Scroll down below to explore the latest posts from our daily collecting guide, Peter's quotes, notes and reflections from forty years of collecting and dealing in photography. Started during lockdown and continued by popular demand for over three years now, daily posts are sent by email to our mailing list subscribers, with live works for sale and related works to explore, as well as advance previews of exhibitions and events.
Access the previous 800 posts in our archive pages starting in March 2020 here
Use the #tags below right to search by category and subject. If there is a particular subject, era, style or artist of interest, please contact our concierge service for a tailor-made private view.
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#1731 - Alfred Eisenstaedt
Children at a Puppet Theatre, 1963“It took a longtime to get the angle I liked but the best picture is the one I took at the climax of the action. It carries all the excitement of the children screaming “The Dragon is slain!’"
~ Alfred Eisenstaedt
(1898-1995) -
#1730 - Max Yavno
Cable Car, San Francisco, 1947“I hope I go to Heaven and when I do, I’m going to do what every San Franciscan does when they get there. They look around and say “it ain’t too bad, but it ain’t San Francisco.”
~ Herb Caen
(1916-1997) -
#1729 - Gianni Berengo Gardin
Tuscany (Two People Walking), 1965“I look for a different story every time because I selfishly want to live every single story that I photograph.”
~ Gianni Berengo Gardin
(1930-2025) -
#1728 - Michael Kenna
Charles Bridge, Study 4, Prague, 1989"I nervously walked across the historic Charles Bridge for the first time in 1982, to be “greeted" by two military guards, with what looked like machine guns, asking for my ID. After checking my British passport, they continued to pace, expressionless, back and forth over the cobble stones. Prague was occupied, tense, paranoid, and hostile in those days. The Velvet revolution, which transitioned Czechoslovakia to democratic rule, would not occur for another seven years, and coincided with my next visit to Prague in 1989. I was searching for locations where one of my idols, the great Josef Sudek, had photographed. In those days, the thirty sandstone statues along the Charles Bridge were weathered a ghostly black, the result of dense smog and coal dust which all too often enveloped the city. An unhealthy atmosphere for sure, but greatly intriguing for a photographer, especially at night. Nowadays, Prague, in Czechia, as it is now called, is a prime tourist destination. Bright and lively cafes, shops and hotels are open to the public. The statues along the bridge, along with many city buildings, have been cleaned, and a walk along the Charles Bridge usually entails weaving through dense crowds and vendors. This photograph is a souvenir from a dark, bygone era, which will, hopefully, never, ever, return."
~ Michael Kenna -
#1727 - Pentti Sammallahti
Cilento, Italy, 1999“You don’t take a photo, the photo gives itself to you.”
~ Pentti Sammallahti -
#1726 - Charles Harbutt
Empire State Building, New York, 1970"Photography is a unique visual language that cannot be expressed in words. As a matter of fact, if it can be expressed in words, then it probably isn’t worth photographing."
~ Charles Harbutt
(1935-2015) -
#1725 - Sarah Moon
Djenice pour Yohji Yamamoto III, 2022Yohji Yamamoto:
You have to keep in mind that you can catch the gift, you have the capacity. But if you’re feeling lazy, if you’re not very serious, then you’ll miss it.
Sarah Moon:
It’s exactly like a photographer, except a photographer has very little time to succeed or to fail. It’s all or nothing.
Yohji Yamaoto:
We are the same. To make a new collection, I do fittings at least six times out of those six times, two or three times I feel “Oh, this is it” and the other three times I feel “Oh, what is this? Should I change? Should I do it again? Should I stop?” It’s like a punishment.
Sarah Moon:
Guy Bourdin used to tell me "you can’t be a photographer every day.” It’s true, sometimes you don’t believe in it. Plus, there is a limit, a deadline, what about you? Is time a friend or an enemy? For me, it’s an enemy because it goes too quickly.
Yohji Yamamoto:
When I don’t work, I have to kill time: it’s time when I’m staying at home or walking my dog. But then when I work on a collection, I feel very strong. I don’t know why, it is like I said, something like a gift. -
#1724 - Bill Brandt
East Sussex Coast, 1953“Photography is still a very new medium and everything is allowed and everything should be tried.”
~ Bill Brandt
(1904-1983)
“Woman is the being who projects the greatest shadow or the greatest light on our dreams.”
~ Charles Baudelaire
(1821-1867) -
#1723 - Andre Kertész
Chez Mondrian, Paris, 1926“I went to his studio and instinctively tried to capture in my photographs the spirt of his paintings. He simplified, simplified, simplified. The studio with its symmetry dictated the composition."
~ Andre Kertész
(1894-1985) -
#1722 - William Helburn
Dovima Under the El, 1956“The fashion photographer always has so much of his/her inner self contributing. Their taste, their inner being. Fashion photographers have to take a product and beautify and enhance every aspect of it”
~ William Helburn
(1924-2020) -
#1721 - Sebastião Salgado
Greater Burhan Oil Field, Kuwait, 1991"It felt as if the end were nigh. With the sun obliterated by dark smoke, a Dantean landscape stretched as far as the eye could see. The horizon itself was marked by torches of fire where burning oil leapt from the lifeless desert."
~ Sebastião Salgado
(1944-2025) -
#1720 - Judy Dater
Imogen Cunningham & Twinka at Yosemite, California, 1974“I have to make myself happy first and then I hope that some of that will make others happy.”
~ Judy Dater -
#1719 - Noell Oszvald
Untitled #1, 2013"When you're observant, inspiration can show up in the most unusual places, triggering a new idea to appear.”
~ Noell Oszvald -
#1718 - Sarah Moon
Pour Yohji Yamamoto, 2019"Before I start the fittings, I start imagining some type of beauty., sexuality or emotion.Sometimes I can’t find one:sometimes it happens or it collapses and I have to catch it."
~ Yohji Yamamoto
"It’s exactly the same for me. It’s a very short moment, and if I don’t catch it, it’s lost. That’s why I try to repeat: it’s “la course à la chimèra" (chasing a chimera) because sometimes I don’t see it straight away. I have a feeling……. finally I’m looking for an accident. That’s what I call chance or serendipity….working with hope for something you can’t know. A gift as you say and if it does accidentally happen then you want to make the most of it."
~ Sarah Moon -
#1717 - Louis Stettner
Girl Playing in Light Circles; Penn Station, NY, 1956“I started with the Subway series in 1946 and would occasionally shoot in Penn Station until 1958 when I did it full time. I loved the place and what was happening there. It was a spacious and dramatic arena where people in the art of traveling went through a mixture of excitement, a silent patience for waiting and an honest fatigue. My fellow human beings are my main subject matter. When they travel, people are “on the big stage” so to speak. At heart my life’s work with the camera is to interpret the world around me through my own personal vision."
~ Louis Stettner
(1922-2016) -
#1716 - Andre Kertész
Washington Square, Winter, 1954“The camera is my tool. Through it I give reason to everything around me”
~ Andre Kertész
(1894-1985) -
#1715 - Paul Caponigro
Blue Ridge Road, Virginia, 1965"No place is boring, if you’ve had a good night’s sleep and have a pocket full of unexposed film."
~
Robert Adams -
#1714 - Sarah Moon
Pour Yohji Yamamoto"What always fascinates me about your work is that you always wrap a woman, mostly in black, yet every time you find a new idea"
~ Sarah Moon
"When I start working on a collection, I’m always looking for myself, for a surprise. Sometimes when I feel very excited by wrapping a body, I feel it might be a gift"
~ Yohji Yamamoto -
#1713 - Brett Weston
Buildings, Holland, 1971“The only competition is you and your work.”
~
Brett Weston
(1911-1993) -
#1712 - Dolorès Marat
Les oiseaux de Marseille, 2003“They are deliberate or involuntary wanderings because my mind is always in photo mode from morning to evening, and sometimes at night too! If I’m on my way to an appointment, for example, and en route something moves me, I try to take a photo the moment it touches me. If what touches me is a person’s attitude, or a situation, I get closer. The blurriness records my movement in the direction of the person. That’s why there are often photos that aren’t very sharp. I never take deliberately blurred shots.”
~
Dolores Marat
(b.1944) -
#1711 - Ansel Adams
Stream, Sea, Clouds, Rodeo Lagoon, Marin County, CA, 1962“The negative is the equivalent of the composer’s score and the print is the performance.”
~ Ansel Adams
(1902-1984)
“Adams feels deeply about what he sees. He has a reverence for the earth in all its variety, delicacy and strength but he is the absolute reverse of effusive. He sees with such austerity, even severity, that some have mistakenly called him cold. He has an incomparable technical expertness in communicating what he sees and feels and for half a century and more he has gone on making photographs so plainly stamped with his personal artistry that they hardly need his steeple A signature on them. They have taught thousands how to see, they have become household images, they have steadily affirmed life.”
~ Wallace Stegner
(1909-1993) -
#1710 - Louis Stettner
"Crossing the Seine" Mother and Child, Paris, 1950“My fellow humans are my main subject matter. At the end of the day, my life’s work with the camera is to interpret the world around me through my own personal perception."~Louis Stettner
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#1709 - Ralph Gibson
Carrousel du Louvre, Paris, 2004"Even though fixed in time, a photograph evokes as much feeling as that which comes from music or dance. Whatever the mode, from the snapshot to the decisive moment to multi media montage - the intent and purpose of photography is to render in visual terms feelings and experiences that often elude the ability of words to describe. In any case the eyes have it and the imagination will always soar further than was expected.”
~
Ralph Gibson -
#1678 - Jean Philippe Charbonnier
Juliette Greco and Miles Davis, 1949“I will never say I won’t do a job because I don’t like it. There are somethings I can’t do because I don’t know how to, but otherwise I will do anything and this is a good lesson in humility. Even though I am doing exactly what my client wants, I put my personality into the pictures”
~ Jean-Philippe Charbonnier
(1921-2004)
“Don’t play what’s there, play what’s not there."
~ Miles Davis
(1926-1991) -
#1708 - Henry Wessel
Walapai, Arizona, 1971“The world is filled with incredible things. So I’m happy to just let my eye be caught by something. If something catches my eye that’s enough reason to take the picture.”
~
Henry Wessel
(1942 - 2018) -
#1707 - Ralph Eugene Meatyard
Untitled - 2 boys and doorways, 1960“The camera is an unsophisticated mechanical instrument which, like a mirror, reflects passively without a conscience. The artist must supply the conscience.”
~ Ralph Eugene Meatyard
(1925-1972) -
#1706 - Michael Kenna
Avenue of Three Fountains, Versailles, France, 1996“I look at this image and applaud the artists and artisans who made these standing sculptures and placed them in the stately gardens of Versailles. My mind inevitably wanders to Andre Le Nôtre, (1613-1700), the landscape architect who created many such wonderful perspectives of garden topiary in and around Paris. I then telescope back to take a more distant view of planet earth, a speck in our immense universe, with all the magnificence, beauty and mystery of it all. In 1996, I stopped, looked, saw and appreciated what was in front of me, on one of the many thousands of frosty mornings Versailles has experienced. I clicked the shutter on my camera, (which was made by somebody else, in another country). The image exposed on film, (manufactured thousands of miles away). It was processed in a laboratory, (in another distant city). I made the eventual print, in my own darkroom, and even had the audacity to sign it. But, let’s face it, I was and remain a bit part actor in an enormous cast of giant characters, and I’m absolutely fine with that.”
~
Michael Kenna -
#1705 - Dolores Marat
Le chameau heureux, Tunisie, 1997"Photography has always been my life. I've always taken photos. I always have my Leica on me and, as soon as I feel an emotion in relation to something I see, I photograph it, no matter where I am."
~ Dolorès Marat -
#1704 - Elliott Erwitt
Venice, Italy, 1965“I devised a little technique to get around the restrictions and successfully take photos in a museum. All you need is a small camera that is inconspicuous and doesn’t make too much noise. When the attendant is not looking, you adjust it to your eye level and cough slightly while pressing the button to disguise the noise of the shutter release. You can also bribe the attendant, a more efficient and direct practice in some countries.”
~
Elliott Erwitt
(1928 - 2023) -
#1703 - Arthur Leipzig
Chalk Games, New York City, 1950“The city was my home. As I look back at the work I did during that period, I realize that I was a witness to a time that no longer exists, a more innocent time. While I know that the city has changed, that the streets are dirtier and meaner, the energy that I love is still there. No matter where I go, I keep coming back to photography New York. Of course the “good old days” were not all sweetness and light. There was poverty, racism, corruption and violence in those days too, but somehow we believed in the possible. We believed in hope.”
~
Arthur Leipzig
(1918 - 2014)
“Having seen so much it seems that Arthur Leipzig wanted to go on seeing much more land what he has shown us remains hauntingly clear. His images say, look at us and be born again. Taken out of time they refuse to grow faded, and with the clock moving on, Arthur Leipzig’s camera should be moving with it. He should never yield to inactivity. Life as he shows it is what life is all about.”
~
Gordon Parks
(1912 - 2006) -
#1702 - Gianni Berengo Gardin
Milan, 1961“Photographers stay young because until the end they would like to pull off one more good shot.”
~ Gianni Berengo Gardin -
#1700 - Ron Cooper
Lauren Greyhawk, Ohkay Owingeh“My photography is rooted in a curiosity and reverence for the human experience. I’ve always been fascinated by people. ”
~ Ron Cooper -
#1701 - Pentti Sammallahti
Seoul, Korea (Three Birds), 2016“I love to watch very common species- sparrows, crows, pigeons, ducks, gulls, domestic birds- from home doorsteps to the ends of the earth. They are lovely and easy and sometimes funny to observe.”
~ Pentti Sammallahti -
#1699 - Kristoffer Albrecht
Cyclists from above, Beijing, 1989“Today everything exists to end in a photograph.”
~ Susan Sontag
(1933 - 2004) -
#1698 - Arnold Newman
Igor Stravinsky, New York City, 1946“We don’t take pictures with our cameras. We take them with our hearts and we take them with our minds. The camera is nothing more than a tool.”
~ Arnold Newman
(1918-2006) -
#1697 - Don McCullin
Early Morning, West Hartlepool Steel Foundry, UK, 1963“Photography has given me a life. The very least I could do was to try and articulate these stories with as much compassion and clarity as they deserve, with as loud a voice as I could muster. Anything less would be mercenary.”
~ Don McCullin -
#1696 - George Tice
From the Chrysler Building, New York, 1978“I don’t speak emotionally about my pictures.That’s for other people to do. I will say that I love my photos. That’s what keeps me going. Photography teaches us to see and we can see whatever we wish. When I take a photograph, I make a wish, I was always looking for beauty”
~ George Tice
(1938-2025) -
#1694 - Josef Ehm
Summer, 1935“And so with the sunshine and the great bursts of leaves growing on the trees, just as things grow in fast movies, I had that familiar conviction that life was beginning over again with the summer.”
~ F. Scott Fitzgerald
The Great Gatsby -
#1693 - Arthur Leipzig
Divers, East River, New York, 1948“It was in New York that I honed my skills and began to learn about the world and myself"
~ Arthur Leipzig
(1918 - 2014)
“It would be difficult to rub out the memory of boys diving into the East River-enough to make one want to be a boy forever”
~ Gordon Parks
(1912 - 2006) -
#1692 - Louis Stettner
Coming to America, 1951“The photographs that remain strong and alive seem to be when your vision and reality are so inexorably wedded together it is impossible to separate them”~ Louis Stettner (1922 - 2016)
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#1691 - Miho Kajioka
BK0270, 2017“The world has been always made of many different layers – even before the disaster. And there have been always problems, and beautiful things have always remained beautiful…”
~ Miho Kajioka -
#1690 - Henri Cartier-Bresson
Brie, France, 1955"I am a visual man, I watch, watch, watch. I understand things through my eyes"
~ Henri Cartier-Bresson (1908-2004) -
#1689 - Don McCullin
Shell Shocked Marine, Vietnam, Hue, 1968“Photography for me is not looking, it’s feeling. If you can’t feel what you’re looking at then you’re never going to get others to feel anything when they look at your pictures”
~ Don McCullin
“Some stories must be told, not because they will delight and instruct, but because they happened ”
~ Michael Herr
“Dispatches”
“To make you hear, to make you feel, to make you see”
~ Joseph Conrad -
#1688 - Burt Glinn
Andy Warhol with Edie Sedgwick and Chuck Wein, New York, 1965“I have come to believe in the superiority of discovery over invention. What is important is not what I make happen but what happens to me.”
~ Burt Glinn -
#1687 - Sebastião Salgado
Bailey Head, Deception Island, Antarctic Peninsula, 2005“I worked 12-15 hours a day. I couldn’t stop myself with the brilliant constant light. When you have a sunset in Europe it is maybe half an hour or an hour. Here we had five or six hours.”
Sebastião Salgado
(1944 - 2025) -
#1686 - Elliott Erwitt
North Carolina, 1950" Photography is an art of observation. It has little to do with the things you see and everything to do with the way you see them”
~ Elliott Erwitt
(1928-2023) -
#1685 - Harry Callahan
Eleanor, Chicago, 1948“It’s the subject matter that counts. I’m interested in revealing the subject in a new way to intensify it…… wanting to see more makes you grow as a person and growing makes you want to show more of life around you”~ Harry Callahan (1912-1999)
-
#1684 - Michael Kenna
Pine Trees, Study 5, Unyeo Beach, Chungcheongman-do, 2018"When I first saw this copse, the trees were dramatic and dark, set against grey, ominous clouds. I photographed them at dusk, until it started to rain, and then drove off to visit a Buddhist temple many miles away. I was unaware that these trees were imminently at risk to be cut down and replaced with a liquified natural gas industrial development. Fortunately, an environmental movement was set up to fight against the destruction of the trees and it succeeded in preserving them. I was very happy to later learn that my photograph was used as part of their campaign. The LNG plant was eventually built, but it was put underground and the trees survive to this day. I have revisited this location many times since and intend to continue photographing these beautiful trees."~ Michael Kenna
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#1683 - Dolores Marat
The Lady in Front of the Sea, Saint Malo / France, 2000“My children lived in St. Malo for a very long time, my son had a small apartment directly on the beach above a restaurant, obviously I was often at the window to see the sea, when I was there, one day a huge storm arrived, broke all the windows of the restaurant and everything in the dining room flew towards the sea, the restaurant was emptied in a few minutes, fortunately before this storm I took a photo of this lady who looked at the sea. The rest of the restaurant was destroyed a few days later.”
~ Dolores Marat -
#1682 - Don McCullin
The Beatles, 1968“We didn’t know where it was all going. We just didn’t know. One day in 1968 I got a phone call which I thought was just a joke. An unfamiliar male voice said he was phoning from Apple and wondered if I would consider spending a day photographing The Beatles for a fee of two hundred pounds. They were a little tired of approaches from photographers and wanted to get a fresh supply of pictures I suppose. Given the year with all its political associations, they thought they could work with somebody who might be politically sympathetic. They didn’t know that I had practically levitated a couple of inches off the ground. I would have given them two hundred pounds”
~ Don McCullin
“Don’s a very cool guy. He is one of the great British photographers. We thought we’ve got to be the war. We’ll provide the battlefield and it’ll work. He’ll just click into action.That’s exactly what happened.”
~ Paul McCartney -
#1681 - Sebastião Salgado
Eastern Part of the Brooks Range, Alaska, 2009"I remember once I was working in Alaska. I was in The Brooks Range. I had a small plane that drove me to a point and left me there and came back for me one week or ten days later because in Alaska you cannot fly always. It was June. You have the cold air coming from the Arctic and hot air from inside Alaska and they meet over this Brooks Range, over this mountain and it creates a lot of micro climate. In June I had a lot of snow and a lot of rain, hot, cold, everything happened there. The plane was forced to leave me there. I’m sitting there all day long in front of the mountain. You are the planet. You are part of all this together and you see how the wind cuts at this mountain like a knife and it creates sand that will create soil and you see all the vegetation. The small vegetation fights to survive. It’s amazing."Sebastião Salgado(1944 - 2025)
-
#1680 - Paul Caponigro
Tree & Cloud, New Mexico, 1980“Photography is a medium, a language, through which I might come to experience directly, live more closely with, the interaction between myself and nature.”
– Paul Caponigro -
#1679 - Flor Garduño
La Mujer Que Sueña, Pinotepa Nacional, México, 1991"Mexico is a land pervaded by myths and legends, a land plunged into a voluptuous and sensual nature, kissed by the sun and by of those exotic and ancestral places"
~ Flor Garduño -
#1676 - Henri Cartier Bresson
Vicksburg, Mississippi, 1947"Your eye must see a composition or an expression that life itself offers you and you must know with intuition when to click the camera"
~ Henri Cartier Bresson
(1908 - 2004) -
#1674 - Ken Veeder
The Beach Boys“If there’s not love present, it’s much harder to function. When there’s love present, it’s easier to deal with life”
~ Brian Wilson “I may not always love you
But long as there are stars above you
You never need to doubt it
I’ll make you so sure about it
God only knows what I’d be without you”
~ Brian Wilson -
#1673 - Sarah Moon
Sans Titre, 1989“For a split second I see a sparkle of beauty passing by. That instance of grace that I nearly missed and that will never happen again”
~ Sarah Moon -
#1672 - Andre Kertesz
Satiric Dancer, Paris, 1926“I said to her, "Do something with the spirit of the studio corner" and she started to move on the sofa. She just made a movement. I took only two photographs. No need to shoot a hundred rolls like people do today. People in motion are wonderful to photograph. It means catching the right moment - the moment when something when something changes into something else”
~ Andre Kertesz
‘“Whatever we have done, Kertesz did first. We all owe something to Kertesz”
~ Henri Cartier Bresson -
#1671 - Elliott Erwitt
California Kiss, 1956“The whole point of taking pictures is that you don’t have to explain things with words”
~ Elliott Erwitt
(1928-2023)
“In the grand tradition of twentieth century photography there are many great image makers. But few were so skilled as Elliott Erwitt when it came to gently capturing the poignant absurdities and paradoxes of the human condition”
~ Graydon Carter and Nathan King
Foreword to the new book “Elliott Erwitt : Last Laughs” -
#1670 - Henri Cartier-Bresson
Siphnos, Greece, 1961“The joy of geometry ! When you realize everything is right"
~ Henri Cartier-Bresson -
#1669 - Margaret Bourke-White
Terminal Tower and High Level Bridge, Cleveland, c. 1929”The camera is a remarkable instrument. Saturate yourself with your subject and the camera will but take you by the hand and point the way”
~ Margaret Bourke-White
(1904-1971) -
#1668 - Steve McCurry
Running at Sunset, Ethiopia, 2012“Travel has to be a free flow-an improvised voyage to discovery. You have to budget time for random wandering.”
~ Steve McCurry -
#1667 - Bruce Davidson
Untitled, Washington DC, 1963“W. Eugene Smith’s photo essays taught me that a photograph could not only communicate emotion, but could also save the human condition”
~ Bruce Davidson -
“It is perhaps an odd thing for a Brazilian to admit, but I never drink coffee and yet it runs through my veins. Indeed at several key moments in my life, coffee has played a central role in my life. I was deeply familiar with its culture which for the most part exists in silent isolation in remote mountain regions of developing countries, far from the urban homes, offices and cafes where coffee represents a dramatically different way of life.”
~ Sebastião Salgado -
#1665 - Robert Whitaker
John with Flower, Weybridge, May 1965“Our society is run by insane people for insane objectives. I think we’re being run by maniacs for maniacal ends and I think I’m liable to be put away as insane for expressing that. That’s what’s insane about it”
~ John Lennon -
#1664 - Willy Ronis
Le Petit Parisian, 1945“I have never sought out the extraordinary or the scoop. The beauty of the ordinary was always the source of my greatest emotions”
~ Willy Ronis
(1910-2009) -
#1663 - Henri Cartier-Bresson
Aquila Degli Abruzzi, Italy, 1952“Photography as I conceive it, well it’s like a drawing. An immediate sketch done with intuition and you can’t correct it. If you have to correct it, it’s the next picture. But life is very fluid.”
~
Henri Cartier Bresson
(1908-2004) -
#1662 - Brigitte Carnochan
Sunflower IV, 1997"The lovely flowers embarrass me. They make me regret I am not a bee"
~ Emily Dickinson -
#1660 - Neil Leifer
Muhammad Ali vs Sonny Liston, 1965“Don’t count the days, make the days count.”
~ Muhammed Ali
(1942-2016)
“If I were directing a movie and I could tell Ali where to knock him down and Sonny where to fall, they’re exactly where I would put them.”
~ Neil Leifer -
#1661 - Paul Cupido
Kachou, 2023"I enjoy it when a work evokes something positive and dreamy, while at the same time remaining mysterious. It takes on an existential form of a poem."
~ Paul Cupido -
#1658 - Marc Riboud
Young Girl with Flower in demonstration against the war in Vietnam, Washington, USA, 1967“Photographs cannot change the world but it can show the world especially when the world is changing”
~ Marc Riboud
(1923-2016) -
#1657 - Pentti Sammallahti
Mt. Etio, Namibia (Flamingos), 2005"I'm not so enthusiastic to have a personal style but photograph everything that moves me. I study and practice different ways to work."
~ Pentti Sammallahti -
#1656 - Jeffrey Conley
Wave Layers, Iceland, 2018"I find the south Iceland coast to be ever compelling. The conditions of lighting and weather are constantly in transition (often quite cold and windy). Sometimes the sky, sea, and land seem to merge seemingly without separation. It’s a wondrous, vast, and elemental place. A place to find perspective."
~ Jeffrey Conley -
#1653 - Fred Lyon
Boy on Bicycle, Cabrillo and 22nd Ave, c. 1950's"Looking at these images after all these years, I still have all the sensations that came to me when I was crawling around the steel work of the Golden Gate Bridge. I feel the brisk morning air, the stillness that gives way to strong breezes and howling fog. Plus apprehension from the knowledge that a careless step could result in a long plunge to San Francisco Bay. But the dramatic elements demanded prompt action. Plenty of time later to sweat over risk and anyway, in my mid-twenties it never occurred to me that I’d live beyond thirty."
~ Fred Lyon
(1924 - 2022) -
#1651 - Sebastião Salgado
Mentawai, Indonesia, 2008"I don't believe a person has a style. What people have is a way of photographing what is inside them. What is there comes out."
~ Sebastião Salgado -
#1650 - Louis Stettner
The Family ("Manege") 14th Arrondissement, Paris, c. 1950-51“Brassai showed me that it was possible to find something significant in photography subjects in everyday life doing ordinary things by interpreting them in your own way and with your own personal vision”
~ Louis Stettner -
#1649 - Minor White
Windowsill Daydreaming, Rochester, New York, 1958“When I looked at things for what they are I was fool enough to persist in my folly and found that each photograph was a mirror of myself.”
~ Minor White
(1908-1976) -
#1648 - Pentti Sammallahti
Kauttua, Finland, 1990" I feel like I received the photograph, I didn't take it. If you're in the right place at the right time, then all you have to do is push a button. Being a photographer doesn't come into it. Everything I've photographed exists regardless of me, my role is only to be receptive."
~ Pentti Sammallahti -
#1644 - Harry Callahan
Eleanor and Barbara, Chicago, 1954"The difference between the casual impression and the intensified image is about as great as that separating the average business letter from a poem. If you choose your subject selectively - intuitively the Camera can write poetry"
~ Harry Callahan
(1912-1999)
"I hold this to be the highest task between two people. That each should stand guard over the solitude of the other"
~ Rainer Maria Rilke
(1875-1926) -
#1647 - Brett Weston
Reeds, Oregon, 1969"Nature is a great artist, the greatest. I’ve seen rocks and forms that put Matisse, Picasso and Brancusi to shame. You can’t beat Mother Nature."
~ Brett Weston -
#1642 - Sebastião Salgado
Fallen Worker, Kuwait Oil Fields, 1991“Photography is the language that gives people the opportunity to see what you saw.”
~ Sebastião Salgado