The images scrolled down below link to the latest posts from our daily collecting guide, Peter's quotes, notes and reflections from forty years of collecting and dealing in photography. Started during lockdown and continued by popular demand for almost three years now, daily posts are sent by email to our mailing list subscribers, with live works for sale and related works to explore, as well as advance previews of exhibitions and events.
You can access the previous 800 posts in our archive pages starting in March 2020 here
Use the #tags below right to search by category and subject.
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#1019 - Michael Kenna
Daybreak Reflections, Angkor Wat, Cambodia, 2018"I try not to make conscious decisions about what I am looking for. I don't make elaborate preparations before I go to a location. Essentially I walk, explore, discover and photograph."
~ Michael Kenna -
#1018 - Bruce Davidson
Hugging Couple, Ferris wheel, Coney Island, 1962"You get not only a picture of who you're photographing, but you get a picture of yourself at the same time."
~ Bruce Davidson -
#1017 - Jacques Lowe
Hyannis Port Summer, Bobby, Michael, Courtney and dog Brumus, 1962“The purpose of life is to contribute in some way to making things better."
~ Robert Francis Kennedy
(1925 - 1968) -
#1016 - Kristoffer Albrecht
Cyclists from Above, Beijing, 1989"Life is like riding a bicycle. To keep your balance, you must keep moving."
~ Albert Einstein
(1879-1955) -
#1015 - Norman Seeff
Steve Jobs, Cupertino, 1984“Your time is limited, so don’t waste it living someone else’s life"
~ Steve Jobs
(1955-2011) -
#1014 - Ron Van Dongen
Rosa meinivoz 'Summer's Kiss', 1999“I was aiming for the rich details and opulent compositions of the Dutch and Flemish Golden Age painters. But soon I discovered it was just too much information. I wanted something simpler — to focus on a specific theme and develop a style.”
~ Ron Van Dongen -
#1013 - Eikoh Hosoe
Embrace #60, 1970"When you take a photo at 1/1000 of a second, the moment can become an eternal fact, an eternal moment. So we have a philosophical problem of objectivity and subjectivity."
~ Eikoh Hosoe
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#1011 - Pentti Sammallahti
Sando, Finland (Road to Island), 1975" I feel like I received the photograph, I didn't take it. If you're in the right place at the right time, then all you have to do is push a button. Being a photographer doesn't come into it. Everything I've photographed exists regardless of me, my role is only to be receptive."
~ Pentti Sammallahti
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#1009 - David Montgomery
Sophia Loren - London U.K., 1967"Sex appeal is 50% what you've got and 50% what people think you've got.”
~ Sophia Loren
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#1008 - Ansel Adams
El Capitan, Sunrise, Winter, Yosemite National Park, California, 1968 (Printed 1976)“I knew my destiny when I first experienced Yosemite”
~ Ansel Adams
(1902-1984) -
#1006 - Bruce Davidson
England (nannies pulling prams), 1960“I had no brief, no agenda at all. They just let me loose. I was free to encounter life. There was a certain sense of grayness everywhere. That’s why these pictures are delicate and I was delicate too”
~ Bruce Davidson -
#1004 - Norman Seeff
Patti Smith & Robert Mapplethorpe, New York, 1969“Soon after my arrival in NY, I met Robert and Patti at a downtown Manhattan bar. I thought they looked cool and asked them to do a session with me. The authenticity and emotional depth of their love was exactly what I was looking for in my images.”
~ Norman Seeff
"I didn't write it to be cathartic, I wrote it because Robert asked me to… Our relationship was such that I knew what he would want and the quality of what he deserved. So that was my agenda for writing that book. I wrote it to fulfil my vow to him, which was on his deathbed. In finishing, I did feel that I'd fulfilled my promise."
~ Patti Smith
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#1001 - Melvin Sokolsky | The Fashion Show & The Flower Show
Side Kick, Paris, 1963, printed laterPeter Fetterman Gallery is proud to present The Fashion Show and The Flower Show. The exhibitions will be on view between June 17th, 2023 – October 7th, 2023. An opening reception will be held today, Saturday, June 17th from 3:00 – 6:00 PM.
We look forward to seeing you this evening and sharing these two beautiful exhibitions with you all.
Please join us at:
Peter Fetterman Gallery
2525 Michigan Ave, Suite A1
Santa Monica, CA
90404 -
#1000 - Ansel Adams
Monolith, The Face of Half Dome, Yosemite National Park, California, 1927“I can still recall the excitement of seeing the visualization “come true” when I removed the plate from the fixing bath for examination. The desired values were all there in their beautiful negative interpretation. This was one of the most exciting moments of my photographic career.”
~ Ansel Adams
(1902-1984) -
#999 - Brigitte Carnochan
Tea Rose I, 1997"The qualities that have fascinated me and led me to make a particular photograph are usually quite intuitive. I generally don't have a completed concept in my mind when I begin--I move things around, change angles, lighting - until everything seems right."
~ Brigitte Carnochan
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#997 - Inge Morath
Sleigh Horses South of Moscow, 1965”As I continued to photograph I became quite joyous. I knew that I could express the things I wanted to say by giving them form through my eyes”
~ Inge Morath
(1923 - 2002) -
#994 - Thurston Hopkins
On the Isle de la Cité, Paris, 1952"I take the rather unpopular view - among photographers - that words and pictures need one another."
~ Thurston Hopkins
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#993 - Ansel Adams
Old Faithful Geyser, Yellowstone National Park, 1942“It is difficult to conceive of a substance more impressively brilliant than the spurting plumes of white waters in sunlight against a deep blue sky”
~ Ansel Adams
1902-1984 -
#992 - Gianni Berengo Gardin
Gran Bretagna, Great Britain, 1977 (Printed 2023)"Great images do not need a commentary or a context to elucidate them. As a matter of fact, it is the greatness of the images themselves that gives a meaning to the context."
~ Gianni Berengo Gardin -
#991 - The Flower Show, PFG & L.A. Louver | Luis González Palma
El Hombre Triste, 1998We are happy to join with our esteemed colleagues at LA Louver (Venice, CA) to celebrate this summer the beauty and power of botanicals in our two exhibitions, The Flower Show.
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#990 - Peter Fetterman At Photo Basel, Switzerland | Lillian Bassman
Dress by Thierry Mugler, German VOGUE, 1998 / Printed 2007“Lillian made visible that heart breaking invisible place between the appearance and the disappearance of things.”
~ Richard Avedon
(1923-2004) -
#989 - Ralph Gibson
Place de La République, Paris, 1986“For me, photography is a subtractive process. If you're making a drawing, you add lines until you've finished, so that's an additive process. If you're making a sculpture out of marble, you subtract and keep chipping away until you have what you want. In the same way, in a world of infinite possible objects to photograph, I eliminate everything I don't want in a frame until I'm finally left with what I do want.”
~ Ralph Gibson
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#988 - Janine Niépce
L' Elegante et les Colonnes Morris, Paris, 1950/Printed Later“In winter, the elegant ladies wore fur coats that were fitted and cut in such a unique manner, that one could immediately recognize each designer's signature. In the summer, printed dresses made of Lyon silk, combined in rare color harmonies, impeccably made-up faces, protected by flowery capelines illuminated the grey-blue city after sunset. Fragrance trails accompanied these beautiful passers-by. Chanel's N°5 or Guerlain's Chant d'Arômes. To decipher and to recognize them was a magical feeling. The proportions, the balance, the refinement, the purity of the lines of the French creations embodied a rare harmony.”
~ Janine Niépce
(1921 – 2007) -
#986 - Fathers Day | Elliott Erwitt
Provence, France (Boy on Bicycle), 1955/Printed Later“Someday you will know that a father is much happier in his children’s happiness than in his own. I cannot explain it to you: it is a feeling in your body that spreads gladness through you.”
~ Honore de Balzac
(Le Père Goriot, 1835) -
#985 - Gianni Berengo Gardin
Break During Workday, Milan, 1987 (Printed 2023)“I am a photographer. I’m not an artist. I’m just a witness of what I see.”
~ Gianni Berengo Gardin -
#984 - William B. Post
Woman picking flowers, 1900“If you look the right way, you can see the whole world is a garden"
~ Frances Hodgson Burnett
(1849-1924) -
#983 - The Fashion Show | Len Prince
Ford Model VIII Bathing Cap, New York City, 1991, printed 2017"I make clothes. Women make fashion."
~ Azzedine Alaïa -
#981 - Fred Lyon
Fog Under Golden Gate Bridge, San Francisco, 1949"Nobody has ever accused me of being an intellectual. So perhaps the most significant asset I bring to my efforts is an innocent eye. Endless curiosity propels me. Then the discipline of years and respect for the affairs of craftsmanship allow the vision to develop mysteriously into a surprise. Gratitude for arduous, mundane, or occasionally painful experiences is rare, but the many types of photography in my background have allowed some visual synthesis to emerge from my monkey mind. Restless and impatient, with no time to dwell on such things, I lurch onward. No subject is sacred or safe from my attack. Beware. Being inherently nosy, I poke into every odd corner. Since photography is a process of discovery for me, I periodically produce an image that delights or amuses me. Then I'm anxious to see what it evokes in others."
~ Fred Lyon
(1924-2022) -
#980 - Ansel Adams
Winter Sunrise, Sierra Nevada from Lone Pine, 1944"Manzanar, the site of one of the World War II relocation camps, is about fifteen miles north of Lone Pine. While I was photographing in and around the camp in 1943 and 1944 I made some of my best images. I knew the region well; it is roughly 150 miles from Yosemite over the Tioga Pass – or 400 road miles southward when the Tioga is closed by snow. While at Manzanar for a fortnight in the winter of 1944, Virginia and I arose very early in the mornings and drove to Lone Pine with hopes of a sunrise photograph of the Sierra. After four days of frustration when the mountains were blanketed with heavy cloud, I finally encountered a bright, glistening sunrise with light clouds streaming from the southeast and casting swift moving shadows on the meadow and the dark rolling hills. I set up my camera on my car platform at what I felt was the best location, overlooking a pasture. It was very cold – perhaps near zero – and I waited, shivering, for a shaft of sunlight to flow over the distant trees. A horse grazing in the frosty pasture stood facing away from me with exasperating, stolid persistence. I made several exposures of moments of light and shadow, but the horse was uncooperative, resembling a distant stump. I observed the final shaft of light approaching. At the last moment, the horse turned to show its profile, and I made the exposure. Within a minute the entire area was flooded with sunlight and the natural chiaroscuro was gone. The negative of Winter Sunrise is rather complex to print. It is a problem of agreeable balance between the brilliant snow on the peaks and the dark shadowed hills. I have often thought what a privilege it would be to live and work in this environment, perhaps best before the turn of the century when the efforts of man brought more beauty to the land than now, with our pavements, wires, contrails, and desolation. This photograph suggests a more agreeable past and may remind us that, with a revived dignity and reverence for the earth, more of the world might look like this again."
~ Ansel Adams -
#979 - Shirley Baker
Manchester, 1968“I did know that fundamental changes were taking place… and nobody seemed to be interested in recording the faces of the people or anything in their lives"
~ Shirley Baker
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#978 - Father's Day | John Dominis
Jacques D'Amboise Playing with his Children, Seattle, Washington, 1962, printed 2006"I am not ashamed to say that no man I ever met was my father's equal, and I never loved any other man as much."
~ Hedy Lamarr
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#977 - New Exhibition: The Flower Show | Robert Doisneau
Voiture de Quatre-Saisons: Les Fleurs de la Place du Marche Saint-Honore“I’m quite happy with my pictures. I’ve been co-habitant with them for years now and we know each other inside out. So I feel I’m entitled to say that pictures have a life and a character of their own. Maybe they’re like plants, they won’t really flourish unless you talk to them"
~ Robert Doisneau
(1912-1994) -
#975 - John Gutmann
Class (Olympic High Diving Champion Marjorie Gestring), 1936 (printed circa 1980)"As a rule I do not like to explain my photographs, I want my pictures to be read and explored. I believe a good picture is open to many individual (subjective) associations. I am usually pleased when a viewer finds interpretations that I myself had not been aware of."
~ John Gutmann
(1905-1998) -
#974 - Arnold Newman
Elie Wiesel, New York City, 1985“Influence comes from everywhere but when you are actually shooting you work primarily by instinct. But what is instinct? It is a lifetime of accumulation of influence, experience, knowledge, seeing and hearing. There is little time for reflection in taking a photograph. All your experience comes to a peak and you work on two levels, the conscious and the unconscious”
~ Arnold Newman
(1918-2006)
“I decided to devote my life to telling the story because I felt that having survived I owe something to the dead and anyone who does not remember. betrays them again"~ Elie Wiesel
(1928-2016)
“Never shall I forget that night, the first night in the camp, which has turned my life into one long night, seven times cursed and seven times sealed. Never shall I forget that smoke. Never shall I forget the little faces of the children whose bodies I saw turned into wreaths of smoke beneath a silent blue sky. Never shall I forget that nocturnal silence which deprived me, for all eternity, of the desire to live. Never shall I forget those moments which murdered my God and my soul and turned my dreams to dust. Never shall I forget these things, even if I am condemned to live as long as god himself”~ Elie Wiesel(from his 1956 work “Night")
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#972 - Arnold Newman
Truman Capote, New York City, 1977, printed later“Photography is 1% talent and 99% moving furniture”
~ Arnold Newman
“I love New York even though it isn’t mine, the way something has to be, a tree or a street or a house, something, anyway, that belongs to me because I belong to it”
~ Truman Capote
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#970 - Elliott Erwitt
Douglas, Wyoming. 1954“To me photography is an art of observation. It’s about finding something interesting in an ordinary place. I’ve found it has little to do with the things you see and everything to do with the way you see them"
~ Elliott Erwitt
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#969 - André Kertész
Stairs at Montmartre, Paris, 1926“The moment always dictates in my work. Everybody can look, but they don’t necessarily see. I see a situation and I know that it’s right”
~ André Kertész
(1894-1985) -
#967 - André Kertész
Puddle, Empire State Building 1967“I photographed real life - not the way it was, but the way I felt it. That is the most important thing, not analyzing but feeling”
~ André Kertész
(1894-1985) -
#966 - Elliott Erwitt
Paris, 1957“Be sure to take the lens cap off before photographing”
~ Elliott Erwitt -
#965 - Steve McCurry
Men Playing Chess, India, 1996 (Printed 2020)"I’m interested primarily in people, and human behavior – how people relate to each other and their environment."
~ Steve McCurry
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#964 - Doris Ulmann
Paul Robeson, c. 1920's"My best pictures are always taken when I succeed in establishing a bond of sympathy with my sitter"
~ Doris Ulmann
(1882 - 1934)
"Artists are the gate keepers of truth. We are civilization’s radical voice”~ Paul Robeson
(1898 -1976)
“The pursuit of Justice is all I have ever known”~ Harry Belafonte
(1927 - 2023) -
#962 - Willy Ronis | Mother's Day
Le Nu Provençal, Gordes, 1949"Mothers hold their children's hands for a short while, but their hearts forever."
~ Unknown
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#961 - Henri Cartier-Bresson
Ile de la Cite, Paris, 1952, printed later“A photograph is neither taken or seized by force. It offers itself up. It is the photo that takes you. One must not take photos”
~ Henri Cartier-Bresson -
#960 - Bert Hardy
Millions Like Her, Betty Burden, A Shop Girl, Birmingham, 1951/Printed Later“The ideal picture tells something of the essence of life. It sums up emotion, it holds the feeling of movement thereby implying the continuity of life. It shows some aspect of humanity, the way that the person who looks at the picture will at once recognize as startlingly true”
~ Bert Hardy
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#959 - Arthur Elgort
Nadja Auermann in Ireland, Vogue, 1993“A good editor, a good stylist and a good model are what makes a good fashion photograph. That and having a good rapport with your subject. If they are comfortable with you they’ll be comfortable in front of your camera”
~ Arthur Elgort“Being the muse of the photographer is what I like about this profession”
~ Nadja Auermann
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#957 - Steve McCurry
Camels in Dust Storm, Jaisaimer, India, 2010"A picture can express a universal humanism, or simply reveal a delicate and poignant truth by exposing a slice of life that might otherwise pass unnoticed."
~ Steve McCurry -
#956 - Bernard Plossu
Marseille, 1975“My camera is like the arrow. Do I reach the target or does the target reach me or is it the same thing? It’s all very emotional.”
~ Bernard Plossu -
#955 - Brett Weston
Trees, Fog, Pebble Beach, CA, 1975 (Printed 1970's)"It's surely our responsibility to do everything within our power to create a planet that provides a home not just for us, but for all life on Earth."
~ Sir David Attenborough -
#944 - Berenice Abbott | Graduation 2023
Frank Lloyd Wright, 1954 / Printed Later“We create our buildings and then they create us. Likewise, we construct our circle of friends and our communities and then they construct us.”
~ Frank Lloyd Wright -
#953 - Ruth Bernhard
Spanish Dancer, 1971“I try to be aware of light at all times. I’m always watching for it. I am not looking at light because I am a photographer. I am a photographer because I am deeply involved with light”
~ Ruth Bernhard
“I believe in and make no apologies for photography. It is the most important graphic medium of our time. It does not have to be -indeed cannot be compared to painting. It has different means and aims”
~ Edward Weston
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#951 - George Zimbel
Woman at The Bar, Bourbon Street, New Orleans , 1955 (printed 2008)“My work begins with recording an image, but it is not finished until I have made a fine print. That is my photograph. A lot goes into a finished documentary photograph, a very personal view of life, a knowledge of technique and of course information. It is the information that grabs the viewer but it is the photographers’s art that holds them."
~ George Zimbel -
#950 - George Zimbel
Irish Dancehall, The Bronx, 1954 (printed 2006)“I am a visually upbeat person. I see things that are “up” and it gets me interested"
~ George Zimbel -
#949 - London Events
Photo London & The Eye of the Collector“There’s nowhere else like London. Nothing at all, anywhere.”
~ Dame Vivienne Westwood
(1941–2022) -
#947 - Yousuf Karsh
Albert Einstein, 1948, printed later“At Princeton’s Institute for Advanced Study, I found Einstein, a simple, kindly almost childlike man, too great for any of the posturing of eminence. One did not have to understand his science to feel the power of his mind or the force of his personality. He spoke sadly, yet sincerely as one who had looked into the universe, far past mankind’s small affairs. When I asked him what the world would be like were another atomic bomb to be dropped, he replied wearily “Alas we will no longer be able to hear the music of Mozart”.
~ Yousuf Karsh
“Learn from yesterday, live for today, hope for tomorrow. The important thing is not to stop questioning”
~ Albert Einstein -
#941 - Lee Friedlander
New York City (Shadow), 1966“The world makes up my pictures not me"
~ Lee Friedlander“In the past decade a new generation of photographers has directed the documentary approach towards more personal ends. Their aim has been not to reform life, but to know it. Their work betrays a sympathy - a trust, an affection - for the imperfections and frailties of society. They like the real world in spite of it’s terrors as the source of all wonder and fascination and value-no less precious for being irrational ."
~ John Szarkowski -
#939 - Fred Lyon
Richard Diebenkorn in Studio, Berkeley, 1958“Richard Diebenkorn’s fame as a painter continues to grow. Here he’s in his Oakland studio, but I first knew him in Sausalito, where a group of artists would sit around with a jug of Gallo’s Heavy Burgundy and moan about how badly they were treated. Diebenkorn, always the lanky kid in the corner of that group, never joined in on the complaining. A burning cigarette was his constant companion in almost every shot I ever made of him”
~ Fred Lyon“I don’t go into the studio with the idea of “saying” something. What I do is face the blank canvas and put a few arbitrary marks on it that start me on some sort of dialogue”
~ Richard Diebenkorn
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#938 - Joel Bernstein
Neil Young passing an old woman NYC, 1970“I saw the small old woman coming towards us down the sidewalk. I was intrigued and wanted to catch her passing Neil. The mistake to me was that I had in my haste focused the lens just past the two figures closer to the fence than to Neil’s face.That was the original reason why I made a small sized print and solarized it to help with the apparent sharpness.. But the solarization in this case added a somewhat spooky dimension to the image, which Neil took to immediately”
~ Joel Bernstein“When you’re young, you don’t have any experience-you are charged up but you’re out of control. And if you’re old and you’re not charged up, then all you have are memories. But if you’re charged and stimulated by what’s going on around you and you also have experience, you know what to appreciate and what to pass by”
~ Neil Young -
#937 - Ruth Bernhard
Folding, 1962“Men photograph a female nude as if she belonged to them. I photograph a woman as part of the universe”
~ Ruth Bernhard
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#936 - Bernard Plossu
Saint Pierreville, Ardeche, 2012“In photography, we don’t capture time, we evoke it. It flows like fine sand, endless. We don’t take a photograph, we “see” it, then we share it with others. I practice photography to be on one level with the world and what is happening”
~ Bernard Plossu
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#935 - Ruth Bernhard
Eighth Street Movie Theater, New York [Frederick Kiesler, Architect], 1946“I never question what to do. It tells me what to do. The photographs make themselves with my help”
~ Ruth Bernhard
(1905-2006) -
#934 - Fred Lyon
After Hours Jazz Session, Monterey JazzFest, Cannery Row, 1958 (Printed Later)I think this is one of the most expressive jazz images I've ever made. Of course, I didn't make it, I just captured it.
~ Fred Lyon
(1924-2022) -
#933 - Yousuf Karsh
Georgia O'Keeffe, 1956 (Printed Later)“I decided to photograph her as another friend had described her
“Georgia, her pure profile calm, clearer sleek black hair drawn swiftly back into a tight knot at the nape of her necktie strong white hands, touching and lifting everything, even the boiled eggs, as if they were living things-sensitive slow moving hands, coming out of the black and white, always this black and white".~ Yousuf Karsh
(1908-2002)
“It’s not enough to be nice in life. You’ve got to have nerve. To create one’s world in any of the arts takes courage.”~ Georgia O’Keefe
(1887-1986) -
#930 - Don Hong-Oai
Spring on the River Li, Guilin, 1990“The mark of a successful individual is one that has spent an entire day on the bank of a river without feeling guilty about it.”
~ Chinese Proverb
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#929 - Harry Callahan
Eleanor, Chicago (backside), 1948/Printed Later“A picture is like a prayer”
~ Harry Callahan
(1912-1999) -
#928 - Bill Brandt
Nude with Elbow, 1952 (Printed in the 70's.)"One day in a second-hand shop near Covent Garden, I found a 70 year old wooden Kodak. I was delighted. Like nineteenth-century cameras it had no shutter, and the wide-angle lens, with an aperture as minute as a pin-hole, was focused on infinity. In 1926, Edward Weston wrote in his diary “The camera sees more than the eyes, so why not make use of it”. My new camera saw more and saw it differently. It created a great illusion of space, an unrealistically steep perspective and it distorted. When I began to photograph nudes, I let myself be guided by this camera and instead of photographing what I saw, I photographed what the camera was seeing. I interfered very little, and the lens produced anatomical images and shapes which my eyes had never observed."
~ Bill Brandt
(1904-1983) -
#927 - Jay Maisel
Thanksgiving Day Parade, balloons, man with eye patch, New York, Mid 1950's“Always carry a camera, it's tough to shoot a picture without one”
~ Jay Maisel -
#926 - Harry Callahan
Chicago (Trees at Lake Shore), 1950“It’s the subject matter that counts. I’m interested in revealing the subject in a new way to intensify it. A photo is able to capture a moment that people can’t always see”
~ Harry Callahan
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#925 - Yousuf Karsh
Pablo Picasso, 1954 / Printed Later“The maestro’s villa was a photographer’s nightmare, with his boisterous children bicycling through vast rooms already crowded with canvases. I eagerly accepted Picasso’s alternate suggestion to meet later in Vallauris at his ceramics gallery. “He will never be here” the gallery owner commented, when my assistant and two hundred pounds of equipment arrived. “He says the same thing to every photographer”. To everyone’s amazement the “old lion” not only kept his appointment with me but was prompt and wore a new shirt. He could partially view himself in my large format lens and intuitively moved to complete the composition”
~ Yousuf Karsh
(1908-2002)“For those who know how to read, I have painted my autobiography”
~ Pablo Picasso
(1881-1973) -
#924 - Dorothy Bohm (1924-2023)
In Memoriam“I have spent my lifetime taking photographs. The photograph fulfills my deep need to stop things from disappearing. It makes transience less painful and retains some of the special magic which I have looked for and found. I have tried to create order out of chaos, to find stability in flux and beauty in the most unlikely places”
~ Dorothy Bohm -
#921 - Neil Leifer
President JFK and Vice-President Lyndon Johnson at Baseball Opener, ed. #25/150, 1961“You can’t get away from the element of luck in sports photography, but what makes a great sports photographer is that when we get lucky we don’t miss it”
~Neil Leifer
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#916 - Harry Callahan
Wabash Avenue, Chicago, 1958“Photography is an adventure just as life is an adventure. If a man or a woman wishes to express themselves photographically, they must understand surely to a certain extent, their relationship to life. I am interested in relating the problems that affect me to some set of values that I am trying to discover and establish as being my life. I want to discover them through photography”
~ Harry Callahan
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#918 - Harry Callahan
Eleanor and Barbara, Chicago, 1954“If you choose your subject selectively, intuitively, the camera can write poetry.”
~ Harry Callahan
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#917 - Edouard Boubat
Paris, 1948“The eternal is a moment that breathes and contains life, the span of one breath”
~ Edouard Boubat -
#914 - Grace Robertson
On the Caterpillar, Women's Pub Outing, Clapham, England, 1956“There is no limit to what we, as women, can accomplish.”
~ Michelle Obama
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#913 - Heinrich Kühn
Mary in a White Dress, 1907“Photography is a potential depiction expressed in seamlessly merging tonal values and brought about or conveyed by the effects of light”
~ Heinrich Kuhn -
#911 - Harry Callahan
Eleanor, Chicago, 1948“Eleanor was innocent and I was innocent.
I just try to photograph what I like. I thought she was beautiful. I intuitively photographed her. All my photography is innocent”
~ Harry Callahan -
#909 - Horst P. Horst
Male Nude II (Backside), N.Y., 1952“Both Huene and I had this extraordinary feeling about Greece. The physical beauty of the men and women, the sun and the fresh air and the sea”
~ Horst P. Horst -
#908 - Herman leonard
Dexter Gordon, Royal Roost, New York City, 1948“Today people talk a lot about “reading” a photograph. That means getting it, understanding what it’s all about. But man, when it comes to Herman Leonard, I think a better word is “listen”. You need to “listen” to Herman's pictures. They are full of music and you can hear it”
~ Quincy Jones
(Quoted in the book “Listen: Herman Leonard and his World of Jazz”- 21st Editions) -
#905 - Michael Kenna
Caress in Stone, Dorset, England, 1990“I am in agreement with John Szarkowski. A photograph is both a window and a mirror. We look through the window and see, connect and collaborate with the subject matter in front of us. We also use this same external reality as a mirror which reflects our individual proclivities, genetics, experiences, thoughts and desires.”
~ Michael Kenna
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#906 - Horst P. Horst
Round the Clock, N.Y., 1987“He put a little bit of himself into every picture. He was humble, very quiet, very kind. It was as if he didn’t understand or couldn’t connect to the fact that he held a major place in fashion history and photographic history”
~ Carol Alt
(Model)