The images scrolled down below link to the latest posts from our daily collecting guide, Peter's quotes, notes and reflections from forty years of collecting and dealing in photography. Started during lockdown and continued by popular demand for almost three years now, daily posts are sent by email to our mailing list subscribers, with live works for sale and related works to explore, as well as advance previews of exhibitions and events.
You can access the previous 800 posts in our archive pages starting in March 2020 here
Use the #tags below right to search by category and subject.
If there is a particular subject, era, style or artist of interest, please contact our concierge service for a tailor-made private view. If you are an advisor or interior designer, or are thinking of a gift for someone, we can create a specific collection for you to explore.
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#1127 - Jacques Lowe
Playground, Glasgow, Scotland, 1954"...Jacques Lowe was monumentally self-effacing. This, I believe, is why his camera caught so much human truth. There are no orchestrated 'photo-opportunities here..."
~ Arthur Schlesinger, Jr.
American Historian and Social Critic
(1917 - 2007) -
#1125 - Douglas Gilbert
Bob Dylan, Woodstock, NY, 1964"Photography is a waiting game. The shutter may take only a instant, but the photographer has waited for exactly the right subject, the correct perspective, the perfect light, carefully arranging it all in the frame to be paused in time."
~ Douglas Gilbert
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#1123 - Herman Leonard
Ella Fitzgerald, Duke Ellington, Benny Goodman, New York, 1948/Printed Later"I saw photographing jazz artists as a visual diary of what I was hearing. I wanted to preserve the mood and atmosphere as much as possible. My goal was to capture these artists at the height of their finest creative moments."
~ Herman Leonard
(1923-2010) -
Exhibition opening
Uomo, 1988, printed 1994 -
#1122 - Arnold Newman
Alfred Stieglitz & Georgia O'Keeffe, An American Place, 1944 (Printed Later)"All I want is to preserve that wonderful something which so purely exists between us."
~ Alfred Stieglitz
(1918-2006) -
#1121 - John Cohen
Bob Dylan, New York [holding cigarette & guitar], 1962/Printed 2005“I think of a hero as someone who understands the degree of responsibility that comes with his freedom”
~ Bob Dylan
“Bob Dylan’s arrival in New York was like a prophecy come true. He fit the image that had already been established by Pete Seeger in his blue jeans and work shirts and by Woody Guthrie - a refugee from the dust bowl era -and his dirty rugged clothing. Dylan stepped into this legacy and played his character well with his own comedy and original insights. People remember that he was “stealing" from everybody around him, absorbing the entire scene. In the process he energized folk music, created his own songs, incorporated earlier American traditional music, shaped Rock’n’Roll and wrote some of the most moving songs of the century”
~ John Cohen
(1932 - 2019) -
#1120 - Sarah Moon
A Bouche Perdue, 2000“I want to find an echo between myself and the world, a resonance”
~ Sarah Moon
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#1119 - Paul Caponigro
Frosted Window, Ipswich, Massachusetts, 1960"There had been a raging blizzard during the night. When I awakened in my bed, I looked toward the window to see a magnificent display of frost. Nature’s storm had playfully arranged what seemed to be stationary snowflakes on the pane of glass. Looking through the window and its decoration of frosted crystals. I saw a tree trunk with its branches rhythmically and joyfully dancing as if in celebration of the visual magic that was before my eyes. It was now up to me to quickly arise and to gather my equipment and film to etch all this beauty and magic onto film and silver paper”
~Paul Caponigro
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#1118 - Jerry Schatzberg
Bob Dylan, Blonde on Blonde, New York, 1966“At that time, whatever Dylan would send to the record companies, they would use. He picked all the inside photographs also. They were lying around my studio and he chose them."
~ Jerry Schatzberg
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#1117 - Josef Sudek
Trolley, Ujerd, 1958“Everything around us, dead or alive, in the eyes of a crazy photographer mysteriously takes on many variations, so that a seemingly dead object comes to life through light or by its surroundings....to capture some of this - I suppose that’s lyricism.”
~ Josef Sudek
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#1116 - Sheila Metzner
Rosemary, Ungaro Hat, Couture, Vogue , 1985“The work is grounded. It’s solid and it hasn’t changed.. I have, but not the photographs.. I have great admiration for whoever I was, whoever the person was that did the work somehow in that time”
~ Sheila Metzner
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#1115 - Michael Kenna
Kussharo Lake, Study 6, Hokkaido, 2004“Nothing is ever the same twice because everything is always gone forever, and yet each moment has infinite photographic possibilities.”
~ Michael Kenna
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#1113 - Henri Cartier-Bresson
Pierre Bonnard, 1944“For me, the camera is a sketch book, an instrument of intuition and spontaneity"
~ Henri Cartier Bresson“It is still color, it is not yet light”
~Pierre Bonnard -
#1112 - Jean-Philippe Charbonnier
Juliette Greco and Miles Davis, 1949"It took me 30 years and a lot of pain to discover the truth of what Henri Cartier Bresson always said “One should only use one camera, with one lens that coincides with your angle of vision, with the same film at its normal speed. The rest is just gimmicks and hardware”
~ Jean-Philippe Charbonnier
“She’s my first love”
~ Miles Davis
“He’s a man I have deep love for and huge admiration”
~ Juliette Greco
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#1111 - Jerry Schatzberg
Bob Dylan, Highway 61, 1965“All I can be is me - whoever that is.”
~ Bob Dylan
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#1110 - Burt Glinn
Sammy Davis Jr. looks out of a Manhattan window. New York, 1959"I think that what you've got to do is discover the essential truth of the situation, and have a point of view about it"
~ Burt Glinn
"You always have two choices:
your commitment versus your fear"~ Sammy Davis Jr.
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#1109 - Paul Caponigro
Frosted Window, Revere, MA, 1957, printed 2019“Being a photographer primarily involves being an observer, and on one particular day, while sipping coffee at the kitchen table, I noticed that the glass door leading out to the porch carried a patina of etched shapes upon it. It was wintertime and the cold of the outdoors meeting the warmth of the kitchen had left shapes like snowflakes and broader patches of frost across the entire pane of glass. The observer in me saw the potential for a picture and so I brought my view camera into the kitchen and played with the image on my ground glass until I created a good composition that exposed the uniqueness of the frost and winter’s handiwork. I focused on the plane carrying the frost and this selective focusing caused any objects behind the frosted glass to be seen as soft -edged and out of focus. A bright light falling on some objects on the porch appeared as a soft cloud in the midst of the frost pattern. In the final print from the negative, I was pleased with the coming together of shapes and tones that created a nebulous space in which mystery and beauty hovered together"
~ Paul Caponigro
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#1108 - John Simmons
Edmund Petus Bridge Selma, Alabama, 2022"I heard something click, when I photographed the Edmund Petus bridge November 2022. I heard Sunday March 7, 1965. I heard dogs, horses, cries, all currency blowing in the wind, paying the price of change. Bridges connect, this bridge connects a less than pleasant past to promises of a brighter future. I heard it with my own eyes that night."
~ John Simmons
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#1107 - Sheila Metzner
Uma. Patou Dress, 1986, Printed 2016“The idea was that if I could light the cone and the sphere, the girl and the clothes would look alright”
~ Sheila Metzner
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#1106 - Lillian Bassman
Barbara Mullen, (Flat Hat, Bare Back), c. 1950's“I moved very well in front of the camera. My arms, my legs - I seemed able to do anything with them - I felt absolutely wonderful when I moved with Lillian. It was like being free - it was like being in heaven"
~ Barbara Mullen
(1927-2023)“There are models that are not models but muses. She had everything marvelous: a beautiful neck, grace, the ability to respond to me”
~ Lillian Bassman
(1917-2012) -
#1104 - Bruce Davidson
Untitled, (Stickball Scene, Brooklyn Gang, NY), 1959 / Printed Later"I don’t always know why I’m photographing something. It’s my learning machine."
~ Bruce Davidson
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#1105 - Rowland Scherman
Bob Dylan and Joan Baez, 1963"This appears to be a lonely picture when I look at it—like a couple of kids practicing harmonies alone in their back yard. Except that is the inverse of the truth: behind me are 250,000 marchers for the Washington March in 1963, 60 years ago. The biggest DC crowd ever at that time. Joan asked Bob to accompany her on one of the side stages before the march. Later, Baez sang alone on the big stage where Dr King made his Dream speech. This happened in August. The previous month, these two were at the Newport Folk Festival. Dylan's breakout weekend."
~ Rowland Scherman
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#1103 - Ezra Stoller
TWA Terminal Interior, 1962"Photography is space, light, texture, of course, but the really important element is time - that nanosecond when the image organizes itself on the ground glass."
~ Ezra Stoller
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The Power of Photography Exhibition at the Bowers Museum
Audrey Hepburn with Flowers, 1955 (Printed 2017)We are looking forward to the opening of “The Power of Photography” exhibition at the Bowers Museum this Saturday! This exhibition will feature a selection of over 70 original prints curated by collector and gallerist Peter Fetterman, on view October 7th, 2023 to January 14th 2024. The museum will also be hosting a number of events around the exhibition including a lecture and book signing by Peter Fetterman on October 7th at the Bowers Museum. To attend the event online or at the museum please see below for tickets and more information.
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#1102 - Paul Caponigro
Sunflower Face, Winthrop, MA, 1965, printed 2019“Though flaunting its charm by the light of day, the flower seems to have been hiding an aspect of it’s deeper interior as I studied it on my camera’s ground glass. Having photographed and studied the sunflower in many of its growing aspects, I was intrigued with the images presented in its process of drying and dying. Beauty always attended its outer aspects in life, whereas the folding up of the dying petals gave images a more interior and reflective stance, like that taught by the mystics”
~ Paul Caponigro
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#1101 - Sheila Metzner
Awesome God of Ice, 1992/Printed 2009"I traveled the world, when it was a different time. I have been from A to Z, from Alaska to Zanzibar, Mongolia, you name it. It’s outstanding to think how much the world has changed in my lifetime, isn’t it?"
~ Sheila Metzner
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#1099 - Brett Weston
Garrapata Beach CA 1954"The camera for an artist is just another tool. It is no more mechanical than a violin if you analyze it. Beyond the rudiments, it is up to the artist to create art, not the camera.”
~ Brett Weston
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#1098 - Jeannette Montgomery Barron
Jean-Michel Basquiat, Cyan #3, 1984“I like to have information rather than just have a brushstroke. Just to have these words to put in these feelings underneath.”
~ Jean-Michel Basquiat
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#1097 - Elliott Erwitt
New York City, [Empire State Building], 1955"It's just seeing - at least the photography I care about. You either see or you don't see. The rest is academic. Anyone can learn how to develop. It's how you organize what you see into a picture."
~ Elliott Erwitt
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#1096 - Paul Caponigro
Bare Tree & Adobe Wall, Taos, New Mexico, 1974“In time I came to realize that good photography was not the result of good technique alone. The expressive print requires emotional depth and not merely dazzle, and can only be artistically effective if the soft-edged realm of emotion is united with hard-edged technical concerns. Much like the ugly duckling’s story, one need await beauty through maturity, and this transition takes photography from a medium of recording to one of transforming. I saw that light, chemistry, film and coated papers were all endowed with the power to release the feeling of magic within the silver print. While working in the field or in my darkroom, I often felt that a complete openness to my subjects and materials brought about the notion that I alone was not making choices, but that the subjects and materials were at times choosing me. The picture making realm has a voice of its own and my primary tool working therein would be the ability to listen to a very pregnant silence”
~ Paul Caponigro
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#1095 - Kurt Markus
RW Hampton, Quien Sabe Ranch, TX, 1981/Printed Later"I have entered into an unspoken, unwritten and generally inscrutable pact with the people I have photographed and lived among: if I promise not to tell all I know about them, they will do the same for me."
~ Kurt Markus
(1947-2022) -
#1093 - Graciela Iturbide
Delhi, India, 2000“When I'm taking pictures I even forget that I have a camera. When I shoot I forget about everything. Light comes, death comes, people go in and out in costume—and it's like a play.”
~ Graciela Iturbide
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The Power of Photography | Bob Dylan
Mixing Up The MedicineWe are pleased to announce that we have secured a group of the first editions copies of the amazing new Magnum Opus book Bob Dylan, Mixing up the Medicine (published by our friends Callaway), due to be released October 24th, 2023. I know this first edition is close to selling out already and will become a highly sought out and valuable collectible book in the years to come as this is the definitive bible on Bob Dylan.
If you would like to pre order some copies please contact Peter at peter@peterfetterman.com. The book is available at $100 (+packing/shipping).
Bob Dylan
Mixing Up The Medicine
Publisher: Callaway
608 pages
$100.00Exhibition Opening : Tuesday, October 24th. 5-7 PM
Peter Fetterman Gallery, Santa Monica
2525 Michigan Ave, Suite A1RSVP's Essential
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#1091 - George Tice
Oak Tree, Holmdel, NJ, 1970“Photography teaches us to see, and we can see whatever we wish. When I take a photograph, I make a wish. I was always looking for beauty.”
~ George Tice
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#1090 - Kurt Markus
YP Ranch, Tuscarora, Arizona, 1981“I believe only in the rectangle. Filling that rectangle with a photograph remains the most challenging thing you can do. If you have to go outside of it, bringing in other non-photographic things to put inside, you run the risk of gimmickry. For me, the most powerful expression is the simplest.”
~ Kurt Markus
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#1087 - Robert Doisneau
Musique de chambre, 1957“When our paths crossed I found the man who taught me happiness”
~ Robert Doisneau
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#1086 - Paul Caponigro
Black Tree and Temple, Hiei-San, Kyoto, Japan, 1976, printed 2019“From the city of Kyoto Japan, a tram may be taken to ascend the nearby mountain where temples, shrines and sand gardens nestle in among the shifting fog so prevalent at that altitude. With my camera, I moved as quietly as the fog itself and came upon a place where a temple structure and a large dark tree appeared as if bathing themselves in the mysterious mountain atmosphere. The quiet of the place and the dignity of the structures and tree created a sense of sanctity and inspired awe within this magical space. I believe that my photograph captured the beauty and peacefulness that was seldom encountered in the city’s bustle below.”
~ Paul Caponigro
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#1085 - David Montgomery
Grace Coddington, Vidal Sassoon Five Point Cut, 1966 (Printed 2018)“Always keep your eyes open. Keep watching. Because whatever you see can inspire you.”
~ Grace Coddington
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#1083 - Paul Caponigro
Silver Nautilus, M.A, 1960“Photography's potential as a great image-maker and communicator is really no different from the same potential in the best poetry where familiar, everyday words, placed within a special context can soar above the intellect and touch subtle reality in a unique way"
~ Paul Caponigro
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#1082 - Bruce Davidson
Untitled (couple dancing by jukebox), Chicago, 1962“I’ve had the privilege of being an outsider allowed on the inside searching for beauty, meaning and myself”
~ Bruce Davidson
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#1081 - Pentti Sammallahti
Finström, Ã…land Island, Finland (Dog and Boy Under Tree), 1981“Everything inside the frame is equally important”
~ Pentti Sammallahti
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#1080 - John Humble
Lifeguard Station #26, #4, 1999“Humble's impressive output of colour photographs does for LA by day what Brassai did for Paris by night. Despite their geographic specificity, though, what makes Humble's pictures intriguing isn't the way they create a sense of place about the city, but how they capture its sense of dislocation. ”
~ Carmine Iannaccone
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#1078 - Paul Caponigro
Kentucky Trees, 1965“It was along a Kentucky Highway that I was prompted to stop and consider making a photograph of a stand of trees gracing the hillside that more than intrigued me. An inner feeling like “deja vu” convinced me to stop along the road to ponder what was before me and might soon be focused on my camera’s ground glass.
Having one’s attention sharply taken by a simple scene can give a state of inner quiet that helps in understanding more deeply the nature of such an encounter. I had the realization that I had seen, in exact detail this very landscape in one of my dreams prior to physically arriving at this seemingly predetermined place. Time and space had been patiently awaiting my arrival to create a photograph of the world in between. A nebulous and elusive dream space had found it’s way into the solid light of day”
~ Paul Caponigro
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#1077 - Sebastião Salgado
Gold Mine, Serra Pelada, Brazil, (Figure Eight), 1986 (Printed 2020)“The working class for me was the most important element of industrial and agricultural production.”
~ Sebastião Salgado
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#1075 - Paul Caponigro
Two Pears, Cushing, Maine, 1999“Viewers of this image are often surprised and question how the pears appear to be so white, since these fruits do have varying degrees of color to them. In fact the items I photographed were ceramic replicas of the fruit. My daughter-in-law had purchased a group of these accurately shaped ceramics and generously gave one to me upon my asking for it. While holding the ceramic pear in my hand to admire its beauty, I thought about taking a photograph of it. I looked about my house and found a simple wooden bowl to use as a background, but the combination did not satisfy. Remembering that my daughter-in-law had bought several of these ceramics, I asked her for another one, but she objected and suggested I borrow one only. I chose the second pear for being the right size and shape to sit harmoniously next to mine in the dark wooden bowl. This still-life arrangement pleased me and many others who have seen the photograph. When I gave my daughter-in-law a finished print of "Two Pears” she was especially pleased.”
~ Paul Caponigro
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#1074 - Bruce Davidson
Untitled, Washington DC, 1963“W. Eugene Smith’s photo essays taught me that a photograph could not only communicate emotion, but could also save the human condition”
~ Bruce Davidson
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#1070 - Sheila Metzner
White Anturiums., 1984, printed 2017“Tears fell from my eyes when I saw the first two prints. I said, "Mr. Fresson, I'm going to be working with you for a long time."
~ Sheila Metzner
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#1068 - Dafydd Jones
Sliding down the marquee, New College Ball, 1983“But my way of photographing a party would be to walk around constantly just looking for something interesting … you know, if a girl looked particularly beautiful, or if a guy was doing something outrageous, or if it was just an interesting composition.”
~ Dafydd Jones
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#1067 - Jeannette Montgomery Barron
JMB - Strictly Limited Edition, 2023“I like to have information rather than just have a brushstroke. Just to have these words to put in these feelings underneath.”
~ Jean-Michel Basquiat
(1960-1988) -
#1066 - Paul Caponigro
Frosted Window, Ipswich, Massachusetts, 1960“Photography is a medium, a language, through which I might come to experience directly, live more closely with, the interaction between myself and nature.”
~ Paul Caponigro
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#1065 - Josef Sudek
Two Wet Leaves, 1932“I believe that photography loves banal objects, and I love the life of objects."
~ Josef Sudek
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#1063 - Kristoffer Albrecht
Small Rocks and Water, Bengtskar, 1997“The basis for my artistic work is concrete observation. I am interested in the photographs as a physical object and all the prints are made by myself."
~ Kristoffer Albrecht
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#1059 - Byung-Hun Min
SL051 BHM2005, 2005“The mountains are calling, and I must go.”
~ John Muir
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#1057 - William Gilles
Calla Lily, Oregon, 1973"Sometimes you walk a very thin line as an artist. It’s dangerous. You have to let yourself go, but not too far. "
~ William Gilles
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#1058 - Max Yavno
View of San Francisco from Twin Peaks, 1947"I was trying to give an honest picture of a city.
But San Francisco was so beautiful visually."~ Max Yavno
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#1056 - Brigitte Carnochan
Purple Dahlia, 2006"Well, if it stays with you—over time—it has a certain power, right? I think there are so many things about a photograph that might make it “great.” "
~ Brigitte Carnochan
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#1055 - Paul Caponigro
Reflecting Stream, Redding, CT, 1968"The key is to not let the camera, which depicts nature in so much detail, reveal just what the eye picks up, but what the heart picks up as well."
~ Paul Caponigro
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#1052 - Lillian Bassman
Coat by Christian Dior, Barbara Mullen, Paris, c. 1949"In a machine age, making clothes is one of the last refuges of the human, the personal, the inimitable”
~ Christian Dior
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#1051 - Lillian Bassman
Barbara Mullen, Harper's Bazaar, New York, 1950s"Long necks. The thrust of the head in a certain position. The way the fingers work, fabrics work. It’s all part of my painting background."
~ Lillian Bassman
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#1049 - Alfred Eisenstadt
Cold Landscape, Study 2, Sanai, Hokkaido, Japan, 2007/printed 2019"I often think of my work as visual haiku. It is an attempt to evoke and suggest through as few elements as possible rather than to describe with tremendous detail."
~ Michael Kenna
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#1047 - Kevin Cummins
Sinead O' Connor, 1989“Everyone wants a pop star, see? But I am a protest singer I just had stuff to get off my chest. I had no desire for fame…. I understand I’ve torn up the dreams of those around me. But those aren’t my dreams. No one ever asked me what my dreams were. They just got mad at me for not being who they wanted me to be”
~ Sinead O’Connor
"I photographed Sinead O’Connor for the first time in October 1988 for the NME (the leading British music paper). She was pretty shy, but she was only 21. Like many young musicians, she was quite intimidated by the fact that I’d photographed Ian Curtis (Joy Division). I then photographed her a year later for the same publication, two weeks after her 23rd birthday. She was more sure of herself and liked the ideas we worked with. Many of the shots were single spotlit head shots against a black cloth. This series used a similar light but against a grey cloth, echoing a 60s fashion style. This is my favourite shot from the session. Sinead looks fully in control of the look she’s giving me for the photograph."~ Kevin Cummins
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#1045 - Don McCullin
Early Morning, West Hartlepool Steel Foundry, UK, 1963“Photography’s a case of keeping all the pores of the skin open as well as the eyes. A lot of photographers today think that by putting on the uniform, the fishing vest and all the Nikons that makes them a photographer. But it doesn’t. It’s not just seeing. It’s feeling”
~ Don McCullin
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#1044 - Norman Seeff
Johnny Cash“You build on failure. You use it as a stepping stone. Close the door on the past. You don’t try to forget the mistakes, but you don’t dwell on it. You don’t let it have any of your energy or any of your time or any of your space."
~ Johnny Cash“A photographic session is a joint interpersonal exchange, a kind of creative encounter session at a high level of intensity. For me , photography is more a process of creating an experience than one of looking for pictures.”
~ Norman Seeff
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#1043 - Danielle Weil
Man at bat [horizontal], 1990“Every day is a new opportunity. You can build on yesterday’s success or put its failures behind and start over again. That’s the way life is, with a new game every day, and that’s the way baseball is.”
~ Bob Feller
(1918-2010) -
#1042 - Steve McCurry
A coffee farmer prays in an empty church on the slopes of Mt. Kilimanjaro, Maande Village, Tanzania, 2012"I have seen many manifestations of faith during my travels over the past three decades. Some have been spontaneous, some have been part of a liturgy, some have been prescribed rituals, some have been in magnificent buildings, others have been outside under a tree. Many people's faith is embedded in the way they live their lives."
~ Steve McCurry
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#1040 - Steve McCurry
Boy Between Two Relatives. Hajjah, Yemen, 1999"I spent the day at a wedding with this family in Sana'a, Yemen. As the father and uncle left late in the afternoon, the boy seemed tired and bored. It reminded me what it was like to go to adult events when I was young, and longing to be out playing. It's a tradition in Yemen for men to wear a Jambiya, a curved dagger, around their waist. It is typically given to sons by their fathers."
~ Steve McCurry -
“And so with the sunshine and the great bursts of leaves growing on the trees, just as things grow in fast movies, I had that familiar conviction that life was beginning over again with the summer.”~ F. Scott Fitzgerald
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#1038 - Wynn Bullock
Big Sur Coast, CA, 1954"I have always loved light... Its manifestations serve as symbols of the greatest secrets of the unknown. Creativity has enabled me to probe and reveal step by step the unknown. Even though I know I can only travel a short distance, every step in that direction is a transcendental experience."
~ Wynn Bullock
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#1037 - Norman Seeff
Sir Francis Crick, La Jolla, 1982“There is no scientific study more vital to man than the study of his own brain. Our entire view of the universe depends on it”
~ Francis Crick“Sir Francis was absolutely adorable. He had a twinkle in his eye and a tremendous sense of humor and humility abut him- this from the man who discovered the DNA double-helix.We had wonderful conversations about science and metaphysics.This shot, taken at the Salk Institute optimizes the style and sophistication of the man”
~ Norman Seeff -
#1035 - Norman Seeff
Whitney Houston, 1990“I shot Whitney at the height of her career. Her voice was transcendent. She came into my studio so appreciative of what I was doing and very delicate in her interaction with me, more interested in my well being than anything else. I fell in love with her. She was sensitive and vulnerable and open”
~ Norman Seeff
“I decided long ago never to walk in anyone’s shadow. If I fail or if I succeed at least I did as I believed"
~ Whitney Houston
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#1034 - Fred Lyon
Golden Gate Bridge, Old Fort Point at Top Left, 1959"A city is not gauged by its length and width, but by the broadness of its vision and the height of its dreams."
~ Herb Caen (1916-1997)
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#1030 - Herb Snitzer
John Coltrane, 1961“I’d like to point out to people the divine in a musical language that transcends words. I want to speak to their souls.”
~ John Coltrane (1926 - 1967)
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#1028 - Sheila Metzner
Painted Gladiola, 1981, Printed 1981"Photography is still the most basic form of magic. Caught in my "box of darkness", the image becomes immortal."
~ Shelia Metzner
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#1027 - Steve McCurry
Reflection, Agra, India, 1999"Most of my photos are grounded in people, I look for the unguarded moment, the essential soul peeking out, experience etched on a person’s face."
~ Steve McCurry
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#1021 - Gianni Berengo Gardin
Tuscany (Two People Walking), 1965 (Printed 2023)"Photography is never objective.”
~ Gianni Berengo Gardin
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#1019 - Michael Kenna
Daybreak Reflections, Angkor Wat, Cambodia, 2018"I try not to make conscious decisions about what I am looking for. I don't make elaborate preparations before I go to a location. Essentially I walk, explore, discover and photograph."
~ Michael Kenna -
#1018 - Bruce Davidson
Hugging Couple, Ferris wheel, Coney Island, 1962"You get not only a picture of who you're photographing, but you get a picture of yourself at the same time."
~ Bruce Davidson -
#1017 - Jacques Lowe
Hyannis Port Summer, Bobby, Michael, Courtney and dog Brumus, 1962“The purpose of life is to contribute in some way to making things better."
~ Robert Francis Kennedy
(1925 - 1968) -
#1016 - Kristoffer Albrecht
Cyclists from Above, Beijing, 1989"Life is like riding a bicycle. To keep your balance, you must keep moving."
~ Albert Einstein
(1879-1955) -
#1015 - Norman Seeff
Steve Jobs, Cupertino, 1984“Your time is limited, so don’t waste it living someone else’s life"
~ Steve Jobs
(1955-2011)