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A Winter Wonderland
Celebrate The Power Of Photography for the Holidays, 28 November - 16 December 2022

A Winter Wonderland: Celebrate The Power Of Photography for the Holidays

Past viewing_room
Dear Friends,

Depending where you find yourself, the holidays may or may not always be white with snow. But there's nothing wrong with dreaming a winter wonderland with our curated snow themed gift guide.

Between Mario Giacomelli's iconic snow shots, Sebastião Salgado's epic icebergs and Cig Harvey's flashes of magical colour we have the perfect snowy scene for everyone on your list. Celebrate the season with a photograph you can treasure for years to come.

Gift wrapping, framing and shipping is available through the gallery.


  • You can email us directly, using this link: Winter Wonderland.
  • Enquiries can be made to the gallery during LA office hours Tuesday -Saturday: +1 310 453 6463
  • If you are based in London or Europe please contact Kate Stevens +44 7766 684300


VIEW PRICE LIST & AVAILABILITY


Peace and love,

Peter Fetterman

  • Pentti Sammallahti

    “I suddenly understood what nature was telling me. I understood that you do not take photographs, you receive them.”

    ~ Pentti Sammallahti

    Pentti is one of my favorite human beings and surely one of the greatest living photographers.He adds another dimension to the word “humility”. I have never met a photographer so completely uninterested in fame or personal success, material or otherwise. He is totally devoted to his art and almost monk-like in the way he approaches it and conducts himself. He is the most holy, poetic photographer I know yet full of life and gentle humor which manifests itself in his sublime work.Like they say in the theater “tragedy is easy, comedy is hard”, he creates gems of such seemingly simple human, animal and natural moments which are so complex in their construction and the dedication and patience it takes to capture them. His skills in the darkroom which are equally formidable are unparalleled by anyone working today. He would be embarrassed if I called him a photographic “genius” but like Mozart or Bach or Beethoven, he surely is.

    Click the thumbnails below to see full details for each image.

    • Pentti Sammallahti Petrohan, Bulgaria (Three Snow Covered Trees), 2003 Gelatin Silver Print 8 x 10 inches paper size, 5 3/4 x 8 3/4 inches image size; Signed & numbered in pencil on recto
      Pentti Sammallahti
      Petrohan, Bulgaria (Three Snow Covered Trees), 2003
      Gelatin Silver Print
      8 x 10 inches paper size, 5 3/4 x 8 3/4 inches image size; Signed & numbered in pencil on recto
    • Pentti Sammallahti Helsinki, Finland (Two Ducks on Ice), 1973 Gelatin Silver Print 8 x 10 inches paper size
      Pentti Sammallahti
      Helsinki, Finland (Two Ducks on Ice), 1973
      Gelatin Silver Print
      8 x 10 inches paper size
    • Pentti Sammallahti Helsinki, Finland (Two Birds on Branch), 2002 Gelatin Silver Print 8 x 10 inches. Image size 6 1/4 x 8 inches. Signed & dated on recto in pencil.
      Pentti Sammallahti
      Helsinki, Finland (Two Birds on Branch), 2002
      Gelatin Silver Print
      8 x 10 inches. Image size 6 1/4 x 8 inches. Signed & dated on recto in pencil.
    • Pentti Sammallahti Helsinki, Finland, 2016 Gelatin Silver Print Image - 6.5"x7.5", Paper - 8"x10", Matted - 11"x14"
      Pentti Sammallahti
      Helsinki, Finland, 2016
      Gelatin Silver Print
      Image - 6.5"x7.5", Paper - 8"x10", Matted - 11"x14"
    • Pentti Sammallahti Inawashiro Lake, Japan, 2005 Gelatin Silver Print Paper size; 8 x 10 inches. Image size; 6 x 8 inches. Signed and dated in pencil on recto.
      Pentti Sammallahti
      Inawashiro Lake, Japan, 2005
      Gelatin Silver Print
      Paper size; 8 x 10 inches. Image size; 6 x 8 inches. Signed and dated in pencil on recto.
    • Pentti Sammallahti Solovki, White Sea, Russia (Dog on motorbike), 1992 (Printed Later) Gelatin silver print Image - 6.5"x14", Paper - 10"x16", Matted - 13"x21"
      Pentti Sammallahti
      Solovki, White Sea, Russia (Dog on motorbike), 1992 (Printed Later)
      Gelatin silver print
      Image - 6.5"x14", Paper - 10"x16", Matted - 13"x21"
    • Pentti Sammallahti Mestia, Georgia (Pig in Snow), 2014 Gelatin Silver Print Image - 6.5"x7", Paper - 8"x10", Matted - 11"x14"
      Pentti Sammallahti
      Mestia, Georgia (Pig in Snow), 2014
      Gelatin Silver Print
      Image - 6.5"x7", Paper - 8"x10", Matted - 11"x14"
    • Pentti Sammallahti Finström, Åland Island, Finland (Dog and Boy Under Tree), 1981 Gelatin Silver Print 8 x 6 inches. Image size 5 1/2 x 4 1/4 inches. Signed & dated in pencil on recto.
      Pentti Sammallahti
      Finström, Åland Island, Finland (Dog and Boy Under Tree), 1981
      Gelatin Silver Print
      8 x 6 inches. Image size 5 1/2 x 4 1/4 inches. Signed & dated in pencil on recto.
    • Pentti Sammallahti Solovki, White Sea, Russia, (Man Walking Down Snow Covered Road), 1992 Gelatin silver print Image - 6"x14.5", Paper - 10"x16", Matted - 13"x21"
      Pentti Sammallahti
      Solovki, White Sea, Russia, (Man Walking Down Snow Covered Road), 1992
      Gelatin silver print
      Image - 6"x14.5", Paper - 10"x16", Matted - 13"x21"
    • Pentti Sammallahti Fiskars, Finland (Two Ducks Under Branches), 1990 Gelatin silver print 12 x 8 inches. Image size: 10 x 4 1/4 inches
      Pentti Sammallahti
      Fiskars, Finland (Two Ducks Under Branches), 1990
      Gelatin silver print
      12 x 8 inches. Image size: 10 x 4 1/4 inches
    • Pentti Sammallahti Helsinki, Finland, 2016 Gelatin Silver Print Image - 6.5"x7.5", Paper - 8"x10", Matted - 11"x14"
      Pentti Sammallahti
      Helsinki, Finland, 2016
      Gelatin Silver Print
      Image - 6.5"x7.5", Paper - 8"x10", Matted - 11"x14"
    • Pentti Sammallahti Lviv, Ukraine (Dog & Pile of Snow), 2007 Gelatin Silver Print 6 x 8 inches. Image size 4 x 5 1/2 inches. Signed & dated in pencil on recto.
      Pentti Sammallahti
      Lviv, Ukraine (Dog & Pile of Snow), 2007
      Gelatin Silver Print
      6 x 8 inches. Image size 4 x 5 1/2 inches. Signed & dated in pencil on recto.
  • Michael Kenna

    “The first thing I do in landscape photography is go out there and talk to the land - form a relationship, ask permission." 

    ~ Michael Kenna

    I have known Michael Kenna now for what must be over 40 years. I think we both arrived from England on the same banana boat full of dreams. I have watched his career grow and flourish due to both his innate talent and his amazing work ethic and dedication to his craft where he has now reached the pinnacle of his profession. He has more imitators than Elvis has impersonators but like there is only one true Elvis, there is only one Michael Kenna.Whenever I receive a package of requested prints from him it seems like Christmas Day. I know within the package there will be bountiful gifts of beauty and inspiration that will surpass one’s expectations. I experience an immediate transcendence to a feeling I can hardly articulate except to perhaps say otherworldly calm and peace.I know you will feel the same.

    Michael Kenna, Snow Covered Hillside, Pyeongchang, 2012 (View more details about this item in a popup).
    Michael Kenna, Snow Tree, Woijeongsa Temple, Gangwando, 2005 (View more details about this item in a popup).
    Michael Kenna, Frozen Landscape, Teshikaga, Hokkaido, Japan, 2002 (Printed 2016) (View more details about this item in a popup).
    Michael Kenna, Thirty One Snow Fences, Bihoro, Hokkaido, Japan, 2016/printed 2019 (View more details about this item in a popup).
    Michael Kenna, Prolonged Snow Fence, Teshikaga, Hokkaido, Japan, 2007/printed 2019 (View more details about this item in a popup).
    Michael Kenna  Alley of Trees, Damyang, Jeollanamdo, 2012  Signed, dated and numbered in pencil on mount recto. Signed, titled, dated and numbered in pencil on mount verso with artist's copyright stamp  Gelatin silver print  Image 8" x 8", Matted 20" x 16"  Edition 15 of 45  (Edition record) (View more details about this item in a popup).
    Michael Kenna, Cold Landscape, Study 2, Sanai, Hokkaido, Japan, 2007/printed 2019 (View more details about this item in a popup).
    Michael Kenna, Ice Floe, Cape Hinode, Hokkaido, Japan, 2005 (Printed 2006) (View more details about this item in a popup).
    Michael Kenna, Kurosawa's Trees, Study 1, Memanbetsu, Hokkaido, Japan, 2004 (View more details about this item in a popup).
    Michael Kenna  Kussharo Lake Tree, Study 5, Kotan, Hokkaido, Japan, 2007  Signed, dated and numbered on recto. Stamped, titled, dated on verso.  Gelatin Silver Print  Image - 8"x8", Mount/Mat - 16"x20"  Edition 32/45  (Edition record) (View more details about this item in a popup).
    Michael Kenna  Red Crown Crane Feeding, Tsuru, Hokkaido, Japan, 2005printed 2019  Signed, dated and numbered in pencil on recto Signed, titled, dated and numbered in pencil on verso  silver gelatin print  Image- 7 7/8 x 7 3/4", mat- 20 x 16"  Edition 22 of 25  (Edition record) (View more details about this item in a popup).
    Michael Kenna, Roadside Tree, Richmond, Surrey, 1983/printed later (View more details about this item in a popup).
    Michael Kenna  1953Tree Portrait, Study 5, Wakoto, Japan, 2005 (Printed 2007)  Signed, titled, dated and numbered in pencil  Gelatin Silver Print  Image - 8" x 8", Matted - 16" x 20"  Edition 26 of 45  (Edition record) (View more details about this item in a popup).
    Michael Kenna, Snow Covered Hillside, Pyeongchang, 2012
  • Mario Giacomelli

    “Of course (photography) cannot create, nor express all we want to express. But it can be a witness of our passage on earth, like a notebook.”

    ~ Mario Giacomelli

    I have been looking at Mario Giacomelli’s images all my life, I think he is one of the greatest photographers who ever lived.A quiet sage and a poet. To me he is like Bach. When I listen to Bach I feel he understood the meaning of life in all its stages I feel exactly the same with Giacomelli. One of my true regrets was that I never got to meet him in person. It was arranged that I would travel to meet him in his village in Senigallia with a photographer friend who knew him well. This was late 1999 but he was taken ill suddenly and our meeting was cancelled and he passed away the following year. But I revisit his images all the time and continue to be moved by them and always learn something new just like re-reading Shakespeare. 

    Mario Giacomelli, Io Non Ho Mani Che Mi Accarezzino Il Volto [12 priests], 1961-63/Printed 1980 (View more details about this item in a popup).
    Mario Giacomelli, Io non ho mani che mi accarezzino il volto [priest being carried], 1961-1963/Printed 1980 (View more details about this item in a popup).
    Mario Giacomelli, Il non ho mani che accarezzino il volto (Pretini), 1961 (View more details about this item in a popup).
    Mario Giacomelli, Presa di coscienza sulla natura, 1954-2000/Printed 1990s (View more details about this item in a popup).
    Mario Giacomelli, Presa di coscienza sulla natura, 1954-2000 (View more details about this item in a popup).
    Mario Giacomelli, Scanno Boy, 1957-1959/Printed 1970 (View more details about this item in a popup).
    Mario Giacomelli, Io Non Ho Mani Che Mi Accarezzino Il Volto [12 priests], 1961-63/Printed 1980
  • Jeffrey Conley

    "Photography is for me a kind of meditation that widens my perception of the existing and evolving world around us. I seek refuge and simplicity in my photographs and find a personal resolution and fulfillment that I sincerely hope others experience as well."

    ~ Jeffrey Conley

    Jeffrey has an enormous appreciation for the power of nature and our relationship to it, which is highlighted throughout his body of work. We get lost in the labyrinth of layers Conley captures in his meticulously hand-crafted prints. The simplicity, yet profound reflection of self, illuminated by Conley throughout, makes us appreciate nature’s beauty and respect the emotional connection we share with the environment around us.

    • Jeffrey Conley Figure and Mountain, Iceland, 2017 Archival pigments on Japanese Kozo paper 14 x 18" on 16 x 20" mount Edition 3 of 10
      Jeffrey Conley
      Figure and Mountain, Iceland, 2017
      Archival pigments on Japanese Kozo paper
      14 x 18" on 16 x 20" mount
      Edition 3 of 10
    • Jeffrey Conley, Figure in Vast Landscape, Iceland, 2018 (Printed 2019)
      Jeffrey Conley, Figure in Vast Landscape, Iceland, 2018 (Printed 2019)
    • Jeffrey Conley Figure and Snow Covered Hill, Iceland, 2018 (Printed 2019) Platinum/Palladium Print Image - 11"x14", Matted - 20"x22" 1/10
      Jeffrey Conley
      Figure and Snow Covered Hill, Iceland, 2018 (Printed 2019)
      Platinum/Palladium Print
      Image - 11"x14", Matted - 20"x22"
      1/10
    • Jeffrey Conley Hanging Branches with Snow, 2005, printed 2017 Platinum/Palladium Print Paper 14 x 11 inches; Image 8 x 8 inches Edition 2 of 20
      Jeffrey Conley
      Hanging Branches with Snow, 2005, printed 2017
      Platinum/Palladium Print
      Paper 14 x 11 inches; Image 8 x 8 inches
      Edition 2 of 20
    • Jeffrey Conley, Glacial Valley and Storm, Iceland, 2017 (Printed 2019)
      Jeffrey Conley, Glacial Valley and Storm, Iceland, 2017 (Printed 2019)
    • Jeffrey Conley, Snow Covered Reflections, 2005/ Printed 2011
      Jeffrey Conley, Snow Covered Reflections, 2005/ Printed 2011
    • Jeffrey Conley, Falling Snow, 2008
      Jeffrey Conley, Falling Snow, 2008
    • Jeffrey Conley, Lone Tree in Snow, 2007/Printed 2010
      Jeffrey Conley, Lone Tree in Snow, 2007/Printed 2010
    • Jeffrey Conley Falling Snow and Lake, Montana, 2020 Archival pigments on Japanese Kozo paper 10 x 18" on 12 x 20" mount Edition 1 of 10
      Jeffrey Conley
      Falling Snow and Lake, Montana, 2020
      Archival pigments on Japanese Kozo paper
      10 x 18" on 12 x 20" mount
      Edition 1 of 10
    • Jeffrey Conley Ridgeline and Summit, Montana, 2020 Archival pigments on Japanese Kozo paper 14 x 14" on 16 x 16" mount Edition 1 of 10
      Jeffrey Conley
      Ridgeline and Summit, Montana, 2020
      Archival pigments on Japanese Kozo paper
      14 x 14" on 16 x 16" mount
      Edition 1 of 10
    • Jeffrey Conley Flight, Iceland, 2017 Archival pigments on Japanese Kozo paper 14 x 18" on 16 x 20" mount Edition 2 of 10
      Jeffrey Conley
      Flight, Iceland, 2017
      Archival pigments on Japanese Kozo paper
      14 x 18" on 16 x 20" mount
      Edition 2 of 10
    • Jeffrey Conley Tree and Snow Mosaic, 2009/2015 Platinum/Palladium Print Image Size: 8 x 8 inches; Paper Size: 13 7/8 x 10 7/8 inches Edition 2 of 20
      Jeffrey Conley
      Tree and Snow Mosaic, 2009/2015
      Platinum/Palladium Print
      Image Size: 8 x 8 inches; Paper Size: 13 7/8 x 10 7/8 inches
      Edition 2 of 20
    • Jeffrey Conley Winter Reflection, Early Morning, Montana, 2020 Archival pigments on Japanese Kozo paper 14 x 18" on 16 x 20" mount Edition 1 of 10
      Jeffrey Conley
      Winter Reflection, Early Morning, Montana, 2020
      Archival pigments on Japanese Kozo paper
      14 x 18" on 16 x 20" mount
      Edition 1 of 10
    • Jeffrey Conley Early Evening Forest, 2016, printed 2017 Platinum/Palladium Print Paper 11 x 14 inches; Image 8 x 10 inches Edition 1 of 20
      Jeffrey Conley
      Early Evening Forest, 2016, printed 2017
      Platinum/Palladium Print
      Paper 11 x 14 inches; Image 8 x 10 inches
      Edition 1 of 20
  • Cig Harvey

    "You an Orchestra You a Bomb looks at my relationship with life itself. It is work about the future, about paying attention to the fragile present. It makes icons of the everyday and looks at life on the threshold between magic and disaster."

    ~Cig Harvey
    Cig Harvey, Scout In the Apple Orchard, 2021 (View more details about this item in a popup).
    Cig Harvey, Fir Trees, 2022 (View more details about this item in a popup).
    Cig Harvey, Scout In the Blizzard, Rockport, Maine, 2017 (View more details about this item in a popup).
    Cig Harvey, Skyline, Rockport, Maine, 2021 (View more details about this item in a popup).
    Cig Harvey, Scout In the Apple Orchard, 2021
  • Sabine Weiss

    “I love the wait for things to come to me, for the event and me to meet half way”

    ~ Sabine Weiss

    One of my favorites of Sabine’s. I love black and white photography shot in the snow. A truly romantic but subtle image. One can almost imagine two people sitting there talking to each other in the most amorous city in the world.

    • Sabine Weiss Avenue des Champs Elysees, Paris, 1958, printed later Gelatin Silver Print Paper 20 x 16 inches; Image 16 x 14.5 inches, Matted 24x20 inches
      Sabine Weiss
      Avenue des Champs Elysees, Paris, 1958, printed later
      Gelatin Silver Print
      Paper 20 x 16 inches; Image 16 x 14.5 inches, Matted 24x20 inches
    • Sabine Weiss Paris (Chairs), 1952, printed later Gelatin Silver Print Paper 20 x 16 inches; Image 17 1/4 x 11 5/8 inches
      Sabine Weiss
      Paris (Chairs), 1952, printed later
      Gelatin Silver Print
      Paper 20 x 16 inches; Image 17 1/4 x 11 5/8 inches
  • Paul Caponigro

    "In order to be a good photographer, you need to work more on your emotions than you do on your technique.”

    ~ Paul Caponigro


    When you are in Paul’s presence you know you are in the presence of aspecial human being who exudes wisdom and insight. He is articulate andprofound, but never pretentious. I see him as a kind of shaman, an elderwho is a spiritual guide who has taught me much over all these yearswithout ever pretending to be a teacher. I think his images work on aspecial plain of enlightenment.

     

    Beauty emanates from every master print that Paul acknowledges fulfills his vision and releases it out of his sacred darkroom into the world. No two images are alike. He explores deep inside his soul again and again and creates a cacophony of varied beauty. Please never stop.

    What can be more simple than a frosted window? Most of us would just walk by it and not really notice them. We would take them for granted as it’s very cold outside. It’s winter after all. But to someone as gifted and intuitive and one who sees life and receives it in such a wholly different way it is something else. A powerful reflection of universal truths that each of us can bring our own interpretation to thanks to Paul’s artistry.

    Paul Caponigro, Frosted Window, Revere, MA, 1957, printed 2019 (View more details about this item in a popup).
    Paul Caponigro, Frosted Window, Ipswich, Massachusetts, 1960 (View more details about this item in a popup).
    Paul Caponigro, Snow & Trees, Cuba, New Mexico (View more details about this item in a popup).
    Paul Caponigro, Frosted Window, Revere, MA, 1957, printed 2019
  • Kristoffer Albrecht

    I was visiting our great friend and artist, Pentti Sammallahti, in Helsinki and I casually said to him, “Perhaps there is another great photographer in Finland I should meet?”He made a telephone call and the next day he drove me for over 3 hours in the freezing cold through what seemed like at the time endless forests to meet his most favored student and protege - Kristopher did not disappoint.
    • Kristoffer Albrecht Snowy Forest, 2010 Gelatin Silver Print Paper - 8"x10", Matted - 11"x14"
      Kristoffer Albrecht
      Snowy Forest, 2010
      Gelatin Silver Print
      Paper - 8"x10", Matted - 11"x14"
    • Kristoffer Albrecht Eggs in Window, 1988 Gelatin silver print 9 1/2 x 7 1/2 inches; Signed & titled in pencil on recto
      Kristoffer Albrecht
      Eggs in Window, 1988
      Gelatin silver print
      9 1/2 x 7 1/2 inches; Signed & titled in pencil on recto
    • Kristoffer Albrecht Frost, Knappa, 2010 Gelatin Silver Print Paper - 8"x10", Matted - 11"x14"
      Kristoffer Albrecht
      Frost, Knappa, 2010
      Gelatin Silver Print
      Paper - 8"x10", Matted - 11"x14"
    • Kristoffer Albrecht Winter Landscape, Korpis, 2011 Gelatin Silver Print Paper - 8"x10", Matted - 11"x14"
      Kristoffer Albrecht
      Winter Landscape, Korpis, 2011
      Gelatin Silver Print
      Paper - 8"x10", Matted - 11"x14"
    • Kristoffer Albrecht The Coming of Winter, 2009 Gelatin Silver Print Paper - 8"x10", Matted - 11"x14"
      Kristoffer Albrecht
      The Coming of Winter, 2009
      Gelatin Silver Print
      Paper - 8"x10", Matted - 11"x14"
    • Kristoffer Albrecht, Cloud, Torbacka, 2011
      Kristoffer Albrecht, Cloud, Torbacka, 2011
    • Kristoffer Albrecht Patches of Snow on Ice, 2012 Gelatin Silver Print Paper - 8"x10", Matted - 11"x14"
      Kristoffer Albrecht
      Patches of Snow on Ice, 2012
      Gelatin Silver Print
      Paper - 8"x10", Matted - 11"x14"
    • Kristoffer Albrecht Good Friday Ice, 2011 Gelatin Silver Print Paper - 8"x10", Matted - 11"x14"
      Kristoffer Albrecht
      Good Friday Ice, 2011
      Gelatin Silver Print
      Paper - 8"x10", Matted - 11"x14"
    • Kristoffer Albrecht New Ice, 2012 Gelatin Silver Print Paper - 8"x10", Matted - 11"x14"
      Kristoffer Albrecht
      New Ice, 2012
      Gelatin Silver Print
      Paper - 8"x10", Matted - 11"x14"
  • Jed Devine

    "I am held by the light. How it articulates edges, modulates surfaces, and makes the air substantial and radiant."

    ~ Jed Devine
     

    The platinum-palladium technique perfectly transcribes the light to his beautiful and delicate prints, holding the quiet radiance of winter within each fibre.

    Jed Devine (United States, b. 1944), Barn in the Snow, circa 1970 (View more details about this item in a popup).
    Jed Devine (United States, b. 1944), Shaker House in Snow, 1995 (View more details about this item in a popup).
    Jed Devine (United States, b. 1944), Snow Screen, circa 1970 (View more details about this item in a popup).
    Jed Devine (United States, b. 1944), Barn in the Snow, circa 1970
  • George Tice

    “Photography teaches us to see and we can see whatever we wish. When I take a photograph, I make a wish. I was always looking for beauty.”

    ~ George Tice

     

    One of my favorite all-time photography books is George’s “Fields of Peace”, his exquisite study of an amish community in Lancaster, Pennsylvania to which he dedicated many years of his life to and it shows. Each image is a gem of understanding of a way of life lived with dignity and a sense of community almost unheard of anywhere else. It is one of the most beautiful bodies of work created by anybody in the history of this medium.

    George Tice, Winter, Horse & Buggy, Lancaster, Pennsylvania, 1961 / Printed 2007 (View more details about this item in a popup).
    George Tice, Amish Children Playing in Snow, Lancaster, Pennsylvania, 1969 (View more details about this item in a popup).
    George Tice, Landscape at Sunrise, Lancaster, Pennsylvania, 1965/ Printed 2008 (View more details about this item in a popup).
    George Tice, Winter, Horse & Buggy, Lancaster, Pennsylvania, 1961 / Printed 2007
  • Sebastião Salgado

    There comes a moment when it is no longer you who takes the photograph, but receives the way to do it quite naturally and fully.”

    ~ Sebastião Salgado

    Each of Salgado’s epic projects is meticulously researched for years by Sebastião and his wife Lelía before they ever set foot on location to shoot. They found out about this group of Nenet Nomads who survive by herding reindeer. This is the coldest place on earth and I remember Sebastião telling me the story of how he went to enormous lengths to have the warmest coat that could be scientifically custom-made in order to withstand the elements so he could fulfill his project.He gets there and it is unbelievably cold. Beyond belief and expectations. He is shivering and cannot work. The Nenets see what is happening. Of course no verbal communication just human connection. They cut him a reindeer coat like they wear and voila it works and he can then work and he creates some of the most beautiful images found in the project.

    • Sebastião Salgado Nenet Nomads, Siberia, Russia, 2011 Gelatin silver print Image - 14.5 x 20", Paper - 19.5 x 24", Mat- 24 x 30".
      Sebastião Salgado
      Nenet Nomads, Siberia, Russia, 2011
      Gelatin silver print
      Image - 14.5 x 20", Paper - 19.5 x 24", Mat- 24 x 30".
    • Sebastião Salgado, Nenet Nomads (Packing Sleigh) South Yamal Region, Siberia, Russia, 2011
      Sebastião Salgado, Nenet Nomads (Packing Sleigh) South Yamal Region, Siberia, Russia, 2011
    • Sebastião Salgado Nenets, an indigenous nomadic people, whose main subsistence come from reindeer herding, South Yamal Region, Siberia, Russia (Mother and child bundled), 2011 Gelatin silver print 20 x 24 inches; Signed, titled & dated in pencil on verso
      Sebastião Salgado
      Nenets, an indigenous nomadic people, whose main subsistence come from reindeer herding, South Yamal Region, Siberia, Russia (Mother and child bundled), 2011
      Gelatin silver print
      20 x 24 inches; Signed, titled & dated in pencil on verso
    • Sebastião Salgado Chinstrap Penguins (Psygoscelis Antarctica), Deception Island, Antarctica, 2005/ Printed 2007 Gelatin silver print 35 x 24 inches
      Sebastião Salgado
      Chinstrap Penguins (Psygoscelis Antarctica), Deception Island, Antarctica, 2005/ Printed 2007
      Gelatin silver print
      35 x 24 inches
    • Sebastião Salgado Chinstrap Penguins on an iceberg located between Zavodovski and Visokoi islands. South Sandwich Islands., 2009 Gelatin Silver Print 24 x 35 inches
      Sebastião Salgado
      Chinstrap Penguins on an iceberg located between Zavodovski and Visokoi islands. South Sandwich Islands., 2009
      Gelatin Silver Print
      24 x 35 inches
    • Sebastião Salgado Iceberg Between the Paulet Island and South Shetland Island, Antartica, 2005 (Printed 2021) Gelatin Silver Print Image - 14.5"x20", Paper - 20"x24", Matted - 24"x30"
      Sebastião Salgado
      Iceberg Between the Paulet Island and South Shetland Island, Antartica, 2005 (Printed 2021)
      Gelatin Silver Print
      Image - 14.5"x20", Paper - 20"x24", Matted - 24"x30"
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