DAILY BLOG

“I have a strong attraction to the American South. People there have a marvelous exterior - wonderful manners, warm friendliness until you touch on things you’re not supposed to touch on. Then you see the hardness beneath the mask of nice manners”

~ Elliott Erwitt
(1928 - 2023)

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"I believe that childhood can contain certain numinous moments, something that can give a sort of almost cosmic inspiration. I experienced this with the sea close to our family home, which has an enormous tidal effect, with the water ebbing and flowing twice a day. At low tide, you can walk out across the mudflats and witness a myriad of life, including multitudes of birds. Then at high tide, that same area is completely submerged by two meters of water. During our long childhood summers, we would lose all sense of time, sometimes spending so long at the shore that the sea had time to rise, fall, and rise again. At night, the lighthouse would flash through my childhood bedroom window every four seconds, and my grandparents used to tell me it was watching over us. These experiences meant that from a very young age, I was acutely aware of the perpetual rhythms of the island, like the cosmic phenomenon of the moon controlling the tides, the passing of the seasons. That enduring sense of rhythm has certainly influenced my work as an artist."

 

~ Paul Cupido

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“The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life.”

~ William Faulkner

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“Nature doesn’t wait for anyone”

~ Cig Harvey

“To walk alone in London is the greatest rest”

~ Virginia Woolf

 

“I’m not aware that I have a specific style. I just take pictures as I come across them”

~ Wolfgang Suschitzky

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“At the moment of shooting (composition) can stem only from our intuition, for we are out to capture the fugitive moment, and all the interrelationships involved are on the move……. It very rarely happens that a photograph which was feebly composed can be saved by reconstruction of its composition under the darkroom’s enlarger. The integrity of the vision is no longer there”

 

~ Henri Cartier-Bresson
(1908 - 2004)

We are thrilled to share that the “The Power of Photography” exhibition has been met with a wonderful reception! The Naples Press recently covered the exhibition in their Arts and Leisure section. Harriet Howard Heithaus's review for the paper is shared below.

 

Visit the exhibition online

There's still time to see the exhibition. The exhibition of 122 original prints curated by collector and gallerist Peter Fetterman, is on view now until April 28th 2024. For more information on visiting the museum, please see below for tickets and more information.

The Power of Photography Exhibition
Naples Art Institue
585 Park Street
Naples, FL 34102

Naples Art Institue and Gallery Store
Monday/Wednesday/Friday/Saturday: 10 a.m. - 6 p.m.
Tuesday/Thursday: 10 a.m. - 8 p.m.
Sunday: 11 a.m. - 4 p.m.

"There’s a contemplative or meditative quality to photography, which I find to be a sort of peaceful state. When I’m walking around photographing, I get into a particular mindset where I become much more attuned to the world around me."

 

~ Steve McCurry

“I feel that being a photographer is simply the logical endpoint for being someone who has a certain type of ability to observe. As a child, I noticed all sorts of things - some might say I was easily distracted, but really it was my early and formative time of refining my vision. I can’t stress enough how important observation is as the foundational component of being a photographer. It is all about noticing things; light, texture, form, the confluence of these elements within infinite combinations.”

 

~ Jeffrey Conley

“The great French photographer, Eugene Atget, spent many years photographing the gardens in and around Paris designed by the landscape architect André Le Nôtre in the 17th century. Early in my career, I followed in the footsteps of Atget to see where and how he photographed. I explored the formal estates of Versailles, Saint Cloud, Sceaux, Vaux-le-Vicomte and the Tuileries, amongst others, before finding Marly-le-Roi. Pools of water, fountains, rows of topiaried hedges and perspective illusions were the hallmark of Le Nôtre. This photograph, albeit maybe designed long after Le Nôtre, typifies an aspect of his landscapes - the unexpected. Through a forest of trees a circle appears, for no apparent reason. I’ve long felt that questions were far more interesting than answers. and this circle continues to intrigue me. Someday, I may find out what it is or what it is used for. Or maybe I won’t.”

 

~ Michael Kenna

“My dad used to have an expression. It’s the lucky person who gets up in the morning, puts both feet on the floor, knows what they are about to do and thinks it still matters”

~ President Joe Biden

“We must never forget that art is not a form of propaganda. It is a form of truth”

~ John F Kennedy

“In my many years of photographing the landscape and prehistoric stones of Ireland, I had come to realize that the life of the place generated a quiet magic. During my photography, there was usually a herd of white deer. They were randomly roving on the grounds on an estate and so I asked permission of the owner and set myself to the task of how to photograph them. Catching them in small groups was unsatisfying but I remembered the talent of the Irish sheepdog and enlisted the help of the owner and his dog to corral a substantial number of these white beasts. I visualized the deer as being spread out before the trees of the estate and set about the choreography of the event. Some 25 or so of these deer were collected at one end of a long field and at my signal the dog was to chase them in my direction. My camera was set up so as to include on my ground glass the grass field as foreground and the trees and background with myself hidden in the tress so as not to be seen.Not knowing what to expect I signaled and to my delight and surprise one of the deer took the lead and the others followed one behind the other. In the subdued light of the day my calculated exposure required the widest lens, aperture and a slow shutter speed of I second. I did not know and could not know what impression would appear on my film but to my delight on processing the film I found a beautifully impressionist feel made by the running white deer. As to capturing something magical, I knew that to be the case when two white swans flew directly over my head and camera moments after releasing the shutter of the lens.”

 

~ Paul Caponigro

"I have often been asked what I think of that photo. What I think, to quote Proust, is that it is charged with something of the “transparent substance of our best moments,” those that we shared while we were young. Boubat and I, before the course of life made us drift apart, caught upon the spell that we were living under back then and what can only be called a poetic adventure.”

~ Lella, 1987
(Great muse of artist Edouard Boubat)

'Never give all the heart for love'

Never give all the heart for love
Will hardly seem worth thinking of
To passionate women if it seem
Certain, and they never dream
That it fades out from kiss to kiss:
For everything that’s lovely is
But a brief, dreamy, kind delight.
O never give the heart outright.
For they, for all smooth lips can say
Have given their heart up to the play.
And who could play it well enough
If deaf and dumb and blind with love?
He that made this knows all the cost
For he gave all his heart and lost

~ W B Yates
(1865-1839)

 

“It is through living that we discover ourselves, at the same time as we discover the world around us”

 

~ Henri Cartier-Bresson
(1908 - 2004)

“Japan has a long and rich tradition of reciprocal gift giving. I have been the grateful recipient of so much over so many years in Japan, and I know that I will never be able to give back in equal measure. I hope this work can be seen as a small token of my desire to do so. I also hope this work can be viewed as a homage to Japan and that it will serve to symbolize my immense ongoing appreciation and deep gratitude for this beautiful and mysterious country”

~ Michael Kenna

“I have often felt that beauty is the only language worth speaking”

~ Cig Harvey

“I have been poor and I wanted to document poverty. I had lost a child and I was obsessed with birth. I was interested in politics and I wanted to know how it affected our lives. I am a woman and I wanted to know about women”

 

~ Eve Arnold
(1912-2012)

“The models are friends of mine. These photographs involve moments of complicity that only a friend could accept. If there is no fondness between the model and the photographer, this kind of work cannot be done”

 

~ Flor Garduno

The Photography Show is approaching quickly! Join PFG in New York City this spring for AIPAD 2024 at one of our favorite venues, the Park Avenue Armory. The fair will take place between April 25th - 28th, 2024. Tickets are available to purchase now! More information included below.

Is there a photograph that catches your fancy on our website and you would like to see the print in person? We are happy to bring photographs with us for special VIP viewings at the fair.

To schedule a viewing please contact peter@peterfetterman.com with viewing requests.

“Photography is a medium, a language, through which I might come to experience directly, live more closely with, the interaction between myself and nature.”

 

– Paul Caponigro

“There is an orchestra outside my window”

 

~ Cig Harvey

"Nothing important is happening but that is precisely because a great photo doesn't necessarily have to show something important, it can be ordinary, anodyne."

 

~ Bernard Plossu

“Photography teaches us to see, and we can see whatever we wish. When I take a photograph, I make a wish. I was always looking for beauty.”

 

~ George Tice

"People are under the illusion that it's easy...Technically, it is complex. You have a million options with equipment to distract you. I tell my students to simplify their equipment."

 

~ Brett Weston

"Why must art be static? You look at an abstraction, sculptured or painted, an entirely exciting arrangement of planes, spheres, nuclei, entirely without meaning. It would be perfect, but it is always still. The next step in sculpture is motion."

 

~ Alexander Calder

“For me the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which in visual terms, questions and decides simultaneously. In order to give a meaning to the world, one has to feel involved in what one frames through the viewfinder. This attitude requires concentration, discipline of mind, sensitivity and a sense of geometry. It is by economy of means that one arrives at simplicity of expression"

 

~ Henri Cartier-Bresson
(1908 - 2004)

“I feel that being a photographer is simply the logical endpoint for being someone who has a certain type of ability to observe. As a child, I noticed all sorts of things - some might say I was easily distracted, but really it was my early and formative time of refining my vision. I can’t stress enough how important observation is as the foundational component of being a photographer. It is all about noticing things; light, texture, form, the confluence of these elements within infinite combinations.”

 

~ Jeffrey Conley

“You can find pictures anywhere. It’s simply a matter of noticing things and organizing them. You just have to care about what’s around you and have a concern with humanity and the human comedy”

 

~ Eliott Erwitt

'In viewing the images in Devotion and at Peter Fetterman Gallery, I can only conclude that if, as the saying goes, “Beauty is in the eye of the beholder.,” then I’d revise that to say “Beauty is in the eye of Steve McCurry.'

 

~ Tom Teicholz

“Photography is an alibi, a pretext to see everything, to go everywhere, to communicate with everyone”

 

~ Sabine Weiss
(1924-2021)

John Edward Saché arrived in Calcutta from the United States of America in the latter part of 1864. As the capital of British India, Calcutta provided an optimal environment for photographers to establish their businesses. Saché would spend his summers operating from his studio nestled in the hills, where many sought refuge from the oppressive heat, and return to the plains during the pleasant winter months.Over the course of nearly two decades spent in India, John Edward Saché produced over 500 images and ran a successful enterprise, elevating him to the ranks of the foremost photographers of his time. His extensive travels throughout northern India encompassed major landmarks and towns, resulting in a rich collection of images that showcased his mastery of picturesque compositions.

“You see, when models work with men, they strike up a pose and so on…..with me they were always totally relaxed. I was just a woman photographing another woman who was very relaxed as well”

 

~ Lillian Bassman
(1917 - 2012)

“It is important that you respect what you are photographing."

 

~ Sebastião Salgado

“In general I don’t think too much. I certainly don’t use those funny words museum people and art critics like”

 

~ Elliott Erwitt
(1928 - 2023)

“I have done a great deal of work to make all these photos and all these prints. I feel I have nothing to be ashamed of”

 

~ Wolfgang Suschitzky
(1912-2016)

“Photography is for me a kind of meditation which widens my perception of the existing and evolving world around us. I seek refuge and simplicity in my photographs; and I find in it a personal accomplishment that I sincerely hope others too can feel.”

 

~ Jeffrey Conley

“For that second when I look through the lens I absolutely love the sitter and then I’m gone"~ Jane Bown(1925-2014)

“I have never wanted to give up performing on stage, but one day the tours will be over”

~ Mick Jagger

“I wait for photographs like a pointer dog. It is a question of luck and circumstance. I prefer winter, the worse the weather, the better the photograph will be."

 

~ Pentti Sammallahti

“Think about the photo before and after, never during. The secret is to take your time. You mustn’t go too fast. The subject must forget about you.Then however, you must be very quick”

 

~ Henri Cartier-Bresson
(1908-2004)

"I do what I feel, that's all. I am an ordinary photographer working for his own pleasure. That's all I've ever done."

~ Andre Kertész
(1894-1985)

 

Perhaps more than any other photographer, Andre Kertész
discovered and demonstrated the special aesthetic of the small camera. These beautiful little machines seemed at first hardly serious enough for the typical professional, with his straightforward and factual approach to the subject. Most of those who did use small cameras tried to make them do what the big camera did better: deliberate, analytical description.

Kertész had never been much interested in deliberate analytical description; since he had begun photographing in 1912 he had sought the revelation of the elliptical view, the unexpected detail, the ephemeral moment - not the epic but the lyric truth. When the first 35 mm camera - the Leica - was marketed in 1925, to seemed to Kertész that it had been designed for his own eye.

Like his fellow Hungarian Moholy-Nagy, he loved the play between pattern and deep space; the picture plane of his photographs is like a visual trampoline, taut and resilient. In the picture opposite half of the lines converge toward a vanishing point in deep space; the other half knit the image together in a pattern as shallow as a spider web, in which the pedestrian dangles like a fly.

In addition to this splendid and original quality of formal invention, there is in the work of Kertész another quality less easily analyzed, but surely no less important. It is a sense of the sweetness of life, a free and childlike pleasure in the beauty of the world and the preciousness of sight."

~ John Szarkowski
(Looking At Photographs, 100 Pictures from the Collection of The Museum of Modern Art by John Szarkowski)

"I create my images based upon stories and memories, in which I try to visualize the bond between man, spirit and nature. I love to use the contrast between light and dark and the twilight zone between them."

 

~ Ilona Langbroek

'In viewing the images in Devotion and at Peter Fetterman Gallery, I can only conclude that if, as the saying goes, “Beauty is in the eye of the beholder.,” then I’d revise that to say “Beauty is in the eye of Steve McCurry.'

 

~ Tom Teicholz

"The essence of my work really is about the little moments of wonder in life"

 

~ Paul Cupido

"I chose the camera as a tool to document different aspects of life: who we are, what we do, how we live, what our communities look like."

 

~ Earlie Hudnall (Jr.)

“Paris was that very special place where I defined myself as a photographer”

 

~ Louis Stettner
(1922-2016)

“Street photography is a joy. But the most difficult thing for me is a portrait. It’s not at all like someone you catch on the street. You have to try and put your camera between the skin of a person and his shirt, which is not an easy thing”

 

~ Henri Cartier-Bresson
(1908 - 2004)

“It never entered my mind that I was going to make it, but as I look back on my life I can see why I did. I made it because I had to always do something a little different. I made it because my taste was never bad. I had undying energy. If I did a picture, I couldn’t wait to see it. I always wanted to get things done as fast as possible. It’s going to be the way I want it. The model will meet my approval. They’re never going to force anybody down my throat. Every picture should be as good as I could make it.”

 

~ William Helburn
(1924-2020)

"I heard something click, when I photographed the Edmund Pettus bridge November 2022. I heard Sunday March 7, 1965. I heard dogs, horses, cries, all currency blowing in the wind, paying the price of change. Bridges connect, this bridge connects a less than pleasant past to promises of a brighter future. I heard it with my own eyes that night."

 

~ John Simmons

"Known as the land of fire and ice, Iceland is a place of contrasts. The landscape often feels simultaneously vast, intimate, stark, and delicate. There is something in the distinctive wide-open spaces, combined with ever-changing light and weather conditions, that reveals the implicit grace of the austere topography. It is a special place to witness. In this photograph, land, sky, and water are delineated elements that coalesce in a way that’s unique to the region. It represents a calming experience and memory and I very much look forward to returning."

 

~ Jeffrey Conley

“I make pictures of things that make me gasp. I want to evoke that same feeling. I want the viewer to halt too. Plunging your hands into soil is the same as plunging your hands deep into the body to grab at the heart”

 

~ Cig Harvey

“This is essentially a People’s contest. On the side of the Union, it is a struggle for maintaining in the world, that form, and substance of government, whose leading object is, to elevate the condition of men — to lift artificial weights from all shoulders — to clear the paths of laudable pursuit for all — to afford all, an unfettered start, and a fair chance, in the race of life.”

 

~ Abraham Lincoln

We are excited to share that the “The Power of Photography” exhibition is now on view at the Naples Art Institute in Naples, Florida. This exhibition will feature a selection of over 122 original prints curated by collector and gallerist Peter Fetterman, on view now until April 28th 2024. For more information on visiting the museum, please see below: 

The Power of Photography Exhibition
Naples Art Institue
585 Park Street
Naples, FL 34102

Naples Art Institue and Gallery Store
Monday/Wednesday/Friday/Saturday: 10 am - 6 pm
Tuesday/Thursday: 10 am - 8 pm
Sunday: 11 am - 4 pm

“It felt as if the end were nigh. With the sun obliterated by a dark smoked Dantean landscape stretched as far as the eye could see. The horizon itself was marked by torches of fire where burning oil leapt from the lifeless desert. And all around, thick pillars of crude oil spewed into the sky before falling back to earth to form treacly black lakes that, without warning, could become gigantic infernos. Finally there was the noise, a deafening roar that only grew louder as I came closer to the source of this cataclysm, the hundreds of oil wells that had been sabotaged and set alight by the Iraqi army near the end of its occupation of Kuwait between early August 1990 and late 1991".

 

~ Sebastião Salgado
Kuwait. A Desert on Fire.

“Adams feels deeply what he sees, he has a reverence for the earth in all its variety, delicacy and strength, but he is the absolute reverse of effusive: he sees with such austerity, even severity, that some have mistakenly called him cold. He has an incomparable technical expertness in communicating what he sees and feels, and for half a century and more he has gone on making photographs so plainly stamped with his personal artistry that they hardly need his steeple-A signature on them. They have taught thousands how to see: they have become household images, they have steadily affirmed life.”~ Wallace Stegner

"Don Hong-Oai's photographs portray a deep inner world where imagination thrives and dreams are created. His masterful craftsmanship creates a reality where anything is possible."

 

~ Michael Kenna

“In photography, the smallest thing can be great subject. The little human detail can become a leitmotive”

 

~ Henri Cartier Bresson
(1908-2004)

“I want to express our dignity, beauty, suffering and resistance. This is the force of our gender."

 

Flor Garduño

“I didn’t want to be a "woman photographer”. That would limit me. I wanted to be a photographer who was a woman with all the world open to my camera”

 

~ Eve Arnold
1912-2012

“In many ways I'm drawn to the natural world because of the cycle of life and the ephemeral nature of flowers and their beauty, meaning that you have to be present right now” 

~ Cig Harvey

"Taking photographs is a means of understanding which cannot be separated from other means of visual expression. It is a way of shouting, of freeing oneself, not of proving or asserting one’s originality. It is a way of life."

~Henri Cartier-Bresson
(1908-2004)

“…my way of photographing is my way of life. I photograph from my experience, my way of seeing things…”

~ Sebastiao Salgado

“January 19, 2am. It was two in the morning, just me and the Beatles in John’s room. They were in their night clothes, they‘d ordered up food and whiskey, and Brian Epstein came in. He had big news "I want to hold your hand" had just made it into the charts in US. They erupted in cackles. They were beaming. Then he put the icing on the cake. "And next month we’re off to America. You’re going to be on The Ed Sullivan Show". The song had just entered the Billboard 100 at number 45. (By February 1, it would be number one). So I saw my opening. I suggested they celebrate with a pillow fight-like the one George had mentioned to me before. John immediately shot it down. "No. It’ll make us look silly” But I kept my eye on John, who started slinking off. And just as I lifted my camera, John sneaked up behind Paul and pow, whacked him in the head with a pillow. Paul’s drink went flying and they were off”

 

~ Harry Benson

“People always ask me “How do you relate to people. How do you get people to open up and relax?" I think it is just a question of experience. I think it’s a question of enjoying being with people.”

 

~ Steve McCurry

"In our life there is a single color, as on an artist’s palette, which provides the meaning of life and art. It is the color of love."

 

~ Marc Chagall

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“What the human eye observes casually and incuriously, the eye of the camera notes with relentless fidelity."

~ Berenice Abbott

 

"If you could say it in words there would be no reason to paint. Great art is the outward expression of an inner life in the artist and this inner life would result in his or her personal vision of the world. No amount of skillful invention can replace the essential element of imagination”

 

~ Edward Hopper

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"I was lucky to discover a group of pine trees in 2007, while photographing watchtowers on the east coast beaches of Gangwando. When I first saw this copse, the trees were dramatic and dark, set against grey, ominous clouds. I photographed them at dusk, until it started to rain, and then drove off to visit a Buddhist temple many miles away. I was unaware that these trees were imminently at risk to be cut down and replaced with a liquified natural gas industrial development. Fortunately, an environmental movement was set up to fight against the destruction of the trees and it succeeded in preserving them. I was very happy to later learn that my photograph was used as part of their campaign. The LNG plant was eventually built, but it was put underground and the trees survive to this day. I have revisited this location many times since and intend to continue photographing these beautiful trees."

 

~ Michael Kenna

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"For me the camera is a sketchbook, an instrument of intuition and spontaneity, the master of the instant which in visual terms, questions and decides simultaneously. In order to give a meaning to the world, one has to feel involved in what one frames through the viewfinder. This attitude requires concentration, discipline of mind, sensitivity and a sense of geometry. It is by economy of means that one arrives at simplicity of expression"

 

~ Henri Cartier-Bresson
(1908-2004)

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"My photographs are acts of eloquent homage and deep remorse about the city. I am profoundly moved by it’s lyric beauty and horrified by it’s cruelty and suffering"

~ Louis Stettner
(1922-2016)

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“I said to her, "Do something with the spirit of the studio corner" and she started to move on the sofa. She just made a movement. I took only two photographs. No need to shoot a hundred rolls like people do today. People in motion are wonderful to photograph. It means catching the right moment - the moment when something when something changes into something else”

~ Andre Kertész

 

“Whatever we have done, Kertesz did first. We all owe something to Kertesz”

 

~ Henri Cartier Bresson

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“Staff photographers, freelancers and everyone who owned a camera, were all hoping to get published in LIFE Magazine. It was like getting one week of fame instead of the 15 minutes Andy Warhol talked about”

 

~ Allan Grant 

(1909-2008)

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“If “The Wild One” were filmed today Marlon Brando and the Black Rebel Motorcycle Club would all have to wear helmets. I used to be afraid that when Hells Angels became movie stars and Cal the hero of the book, the bike riders would perish on the coffee tables of America. But now I think that this attention doesn’t have the strength of reality of the people it aspires to know and that as long as Harley Davidsons are manufactured other bike riders will appear riding unknown and beautiful through Chicago into the streets of Cicero”

 

~ Danny Lyon

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“If you ask me what feelings the Eiffel Tower evokes for me, I’d have to say that indeed it’s a matter of sentiments. Those one feels for an old friend one is always glad to see again. A friend who was responsible for my first publication in LIFE in 1953. In the course of a long voyage full of more wear and rather less reason, laying eyes on this great lady again, you’re sure that at last you are home again. She is always there, quite erect, a bit arrogant as she looks down on us from so far above. More than ever she is courted by an increasing number of lovers who climb to conquer her. Her image marked our childhood and coming home from the country on a Sunday evening everyone of my children played the same game at the same age of around 3 or 4 of seeing who would be the first to see the familiar tower in the Paris sky.”

 

~ Marc Riboud. 1923-2016

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"For me color is not the most important part of the picture. For me it is the story. It’s the emotional content in the picture"

 

~ Steve McCurry

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“The most valuable things in a life are a man’s memories. And they are priceless”

 

~ Andre Kertész

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“You see, when models work with men, they strike up a pose and so on…..With me they were always totally relaxed, I was just a woman photographing another woman. And who was very relaxed as well.”

 

~ Lillian Bassman

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"Photographing Lenny was always an event. There was always a buzz in the air, an excitement, an anticipation. When Lenny was in the house, something was going to happen. We didn’t know what, but we were on the edges of our chairs waiting to find out. I say we, as if I were one of the musicians. But I was also on stage (or hovering close by), and I found myself equally compelled to rise above my limits, and break through my upper expectations... And that was good. I was never able to let my guard down for a second – my concentration had to be complete if I wanted to follow where he was going – his energy could burst forth suddenly, his body leaping high off the podium, his arms flying in the air, eyes blazing, mouth agape… and then receding just as quickly, and barely moving, conducting with only his shoulders or eyebrows, eyes closed, deep inside the soul of the conductor…. Whatever it was, it was total immersion in the music, and the results are legendary. That night in March 1990, there was no way to know that Leonard Bernstein was struggling or that these would be the last photographs I would ever take of The Maestro. These performances were vintage Bernstein; he was as powerful and vital as ever, and it was thrilling. Yet, some point during the concert, it began to dawn on me that something was off, something was wrong. Not that it showed to the audience, but I was seeing something in him I had never before seen. His usual joy and light had somehow dimmed, and he had a gentle but profound sadness in his eyes, a deeper melancholy than I had ever before seen……Lenny died 7 and a half months later. Years after, as I was looking through these photos, I could not deny what I was seeing, so I emailed his daughter Jamie and asked if he knew at that time that he was dying. She emailed back: “I don’t know the answer to the question. But he knew ‘something wasn't right’ as far back as that January. I think maybe he had a feeling...”

 

~ Steve J. Sherman

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“I never had a “project”. I would go out and shoot, follow my eyes-- what they noticed. I tried to capture with my camera for others to see”

 

~ Helen Levitt (1913-2009)

“I believe that the greatest creativity stems from the childlike nature that one has retained”

 

~ Sarah Moon

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“Most important was the outdoor studio that was Paris. I would take long daily walks with my camera, leaving myself open to what ever happened around me. Sometimes I am asked why I did it. There was no economic basis and the possibility of recognition was slight. I suppose I was drawn by a great need and love to get close to the world around me. Each photograph was a way of reaching out and an act of discovery”

 

~ Louis Stettner (1922-2006)

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“We had no idea about what we would find because it was the first time in my life that I would photograph landscapes and animals. Until then, I had only photographed one animal species in my career: the human being. So, it was an exceptional challenge”

 

~ Sebastião Salgado

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