#California

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The images scrolled down below link to the latest posts from our daily collecting guide, Peter's quotes, notes and reflections from forty years of collecting and dealing in photography. Started during lockdown and continued by popular demand for almost three years now, daily posts are sent by email to our mailing list subscribers, with live works for sale and related works to explore, as well as advance previews of exhibitions and events.

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  • #1080 - John Humble

    Lifeguard Station #26, #4, 1999
    #1080 - John Humble

    “Humble's impres­sive output of colour photographs does for LA by day what Brassai did for Paris by night. Despite their geographic specificity, though, what makes Humble's pictures intriguing isn't the way they create a sense of place about the city, but how they capture its sense of dislocation. ”

     

    ~ Carmine Iannaccone

  • #1008 - Ansel Adams

    El Capitan, Sunrise, Winter, Yosemite National Park, California, 1968 (Printed 1976)
    #1008 - Ansel Adams

    “I knew my destiny when I first experienced Yosemite”

    ~ Ansel Adams
    (1902-1984)

  • #1000 - Ansel Adams

    Monolith, The Face of Half Dome, Yosemite National Park, California, 1927
    #1000 - Ansel Adams

    “I can still recall the excitement of seeing the visualization “come true” when I removed the plate from the fixing bath for examination. The desired values were all there in their beautiful negative interpretation. This was one of the most exciting moments of my photographic career.”

    ~ Ansel Adams
    (1902-1984)

  • #993 - Ansel Adams

    Old Faithful Geyser, Yellowstone National Park, 1942
    #993 - Ansel Adams

    “It is difficult to conceive of a substance more impressively brilliant than the spurting plumes of white waters in sunlight against a deep blue sky”


    ~ Ansel Adams
    1902-1984

  • #981 - Fred Lyon

    Fog Under Golden Gate Bridge, San Francisco, 1949
    #981 - Fred Lyon

    "Nobody has ever accused me of being an intellectual. So perhaps the most significant asset I bring to my efforts is an innocent eye. Endless curiosity propels me. Then the discipline of years and respect for the affairs of craftsmanship allow the vision to develop mysteriously into a surprise. Gratitude for arduous, mundane, or occasionally painful experiences is rare, but the many types of photography in my background have allowed some visual synthesis to emerge from my monkey mind. Restless and impatient, with no time to dwell on such things, I lurch onward. No subject is sacred or safe from my attack. Beware. Being inherently nosy, I poke into every odd corner. Since photography is a process of discovery for me, I periodically produce an image that delights or amuses me. Then I'm anxious to see what it evokes in others."

     

    ~ Fred Lyon
    (1924-2022)

  • #952 - Jeffrey Conley

    Sierra Crest and Moon, from White Mountains, CA 2019
    #952 - Jeffrey Conley

    "I can’t stress enough how important observation is as the foundational component of being a photographer. It is all about noticing things; light, texture, form, the confluence of these elements within infinite combinations. Essentially my passion for landscape photography came through being a person who is a certain type of observant as well as someone who has always felt at peace and tremendously as ease out in nature."


    ~ Jeffrey Conley

  • #885 - Elliott Erwitt

    California, Malibu Kiss
    #885 - Elliott Erwitt

    “I do not love you except because I love you;
    I go from loving to not loving you,
    From waiting to not waiting for you,
    My heart moves from cold to fire.
    I love you only because it's you the one I love;
    I hate you deeply, and hating you, bend to you,
    and the measure of my changing love for you,
    Is that I do not see you but love you blindly.

    Maybe January light will consume my heart with its cruel ray,
    stealing my key to true calm.
    In this part of the story I am the one who dies,
    The only one, and I will die of love because I love you,
    Because I love you, Love, in fire and blood.”

    ~ Pablo Neruda
    (Sonnet LXVI: I Do Not Love You Except Because I Love You)

  • #3 - Wynn Bullock

    Woman's Hands, 1956 (printed 1991)
    #3 - Wynn Bullock
    Wynn Bullock, to my mind, is one the greatest 20th Century photographers. Often eclipsed by his more well known contemporaries, Edward Weston and Ansel Adams.  This is a haunting portrait of his mother’s hands taken in his modest house in Carmel in 1956. The beauty of the print just knocks me out and is the definition of the word “primal”.