Exhibition View II

Exhibition View

Exhibition View 1

Exhibition View

Srinagar, Kashmir
1948
Gelatin Silver print

Dublin, Ireland

1952

Gelatin Silver print

Swan Lake, Bolshoi Theatre, Moscow
1954
Gelatin Silver print

Lisbon, Portugal
1955
Gelatin Silver print

Mass, Warsaw
1956
Gelatin Silver print

Brussels, Belgium
1932
Gelatin Silver print

Quais, Paris

1959

Gelatin Silver print

Brie, France
1968
Gelatin Silver print

Hyères, France
1932
Gelatin Silver print

Torcello, Italy

1954

Gelatin Silver print

Salerno, Italy

1933

Gelatin Silver print

Siphnos, Greece
1961
Gelatin Silver print

Györ, Hungary

1964

Gelatin Silver print

Madrid
1933
Gelatin Silver print

Valencia, Spain

1933

Gelatin Silver print

Provence, France
1999
Gelatin Silver print

Roman Amphitheater, Valencia, Spain
1933
Gelatin Silver print

La Suerte de Hoy (Today's Luck), Madrid

1933

Gelatin Silver print

Jerusalem

1967

Gelatin Silver print

Henri Cartier-Bresson
Ile de la Cité, Paris
1952

Henri Cartier-Bresson
Rue Mouffetard, Paris
1954

Henri Cartier-Bresson
Le Palais Royale
1960

Henri Cartier-Bresson
Behind the Gare Saint Lazare, Paris
1932

Henri Cartier-Bresson
On the Banks of the Marne
1938
gelatin silver print

Henri Cartier Bresson
Henri Matisse
1944
Gelatin Silver Print

Henri Cartier Bresson
Truman Capote
1947
Gelatin Silver Print

Henri Cartier Bresson
Alberto Giocometti
1961
Gelatin Silver Print

Henri Cartier-Bresson

Calle Cuauhtemocztin, Mexico City, Mexico, 1934

Gelatin Silver print

 

Orgosolo, Sardinia

1963

Gelatin Silver print

Henri Cartier-Bresson

Joinville-le-Pont, France

1938

Gelatin Silver print

Henri Cartier-Bresson

View from Notre Dame, Paris

1952

Gelatin Silver print

Henri Cartier-Bresson

Allees du Prado, Marseilles, France

1932

Gelatin Silver print

Henri Cartier-Bresson

Chicago, U.S.A.

1947

Gelatin Silver print

Henri Cartier-Bresson

Near the Hall of Records, New York

1947

Gelatin Silver print

Henri Cartier-Bresson

Times Square, New York, U.S.A.

1959

Gelatin Silver print

Henri Cartier-Bresson

Window-display of a large Hamburg clothing-store

1931

Gelatin Silver print

Henri Cartier-Bresson

Italy (nude)

1933

Gelatin Silver print

Henri Cartier-Bresson

Leonard Bernstein, Carnegie Hall, New York City

1960

Gelatin Silver print

Gujarat, Baroda, India

1948

Gelatin Silver print

Kuomintang, Peking

1949

Gelatin Silver print

Sumatra, Indonesia

1950

Gelatin Silver print

Cardinal Pacelli, Later Pope Pius XII, Montmartre, Paris
1938
Gelatin Silver print

Harlem

1947

Gelatin Silver print

Fatehpure Sikri

1966

Gelatin Silver print

Pavement School, Jaipur

1947

Gelatin Silver print

New York

1959

Gelatin Silver print

Sam Tata

Portrait of Henri Cartier-Bresson

c. 1940

Vintage Gelatin Silver print

Henri Cartier-Bresson, Paris

1961

Gelatin Silver print

The World of Henri Cartier-Bresson

Main Gallery Exhibition

September 10 – December 3, 2016

 

Peter Fetterman Gallery is pleased to present The World of Henri Cartier-Bresson, an exhibition featuring over one hundred

prints from the Gallery’s preeminent collection by master photographer Henri Cartier-Bresson (French, 1908-2004). The

curated installation showcases the artist’s lust for life through the prolific photography that was the result of a lifetime of

international travel and a keen eye for visual harmony. The exhibition displays both iconic and rarely seen images from

the Gallery’s Collection and includes scenes from the photographer’s native land of France, as well as across the U.S.A.,

Mexico, the U.K., Western Europe, Russia, China and Southeast Asia. Photographic themes mastered by Cartier-Bresson

guide the installation through motifs such as decisive moments, early Surrealism, geometric compositions, Humanism and

photo-journalism. An ancillary installation of Cartier-Bresson’s candid portraits of notable personalities including artists,

politicians, philosophers, actors, writers and more will accompany the main exhibition, displaying his humble approach to

the form of photography the artist himself considered most difficult. The exhibition will stand as the most extensive survey

of Cartier-Bresson’s oeuvre by the Gallery to date and provide visitors and collectors a chance to view the breadth of this

once-in-a-generation photographer’s greatest works.

 

What makes Henri Cartier-Bresson’s vast body of work so universally impressive is that he was seemingly present at every

significant event and in the intimate company of every important figure of the 20th Century. Trained as a painter at a young

age, Cartier-Bresson was heavily influenced by the Cubist and Surrealist concepts when he first began photographing

towards at end of the 1920s. While their aesthetics show through in his early images on view from France and Mexico in

the 1930s, it was a photograph of boys running in to the surf by Hungarian photographer Martin Munkacsi (Three Boys

at Lake Tanganyika, 1930) that firmly established in the young artist the expressive and graphic potential of the instant

photographic medium. Following the advice of Robert Capa, Cartier-Bresson shed the modernist labels of the era and

began to document humanity’s rhythm within the context of photojournalism.

 

It was photography’s ability to be an immediate sketch that could capture everyday situations with exceptional grace and

Zen-like spontaneity that inspired the young intellectual to travel with the Leica as his companion for decades to follow.

With his freedom following World War II and several years in a POW camp, Cartier-Bresson immersed himself fully into

documentary and humanist “street” photography, ignited with the cofounding of the renowned Magnum Photos Agency

in 1947. Three decades of photojournalism and personal photographic endeavors followed starting with several years on

self-assigned work for Magnum in the Far East of Asia and India in the late 1940s. These years produced some of Cartier-

Bresson’s most celebrated images such as the women praying at Srinagar, Kashmir, as well as many of the singular gems of

the Gallery’s collection and current exhibition.

 

Beyond “The Decisive Moment”, the title of his 1952 landmark monograph and philosophical theory on photographing as

the artless art, Cartier-Bresson was a zealous geometrician and strictly adhered to only composing within the camera and

never in the darkroom. His masterful skill for framing a strong, balanced composition was perfected by the 1950s, his most

productive decade of work across Europe, China, and Russia. A significant portion of works on view derive from these years

including iconic images of the Bolshoi Ballet in Moscow as one of the first Western photographers allowed in the USSR. His

passion for visual harmony, humanity and the impermanence of reality focused by a classically trained eye allowed for the

creation of an unrivaled body of historic imagery; What biographer Pierre Assouline noted as Cartier-Bresson’s passion “to

capture the world’s harmony and record its invisible order within a tiny rectangle.”

 

After meeting in Paris in 1990, Peter Fetterman developed a close dealer-artist friendship with Cartier-Bresson, and along

with a firm belief in the importance of his work, Peter Fetterman Gallery amassed the largest private collection of the

photographer’s signed prints in the world. The collection includes prints from negatives ranging seven decades from 1929

- 1999 including rare prints made at the sole request of Peter Fetterman. Additional ephemera on display include vintage

portraits of the artist and original copies of seminal monographs “The Decisive Moment” and “The Europeans”, as well as

rare video footage of the photographer at work.