline of mind, sensitivity and a sense of geometry. It is by economy of means that one arrives at simplicity of expression"
~ Henri Cartier-Bresson
(1908 - 2004) -
#1233 - Earlie Hudnall
~ Earlie Hudnall (Jr.)"I chose the camera as a tool to document different aspects of life: who we are, what we do, how we live, what our communities look like."
~ Earlie Hudnall (Jr.)
-
#1127 - Jacques Lowe
Playground, Glasgow, Scotland, 1954"...Jacques Lowe was monumentally self-effacing. This, I believe, is why his camera caught so much human truth. There are no orchestrated 'photo-opportunities here..."
~ Arthur Schlesinger, Jr.
American Historian and Social Critic
(1917 - 2007) -
#1104 - Bruce Davidson
Untitled, (Stickball Scene, Brooklyn Gang, NY), 1959 / Printed Later"I don’t always know why I’m photographing something. It’s my learning machine."
~ Bruce Davidson
-
#1049 - Alfred Eisenstadt
Cold Landscape, Study 2, Sanai, Hokkaido, Japan, 2007/printed 2019"I often think of my work as visual haiku. It is an attempt to evoke and suggest through as few elements as possible rather than to describe with tremendous detail."
~ Michael Kenna
-
#1040 - Steve McCurry
Boy Between Two Relatives. Hajjah, Yemen, 1999"I spent the day at a wedding with this family in Sana'a, Yemen. As the father and uncle left late in the afternoon, the boy seemed tired and bored. It reminded me what it was like to go to adult events when I was young, and longing to be out playing. It's a tradition in Yemen for men to wear a Jambiya, a curved dagger, around their waist. It is typically given to sons by their fathers."
~ Steve McCurry -
#1017 - Jacques Lowe
Hyannis Port Summer, Bobby, Michael, Courtney and dog Brumus, 1962“The purpose of life is to contribute in some way to making things better."
~ Robert Francis Kennedy
(1925 - 1968) -
#1006 - Bruce Davidson
England (nannies pulling prams), 1960“I had no brief, no agenda at all. They just let me loose. I was free to encounter life. There was a certain sense of grayness everywhere. That’s why these pictures are delicate and I was delicate too”
~ Bruce Davidson -
#1003 - John Simmons
Parade Chicago, 1967“When I press the shutter, everything I've ever done, ever smiled about, cried about, or loved shapes how I see. Nothing is more important than that moment; it's what makes me see a picture."
~ John Simmons
-
#998 - Pentti Sammallahti
Pyhäjärvi, Finland (Sleeping Boy & Dog), 2000 (Printed Later)"If there are no dogs in heaven, then when I die I want to go where they went."
~ Will Rogers
-
#986 - Fathers Day | Elliott Erwitt
Provence, France (Boy on Bicycle), 1955/Printed Later“Someday you will know that a father is much happier in his children’s happiness than in his own. I cannot explain it to you: it is a feeling in your body that spreads gladness through you.”
~ Honore de Balzac
(Le Père Goriot, 1835) -
#979 - Shirley Baker
Manchester, 1968“I did know that fundamental changes were taking place… and nobody seemed to be interested in recording the faces of the people or anything in their lives"
~ Shirley Baker
-
#978 - Father's Day | John Dominis
Jacques D'Amboise Playing with his Children, Seattle, Washington, 1962, printed 2006"I am not ashamed to say that no man I ever met was my father's equal, and I never loved any other man as much."
~ Hedy Lamarr
-
#977 - New Exhibition: The Flower Show | Robert Doisneau
Voiture de Quatre-Saisons: Les Fleurs de la Place du Marche Saint-Honore“I’m quite happy with my pictures. I’ve been co-habitant with them for years now and we know each other inside out. So I feel I’m entitled to say that pictures have a life and a character of their own. Maybe they’re like plants, they won’t really flourish unless you talk to them"
~ Robert Doisneau
(1912-1994) -
#945 - Edouard Boubat
Tuscany, Italy, 1956/Printed Later"Mother's love, that divine gift which comforts, purifies, and strengthens all who seek it."
~ Louisa May Alcott -
#924 - Dorothy Bohm (1924-2023)
In Memoriam“I have spent my lifetime taking photographs. The photograph fulfills my deep need to stop things from disappearing. It makes transience less painful and retains some of the special magic which I have looked for and found. I have tried to create order out of chaos, to find stability in flux and beauty in the most unlikely places”
~ Dorothy Bohm -
#922 - George Zimbel
The Bridesmaid, Philadelphia, 1953“My work begins with recording an image, but it is not finished until I have made a fine print. That is my photograph. A lot goes into a finished documentary photograph, a very personal view of life, a knowledge of technique and of course, information. It is the information that gets the viewer, but it is the photographer’s art that holds them."
~ George Zimbel -
#917 - Edouard Boubat
Paris, 1948“The eternal is a moment that breathes and contains life, the span of one breath”
~ Edouard Boubat -
#902 - Robert Doisneau
L' aéroplane de Papa, 1934“If I knew how to take a good photograph, I’d do it every time”
~ Robert Doisneau
1912-1994 -
#900 - Willy Ronis
La Ciotat, 1947“Most of my photographs were taken in the spur of the moment, very quickly, just as they occurred. All attention focuses on the specific instant, almost too good to be true, which can only vanish in the following one”
~ Willy Ronis
-
#871 - Edouard Boubat
Tuscany, Italy, 1956/Printed Later“Just like the thunderbolt of first love or a first glance wipes away everything else and creates a kind of emptiness, I swear that at the precise moment of clicking the shutter, I have no forethought, no desire, no intention, no memory. The subject has taken hold of me: this is the impulse of acting without self interest. It happens in a moment. I am open, this opening lets in the fleeting moment when everything is bathed in the same light. This is how artists, painters, musicians, photographers - truly know themselves. Deep down they feel the same thrill as everyone else. The first glance is complete, in the light of the whole. I take portraits of light”
~ Edouard Boubat
(1923 - 1999) -
#868 - Edouard Boubat
Deux Fillettes à Maubert, Paris, 1952“You cannot live when you are untouchable. Life is vulnerability”
~ Edouard Boubat
(1923 - 1999) -
#860 - Dan Budnik
Voter Registration Demonstration outside the Dallas County Courthouse, Students with Quimtella Harrell, center, age 10, Selma, Alabama, March 5, 1965“Violence as a way of achieving racial justice is both impractical and immoral. I am not unmindful of the fact that violence often brings about momentary results. Nations have frequently won their independence in battle. But in spite of temporary victories, violence never brings permanent peace. It solves no social problem: it merely creates new and more complicated ones. Violence is impractical because it is a descending spiral ending in destruction for all. It is immoral because it seeks to humiliate the opponent rather than win his understanding: it seeks to annihilate rather than convert. Violence is immoral because it thrives on hatred rather than love. It destroys community and makes brotherhood impossible. It leaves society in monologue rather than dialogue. Violence ends up defeating itself.”
~ Martin Luther King
(1929 -1968)"The child marchers and protesters were some of the most inspiring participants of the Civil Rights movement to me. The authorities arrested thousands of people who were demonstrating for voting rights primarily in Selma and Montgomery, Alabama. The jails were overflowing. They used a sports stadium in Selma to detain people. I realized the kids had formed a certain resolve. They’d seen their parents forced to live a certain way, and they weren’t going to do that. When I saw that, I knew change was imminent. These young students, considering the threat of violence they faced, acted very heroically. One young lady in particular stands out in my mind to this day — Quintella Harrel, a demonstrator for voter registration who was only ten. Her face had that resolve, and to me, she personified inevitable change."
~ Dan Budnick
(1933 - 2020) -
#851 - Robert Doisneau
Le Manege De Mr. Barre, 1955“I hate ugliness, it makes me physically ill. But melancholy and compassion, these may be minor values but they’re the ones that move me most of all.”
~Robert Doisneau
(1912-1994)
-
#848 - Willy Ronis
Fondamente Nuove, Venice, 1959“The sun, which was already a little low created sharp silhouettes against the back light. I switched out the 28mm for the exact opposite, the 135 mm which would best form the image that I was hoping for and which I could already see in my head. Just as I hoped a little girl stepped on to the bridge. A single click”
~ Willy Ronis(1910-2009) -
#845 - Edouard Boubat
Florence Sous La Neige, Paris, 1959"The wandering photographer sees the same show that everyone else sees. He, however, stops to watch it."
~ Edouard Boubat
(1923 - 1999) -
#844 - Harry Benson
Coretta Scott King & Family, 1968“On April 4, 1968 amidst rising racial tension, Martin Luther King Jr, was shot while the balcony of the Lorraine Motel in Memphis,Tennessee. America was shocked, stunned and again pitched into the nightmare of violent death and public agony, not five years after President John F Kennedy’s assassination in Dallas. I was nearby and flew to Memphis and then on to Atlanta to cover the funeral. Arriving in advance of the plane that was carrying the body of the slain civil rights leader, I moved out of the photographers’ allotted area on the tarmac for a moment and caught one frame of his widow, Coretta Scott King and their children as they prepared to step down from the plane. Crowds lined up outside the Ebenezer Baptist Church in Atlanta to quietly view the casket and pay tribute to the slain leader.”
~ Harry Benson
“Struggle is a never-ending process. Freedom is never really won, you earn it and win it in every generation”~ Coretta Scott King
(1927 - 2006) -
#820 - Willy Ronis
Le Petit Parisian, Paris, 1952“I had set up near a bakery at peak hour and after a few attempts, I was not sure I had the right image. Then I noticed a boy seriously counting his pennies while waiting for his turn and I explained to him what I needed from him. Exit the bakery in a hurry with the loaf held tilted under his left arm. The first attempt was too tense, the second was perfect. We went back into the bakery to eat a chocolate treat together"
~ Willy Ronis
“250 grams of magic and perfection in our daily lives. A French way of life. We had been fighting for years with bakers and the world of gastronomy for its recognition. The baguette is now a Unesco intangible heritage.”
~ Emmanuel Macron (President of France) -
#815 - Miho Kajioka
BK0006, 2000“The world has been always made of many different layers – even before the disaster. And there have been always problems, and beautiful things have always remained beautiful…”
~ Miho Kajioka -
#804 - Ralph Eugene Meatyard
Untitled - 2 boys and doorways, 1960“The camera is an unsophisticated mechanical instrument which, like a mirror, reflects passively without a conscience. The artist must supply the conscience.”
~ Ralph Eugene Meatyard
(1925-1972) -
#803 - Sabine Weiss
La petite égyptienne, 1983“I think that a photograph to be strong has to recount some aspect of the human condition, enable us to feel the emotion that the photographer felt before her subject”
~ Sabine Weiss