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The images scrolled down below link to the latest posts from our daily collecting guide, Peter's quotes, notes and reflections from forty years of collecting and dealing in photography. Started during lockdown and continued by popular demand for almost three years now, daily posts are sent by email to our mailing list subscribers, with live works for sale and related works to explore, as well as advance previews of exhibitions and events.

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  • #1283 - PFG in New York

    The AIPAD Photography Show is back at the Armory
    #1283 - PFG in New York

    We are excited to return to New York next week for AIPAD 2024, at one of our favorite venues - the Park Avenue Armory. 

    Is there a photograph that catches your fancy on our website that you would like to see in person? We are happy to arrange special VIP appointments at the fair. To discuss further and schedule a viewing, please contact peter@peterfetterman.com

    Explore our online preview for featured works by Henri Cartier BressonJeffrey ConleySarah MoonAnastasia Samoylova, and George Tice.

     

    BOOTH PREVIEW

  • #1272 - Henri Cartier-Bresson

    Srinagar, Kashmir, 1948
    #1272 - Henri Cartier-Bresson

    “At the moment of shooting (composition) can stem only from our intuition, for we are out to capture the fugitive moment, and all the interrelationships involved are on the move……. It very rarely happens that a photograph which was feebly composed can be saved by reconstruction of its composition under the darkroom’s enlarger. The integrity of the vision is no longer there”

     

    ~ Henri Cartier-Bresson
    (1908 - 2004)

  • #1271 | The Naples Art Institute

    The Power of photography Museum exhibition
    #1271 | The Naples Art Institute

    We are thrilled to share that the “The Power of Photography” exhibition has been met with a wonderful reception! The Naples Press recently covered the exhibition in their Arts and Leisure section. Harriet Howard Heithaus's review for the paper is shared below.

     

    Visit the exhibition online

    There's still time to see the exhibition. The exhibition of 122 original prints curated by collector and gallerist Peter Fetterman, is on view now until April 28th 2024. For more information on visiting the museum, please see below for tickets and more information.

    The Power of Photography Exhibition
    Naples Art Institue
    585 Park Street
    Naples, FL 34102

    Naples Art Institue and Gallery Store
    Monday/Wednesday/Friday/Saturday: 10 a.m. - 6 p.m.
    Tuesday/Thursday: 10 a.m. - 8 p.m.
    Sunday: 11 a.m. - 4 p.m.

  • #1265 - Edouard Boubat

    Lella, Bretagne, 1947
    #1265 - Edouard Boubat

    "I have often been asked what I think of that photo. What I think, to quote Proust, is that it is charged with something of the “transparent substance of our best moments,” those that we shared while we were young. Boubat and I, before the course of life made us drift apart, caught upon the spell that we were living under back then and what can only be called a poetic adventure.”

    ~ Lella, 1987
    (Great muse of artist Edouard Boubat)

    'Never give all the heart for love'

    Never give all the heart for love
    Will hardly seem worth thinking of
    To passionate women if it seem
    Certain, and they never dream
    That it fades out from kiss to kiss:
    For everything that’s lovely is
    But a brief, dreamy, kind delight.
    O never give the heart outright.
    For they, for all smooth lips can say
    Have given their heart up to the play.
    And who could play it well enough
    If deaf and dumb and blind with love?
    He that made this knows all the cost
    For he gave all his heart and lost

    ~ W B Yates
    (1865-1839)

     

  • #1262 - Cig Harvey

    Emily in the River, 2019
    #1262 - Cig Harvey
    “I have often felt that beauty is the only language worth speaking”

    ~ Cig Harvey
  • #1261 - Eve Arnold

    Baby's Arm, 1959
    #1261 - Eve Arnold

    “I have been poor and I wanted to document poverty. I had lost a child and I was obsessed with birth. I was interested in politics and I wanted to know how it affected our lives. I am a woman and I wanted to know about women”

     

    ~ Eve Arnold
    (1912-2012)

  • #1260 - Flor Garduño

    La Mujer Que Sueña, Pinotepa Nacional, México, 1991
    #1260 - Flor Garduño

    “The models are friends of mine. These photographs involve moments of complicity that only a friend could accept. If there is no fondness between the model and the photographer, this kind of work cannot be done”

     

    ~ Flor Garduno

  • #1257 - Cig Harvey

    White Phlox (Madeleine) Eagle Island, Maine, 2021
    #1257 - Cig Harvey

    “There is an orchestra outside my window”

     

    ~ Cig Harvey

  • #1248 - Sabine Weiss

    Mode pour Vogue, Paris, 1955
    #1248 - Sabine Weiss

    “Photography is an alibi, a pretext to see everything, to go everywhere, to communicate with everyone”

     

    ~ Sabine Weiss
    (1924-2021)

  • #1246 - Lillian Bassman

    It's A Cinch: Carmen, New York, Harper's Bazaar, 1951
    #1246 - Lillian Bassman

    “You see, when models work with men, they strike up a pose and so on…..with me they were always totally relaxed. I was just a woman photographing another woman who was very relaxed as well”

     

    ~ Lillian Bassman
    (1917 - 2012)

  • #1237 | Ilona Langbroek

    Expectations #2 (from the series Silent Loss), 2012
    #1237 | Ilona Langbroek

    "I create my images based upon stories and memories, in which I try to visualize the bond between man, spirit and nature. I love to use the contrast between light and dark and the twilight zone between them."

     

    ~ Ilona Langbroek

  • #1230 - William Helburn

    Red Canoe, 1956
    #1230 - William Helburn

    “It never entered my mind that I was going to make it, but as I look back on my life I can see why I did. I made it because I had to always do something a little different. I made it because my taste was never bad. I had undying energy. If I did a picture, I couldn’t wait to see it. I always wanted to get things done as fast as possible. It’s going to be the way I want it. The model will meet my approval. They’re never going to force anybody down my throat. Every picture should be as good as I could make it.”

     

    ~ William Helburn
    (1924-2020)

  • #1220 - Flor Garduño

    Santo Reposo / "Holy Rest", Santa Catarina Palapó, Guatemala, 1989
    #1220 - Flor Garduño

    “I want to express our dignity, beauty, suffering and resistance. This is the force of our gender."

     

    Flor Garduño

  • #1120 - Sarah Moon

    A Bouche Perdue, 2000
    #1120 - Sarah Moon

    “I want to find an echo between myself and the world, a resonance”

     

    ~ Sarah Moon

  • #1116 - Sheila Metzner

    Rosemary, Ungaro Hat, Couture, Vogue , 1985
    #1116 - Sheila Metzner

    “The work is grounded. It’s solid and it hasn’t changed.. I have, but not the photographs.. I have great admiration for whoever I was, whoever the person was that did the work somehow in that time”

     

    ~ Sheila Metzner

  • #1107 - Sheila Metzner

    Uma. Patou Dress, 1986, Printed 2016
    #1107 - Sheila Metzner

    “The idea was that if I could light the cone and the sphere, the girl and the clothes would look alright”

    ~ Sheila Metzner

  • #1106 - Lillian Bassman

    Barbara Mullen, (Flat Hat, Bare Back), c. 1950's
    #1106 - Lillian Bassman

    “I moved very well in front of the camera. My arms, my legs - I seemed able to do anything with them - I felt absolutely wonderful when I moved with Lillian. It was like being free - it was like being in heaven"

    ~ Barbara Mullen
    (1927-2023)

    “There are models that are not models but muses. She had everything marvelous: a beautiful neck, grace, the ability to respond to me”

    ~ Lillian Bassman
    (1917-2012)

  • The Power of Photography Exhibition at the Bowers Museum

    Audrey Hepburn with Flowers, 1955 (Printed 2017)
    The Power of Photography Exhibition at the Bowers Museum
    We are looking forward to the opening of “The Power of Photography” exhibition at the Bowers Museum this Saturday! This exhibition will feature a selection of over 70 original prints curated by collector and gallerist Peter Fetterman, on view October 7th, 2023 to January 14th 2024. The museum will also be hosting a number of events around the exhibition including a lecture and book signing by Peter Fetterman on October 7th at the Bowers Museum. To attend the event online or at the museum please see below for tickets and more information.
  • #1097 - Elliott Erwitt

    New York City, [Empire State Building], 1955
    #1097 - Elliott Erwitt

    "It's just seeing - at least the photography I care about. You either see or you don't see. The rest is academic. Anyone can learn how to develop. It's how you organize what you see into a picture."

     

    ~ Elliott Erwitt

  • #1093 - Graciela Iturbide

    Delhi, India, 2000
    #1093 - Graciela Iturbide

    “When I'm taking pictures I even forget that I have a camera. When I shoot I forget about everything. Light comes, death comes, people go in and out in costume—and it's like a play.”

     

    ~ Graciela Iturbide

  • #1085 - David Montgomery

    Grace Coddington, Vidal Sassoon Five Point Cut, 1966 (Printed 2018)
    #1085 - David Montgomery

    “Always keep your eyes open. Keep watching. Because whatever you see can inspire you.”

     

    ~ Grace Coddington

  • #1076 - Ilona Langbroek

    Longing for Insulinde #3 (from the series Silent Loss), 2021
    #1076 - Ilona Langbroek

    “In my personal quest for my family history, my aim is to make photographs that are not bound by time. Using the atmosphere of the past, I want to make history tangible and recognizable in the present”

     

    ~ Ilona Langbroek

  • #1064 - William Klein

    Dolores Wants a Taxi, New York (Vogue), 1958, printed 2016
    #1064 - William Klein

    “Be yourself. I much prefer seeing something, even it is clumsy, that doesn't look like somebody else's work."

     

    ~ William Klein

  • #1053 - Sarah Moon

    John Galliano for Dior, 2022
    #1053 - Sarah Moon

    ‘’Fashion designers offer one of the last refuges of the marvelous.They are in a way, the masters of dreams”

    ~ Christian Dior

    “For me photography is pure fiction, even if it comes from life”

    ~ Sarah Moon

  • #1052 - Lillian Bassman

    Coat by Christian Dior, Barbara Mullen, Paris, c. 1949
    #1052 - Lillian Bassman

    "In a machine age, making clothes is one of the last refuges of the human, the personal, the inimitable”

    ~ Christian Dior

  • #1051 - Lillian Bassman

    Barbara Mullen, Harper's Bazaar, New York, 1950s
    #1051 - Lillian Bassman

    "Long necks. The thrust of the head in a certain position. The way the fingers work, fabrics work. It’s all part of my painting background."

    ~ Lillian Bassman

  • Summer Snapshots: A Summer Themed Photo Collection
    “And so with the sunshine and the great bursts of leaves growing on the trees, just as things grow in fast movies, I had that familiar conviction that life was beginning over again with the summer.”~ F. Scott Fitzgerald
  • #1024 - William Klein

    Two Hats in Room, Paris (VOGUE), 1963
    #1024 - William Klein

    "What would please me most is to make photographs as incomprehensible as life is."

    ~ William Klein

  • #1020 - Frances McLaughlin-Gill

    Fiona Campbell, The Palace at Versailles, Paris, 1951
    #1020 - Frances McLaughlin-Gill

    "Fashion is not frivolous. It is a part of being alive today."

     

    ~ Mary Quant
    (1930-2023)

  • #1010 - Jerry Schatzberg

    Carmine & Janet Randy with Car, 1959
    #1010 - Jerry Schatzberg

    “I think I like seeing honesty and I like seeing the truth, and I think I bring that to my films and I bring that to my stills as much as I can. I don't like superficial-looking things.”

    ~ Jerry Schatzberg

  • #1001 - Melvin Sokolsky | The Fashion Show & The Flower Show

    Side Kick, Paris, 1963, printed later
    #1001 - Melvin Sokolsky | The Fashion Show & The Flower Show

    Peter Fetterman Gallery is proud to present The Fashion Show and The Flower Show. The exhibitions will be on view between June 17th, 2023 – October 7th, 2023. An opening reception will be held today, Saturday, June 17th from 3:00 – 6:00 PM.

     

    We look forward to seeing you this evening and sharing these two beautiful exhibitions with you all.

    Please join us at:

    Peter Fetterman Gallery
    2525 Michigan Ave, Suite A1
    Santa Monica, CA
    90404

     

    View The Fashion Show online 
    View The Flower Show online

  • #996 - Peter Fetterman At Photo Basel, Switzerland | Sarah Moon

    Photo Basel Switzerland’s first and only international art fair dedicated to photography based art, now in its 8th edition, is open!

    The fair takes place during Art Basel week from June 12th – 18th  at Volkshaus Basel, just a short walk from Art Basel at the convention centre.

     

     

  • #995 - Noell Oszvald

    Untitled #1, 2013
    #995 - Noell Oszvald

    "What I try to achieve is to set up concepts using the human body as a base, while not making it the main focus of the picture. The result is a still image that is built around a person, but all parts of the whole are of equal importance. I reduce my pictures to content, composition, and form because this minimalist approach allows me to put equal emphasis on the idea behind the artwork and the entirety of the image. Portraying a sense of calmness with images that are built up based on geometric shapes is a recurring theme of my work."

    ~ Noell Oszvald

  • #991 - The Flower Show, PFG & L.A. Louver | Luis González Palma

    We are happy to join with our esteemed colleagues at LA Louver (Venice, CA) to celebrate this summer the beauty and power of botanicals in our two exhibitions, The Flower Show.

  • #990 - Peter Fetterman At Photo Basel, Switzerland | Lillian Bassman

    Dress by Thierry Mugler, German VOGUE, 1998 / Printed 2007
    #990 - Peter Fetterman At Photo Basel, Switzerland | Lillian Bassman

    “Lillian made visible that heart breaking invisible place between the appearance and the disappearance of things.”


    ~ Richard Avedon
    (1923-2004)

  • #988 - Janine Niépce

    L' Elegante et les Colonnes Morris, Paris, 1950/Printed Later
    #988 - Janine Niépce

    “In winter, the elegant ladies wore fur coats that were fitted and cut in such a unique manner, that one could immediately recognize each designer's signature. In the summer, printed dresses made of Lyon silk, combined in rare color harmonies, impeccably made-up faces, protected by flowery capelines illuminated the grey-blue city after sunset. Fragrance trails accompanied these beautiful passers-by. Chanel's N°5 or Guerlain's Chant d'Arômes. To decipher and to recognize them was a magical feeling. The proportions, the balance, the refinement, the purity of the lines of the French creations embodied a rare harmony.”


    ~ Janine Niépce
    (1921 – 2007)

  • #985 - Gianni Berengo Gardin

    Break During Workday, Milan, 1987 (Printed 2023)
    #985 - Gianni Berengo Gardin

    “I am a photographer. I’m not an artist. I’m just a witness of what I see.”


    ~ Gianni Berengo Gardin

  • #984 - William B. Post

    Woman picking flowers, 1900
    #984 - William B. Post

    “If you look the right way, you can see the whole world is a garden"


    ~ Frances Hodgson Burnett
    (1849-1924)

  • #983 - The Fashion Show | Len Prince

    Ford Model VIII Bathing Cap, New York City, 1991, printed 2017
    #983 - The Fashion Show | Len Prince

    "I make clothes. Women make fashion."


    ~ Azzedine Alaïa

  • #975 - John Gutmann

    Class (Olympic High Diving Champion Marjorie Gestring), 1936 (printed circa 1980)
    #975 - John Gutmann

    "As a rule I do not like to explain my photographs, I want my pictures to be read and explored. I believe a good picture is open to many individual (subjective) associations. I am usually pleased when a viewer finds interpretations that I myself had not been aware of."

     

    ~ John Gutmann
    (1905-1998)

  • #973 - Lillian Bassman

    Barbara Mullen, Essex House, c. 1950
    #973 - Lillian Bassman

    “Would you like to have an adventure now or would you like to have your tea first?”

    ~ J.M. Barrie
    “Peter Pan”


    “Long necks. The thrust of the head in a certain position. The way the fingers work. It’s all part of my painting background”

    ~ Lillian Bassman
    (1917-2012)

  • #971 - Thurston Hopkins

    End of a Coming Out Party, Highgate, London, 1954
    #971 - Thurston Hopkins

    “I can’t recall anyone at Picture Post Magazine mentioning the ethics of photo journalism. It was just understood, a code of behavior which reflected the seriousness of the magazine”

    ~ Thurston Hopkins

    (1913-2014)

     

    “This Royal Throne of Kings, this sceptered isle,
    This earth of majesty this seat of Mars,
    This other Eden, demi paradise
    This fortress built by Nature for herself
    Against infection and the hand of war
    This happy breed of men, this little world
    This precious stone set in a silver sea
    Which serves it in the office of a wall
    Or as a moat defensive to a house
    Against the envy of less happier lands
    This blessed plot, this earth
    This realm, This England”


    ~ William Shakespeare
    (Richard II)

  • #968 - William Helburn

    Dovima under the El, 1956
    #968 - William Helburn

    "It’s up to us, as mothers and mother-figures, to give the girls in our lives the kind of support that keeps their flame lit and lifts up their voices — not necessarily with our own words, but by letting them find the words themselves.”


    ~ Michelle Obama
    (Former First Lady of the United States)

  • #962 - Willy Ronis | Mother's Day

    Le Nu Provençal, Gordes, 1949
    #962 - Willy Ronis | Mother's Day

    "Mothers hold their children's hands for a short while, but their hearts forever."

     

    ~ Unknown

  • #959 - Arthur Elgort

    Nadja Auermann in Ireland, Vogue, 1993
    #959 - Arthur Elgort

    “A good editor, a good stylist and a good model are what makes a good fashion photograph. That and having a good rapport with your subject. If they are comfortable with you they’ll be comfortable in front of your camera”


    ~ Arthur Elgort

     

    “Being the muse of the photographer is what I like about this profession”

     

    ~ Nadja Auermann

  • #953 - Ruth Bernhard

    Spanish Dancer, 1971
    #953 - Ruth Bernhard

    “I try to be aware of light at all times. I’m always watching for it. I am not looking at light because I am a photographer. I am a photographer because I am deeply involved with light”

    ~ Ruth Bernhard

    “I believe in and make no apologies for photography. It is the most important graphic medium of our time. It does not have to be -indeed cannot be compared to painting. It has different means and aims”

    ~ Edward Weston

  • #951 - George Zimbel

    Woman at The Bar, Bourbon Street, New Orleans , 1955 (printed 2008)
    #951 - George Zimbel

    “My work begins with recording an image, but it is not finished until I have made a fine print. That is my photograph. A lot goes into a finished documentary photograph, a very personal view of life, a knowledge of technique and of course information. It is the information that grabs the viewer but it is the photographers’s art that holds them."


    ~ George Zimbel

  • #945 - Edouard Boubat

    Tuscany, Italy, 1956/Printed Later
    #945 - Edouard Boubat

    "Mother's love, that divine gift which comforts, purifies, and strengthens all who seek it."


    ~ Louisa May Alcott

  • #937 - Ruth Bernhard

    Folding, 1962
    #937 - Ruth Bernhard

    “Men photograph a female nude as if she belonged to them. I photograph a woman as part of the universe”

     

    ~ Ruth Bernhard

  • #933 - Yousuf Karsh

    Georgia O'Keeffe, 1956 (Printed Later)
    #933 - Yousuf Karsh

    “I decided to photograph her as another friend had described her
    “Georgia, her pure profile calm, clearer sleek black hair drawn swiftly back into a tight knot at the nape of her necktie strong white hands, touching and lifting everything, even the boiled eggs, as if they were living things-sensitive slow moving hands, coming out of the black and white, always this black and white".

     

    ~ Yousuf Karsh
    (1908-2002)


    “It’s not enough to be nice in life. You’ve got to have nerve. To create one’s world in any of the arts takes courage.”

     

    ~ Georgia O’Keefe
    (1887-1986)

  • #929 - Harry Callahan

    Eleanor, Chicago (backside), 1948/Printed Later
    #929 - Harry Callahan

    “A picture is like a prayer”

     

    ~ Harry Callahan
    (1912-1999)

  • #928 - Bill Brandt

    Nude with Elbow, 1952 (Printed in the 70's.)
    #928 - Bill Brandt

    "One day in a second-hand shop near Covent Garden, I found a 70 year old wooden Kodak. I was delighted. Like nineteenth-century cameras it had no shutter, and the wide-angle lens, with an aperture as minute as a pin-hole, was focused on infinity. In 1926, Edward Weston wrote in his diary “The camera sees more than the eyes, so why not make use of it”. My new camera saw more and saw it differently. It created a great illusion of space, an unrealistically steep perspective and it distorted. When I began to photograph nudes, I let myself be guided by this camera and instead of photographing what I saw, I photographed what the camera was seeing. I interfered very little, and the lens produced anatomical images and shapes which my eyes had never observed."

    ~ Bill Brandt
    (1904-1983)

  • #922 - George Zimbel

    The Bridesmaid, Philadelphia, 1953
    #922 - George Zimbel

    “My work begins with recording an image, but it is not finished until I have made a fine print. That is my photograph. A lot goes into a finished documentary photograph, a very personal view of life, a knowledge of technique and of course, information. It is the information that gets the viewer, but it is the photographer’s art that holds them."


    ~ George Zimbel

  • #920 - Eve Arnold

    Gala opening, Metropolitan opera, New York, 1950- printed later
    #920 - Eve Arnold

    “If a photographer cares about the people before the lens and is compassionate, much is given. It is the photographer, not the camera, that is the instrument.”

     

    ~ Eve Arnold

  • #918 - Harry Callahan

    Eleanor and Barbara, Chicago, 1954
    #918 - Harry Callahan

    “If you choose your subject selectively, intuitively, the camera can write poetry.”

     

    ~ Harry Callahan

     

  • #914 - Grace Robertson

    On the Caterpillar, Women's Pub Outing, Clapham, England, 1956
    #914 - Grace Robertson

    “There is no limit to what we, as women, can accomplish.”

    ~ Michelle Obama

  • #913 - Heinrich Kühn

    Mary in a White Dress, 1907
    #913 - Heinrich Kühn

    “Photography is a potential depiction expressed in seamlessly merging tonal values and brought about or conveyed by the effects of light”


    ~ Heinrich Kuhn

  • #912 - Judy Dater

    Imogen Cunningham & Twinka at Yosemite, California, 1974
    #912 - Judy Dater

    “The older I get the one thing I can trust in myself more than anything else is the way I feel about something. When I photograph, I try to be as aware of my feelings as I can be to somehow try and get them out of me and onto the film in terms of the way I am responding or seeing the world”


    ~ Judy Dater

  • #911 - Harry Callahan

    Eleanor, Chicago, 1948
    #911 - Harry Callahan

    “Eleanor was innocent and I was innocent.
    I just try to photograph what I like. I thought she was beautiful. I intuitively photographed her. All my photography is innocent”


    ~ Harry Callahan

  • #906 - Horst P. Horst

    Round the Clock, N.Y., 1987
    #906 - Horst P. Horst

    “He put a little bit of himself into every picture. He was humble, very quiet, very kind. It was as if he didn’t understand or couldn’t connect to the fact that he held a major place in fashion history and photographic history”

     

    ~ Carol Alt
    (Model)

  • #904 - Horst P. Horst

    Nina de Voogh, N.Y., 1951 (Printed Later)
    #904 - Horst P. Horst

    “For some people the word “elegance” has acquired objectionable, snobbish connotations. But I myself prefer to regard elegance as an attractive and admirable - if admittedly rare - human attribute: a form of physical and mental grace that has nothing to do with pretension or over refinement or an excess of money to spend. Unlike Huene, who had absorbed an infallible sense of elegance from his upbringing, I had to invent it on my own: more exactly, to learn gradually to recognize elegance in others and try to portray it in my photographs.”


    ~ Horst P Horst

  • #895 - Noell Oszvald

    Untitled #5, 2014
    #895 - Noell Oszvald

    "When you're observant, inspiration can show up in the most unusual places, triggering a new idea to appear.”

    ~ Noell Oszvald

  • #892 - Sarah Moon

    Yves Saint Laurent for Dior, 2022
    #892 - Sarah Moon

    "Everything I know, see or hear, every part of my life is transformed into dresses."

    ~ Christian Dior

  • #886 - Sarah Moon

    Maria Grazia Chiuri for Dior, 2017
    #886 - Sarah Moon

    "Real elegance is everywhere, especially in things that don't show it"


    ~ Christian Dior

  • #884 - Elliott Erwitt

    Jackie Kennedy at Funeral, 1963
    #884 - Elliott Erwitt

    “Pictures have to do with heart and mind and eye and they have to communicate and as long as they do that it’s valid”

     

    ~ Elliott Erwitt

  • #882 - Imogen Cunningham

    Triangles, 1928, printed later
    #882 - Imogen Cunningham

    “My interest in photography has something to do with the aesthetic and that there should be a little beauty in everything”

     

    Imogen Cunningham
    (1883-1976)

     

     

  • #883 - Gertrude Käsebier

    The Manger, 1903
    #883 - Gertrude Käsebier

    “The key to artistic photography is to work out your own thoughts, by yourself. Imitation leads to certain disaster. New ideas are always antagonized. Do not mind that. If a thing is good it will survive”

     

    ~ Gertrude Käsebier
    (1853-1934)

  • #871 - Edouard Boubat

    Tuscany, Italy, 1956/Printed Later
    #871 - Edouard Boubat

    “Just like the thunderbolt of first love or a first glance wipes away everything else and creates a kind of emptiness, I swear that at the precise moment of clicking the shutter, I have no forethought, no desire, no intention, no memory. The subject has taken hold of me: this is the impulse of acting without self interest. It happens in a moment. I am open, this opening lets in the fleeting moment when everything is bathed in the same light. This is how artists, painters, musicians, photographers - truly know themselves. Deep down they feel the same thrill as everyone else. The first glance is complete, in the light of the whole. I take portraits of light”

    ~ Edouard Boubat
    (1923 - 1999)

  • #827 - John Swannell

    Marianne Lah Swannell on the beach, 1983
    #827 - John Swannell

    “On the day of this picture, I think we’d just had lunch and strolled down to the beach to have a swim. It was September but it was still vey warm. I was just snapping away and said, “I love this beautiful house, just please sit down here.” So Marianne sat down and I did a few pictures with my Pentax 67 which is actually pretty big for carrying on the beach, but I just have to have a camera with me all the time. It was a bit like a fashion shoot because I was directing her rather than just letting her do her thing.I think I even said, “Please put your hand up to your head and close your eyes. Head up a bit and just go into a dream world”. The scene was very posh and I wanted to get that across. I always say my wife belongs to the 1950’s”.

     

    ~ John Swannell

  • #818 - Noell Oszvald

    Untitled #9, 2013
    #818 - Noell Oszvald

    "I see my pictures like pages of a coloring book in which content is stripped to the bare essence."


    ~ Noell Oszvald

  • #814 - Manuel Alvarez Bravo

    La Hija de los Danzantes [The Daughter of the Dancers], 1933
    #814 - Manuel Alvarez Bravo

    “I just get the will to do it. I don’t plan a photograph in advance… I work by impulse. No philosophy. No ideas. Not by the head but by the eyes. Eventually inspiration comes - instinct is the same as inspiration, and eventually it comes.”

     

    ~ Manuel Alvarez Bravo (Mexico, b. 1902-2002)

  • #809 - Don Hunstein

    Billie Holiday, New York City, December 1957
    #809 - Don Hunstein

    “People don’t understand the kind of fight it takes to record what you want to record the way you want to record it”


    ~ Billie Holiday

    “I was merely a living witness. What does any good journalist do? Record what’s going on, observe the artist and their expressions, then leap in. You’ve got to react to something that’s happening or anticipate that it’s about to happen.”

     

    ~ Don Hunstein

  • #808 - André Kertész

    Elizabeth, Paris, 1931
    #808 - André Kertész

    “My work is inspired by my life. I express myself through my photographs. Everything that surrounds me provokes my feelings"

     

    ~ André Kertész (1895-1985)

  • #807 - Flor Garduño

    La Mujer Que Sueña, Pinotepa Nacional, México, 1991
    #807 - Flor Garduño

    "The models are friends of mine: these photographs involve moments of complicity that only a friend could accept. If there is no fondness between the model and the photographer, this kind of work cannot be done."

     

    ~ Flor Garduño

  • #802 - Noell Oszvald

    Untitled #19, 2019
    #802 - Noell Oszvald

    "Everyone is free to figure out what the picture says to them. It’s very interesting to read so many different thoughts about the same piece of work.”

     

    - Noell Osvald

  • #5 - Kristoffer Albrecht

    Small Apples, 1984
    #5 - Kristoffer Albrecht

    I was visiting our great friend and artist, Pentti Sammallahti, in Helsinki and I casually said to him, “Perhaps there is another great photographer in Finland I should meet?”