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The images scrolled down below link to the latest posts from our daily collecting guide, Peter's quotes, notes and reflections from forty years of collecting and dealing in photography. Started during lockdown and continued by popular demand for almost three years now, daily posts are sent by email to our mailing list subscribers, with live works for sale and related works to explore, as well as advance previews of exhibitions and events.

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  • #1038 - Wynn Bullock

    Big Sur Coast, CA, 1954
    #1038 - Wynn Bullock

    "I have always loved light... Its manifestations serve as symbols of the greatest secrets of the unknown. Creativity has enabled me to probe and reveal step by step the unknown. Even though I know I can only travel a short distance, every step in that direction is a transcendental experience."

     

    ~ Wynn Bullock

  • The Power of Photography | From our bookshelf

    Please explore and extend your passion for photography with this curated selection of photography books from the gallery library. With this exceptional selection of titles, you'll gain invaluable insight into the work of these acclaimed photographers and elevate your knowledge with each turn of the page.

  • #1037 - Norman Seeff

    Sir Francis Crick, La Jolla, 1982
    #1037 - Norman Seeff

    “There is no scientific study more vital to man than the study of his own brain. Our entire view of the universe depends on it”

    ~ Francis Crick


    “Sir Francis was absolutely adorable. He had a twinkle in his eye and a tremendous sense of humor and humility abut him- this from the man who discovered the DNA double-helix.We had wonderful conversations about science and metaphysics.This shot, taken at the Salk Institute optimizes the style and sophistication of the man”

    ~ Norman Seeff

  • #1036 - Jeffrey Conley

    Wave Layers, Iceland, 2018 (Printed 2019)
    #1036 - Jeffrey Conley

    "I find the natural world to be endlessly wondrous in its range of character and texture, from moments of delicate intimacy and subtlety to the massively expansive and powerful."

    ~ Jeffrey Conley

  • #1035 - Norman Seeff

    Whitney Houston, 1990
    #1035 - Norman Seeff

    “I shot Whitney at the height of her career. Her voice was transcendent. She came into my studio so appreciative of what I was doing and very delicate in her interaction with me, more interested in my well being than anything else. I fell in love with her. She was sensitive and vulnerable and open”

    ~ Norman Seeff


    “I decided long ago never to walk in anyone’s shadow. If I fail or if I succeed at least I did as I believed"

    ~ Whitney Houston

  • #1034 - Fred Lyon

    Golden Gate Bridge, Old Fort Point at Top Left, 1959
    #1034 - Fred Lyon

    "A city is not gauged by its length and width, but by the broadness of its vision and the height of its dreams."

    ~ Herb Caen (1916-1997)

  • #1033 - Cig Harvey

    Forsythia, (Forcing Bloom in the Bathtub), 2020
    #1033 - Cig Harvey

    “I want my photographs to be sensory, like edible flowers, a visual taste. Color and flowers act as symbol and metaphor to access our senses,”

    ~ Cig Harvey

  • New feature | A Room with a View

    The Art of Fashion: Part I
    New feature | A Room with a View

    Since my earliest days of collecting I have had, and still retain, a great passion for 19th-century travel photography. I am motivated by a visual wanderlust and a keen desire to learn more about other countries, cultures and their peoples. This gateway to explore unseen destinations was given to me via an amazing group of photographers, many of them unnamed and unknown. Undeterred by the rigour and hardship of travel at that time, and often burdened by the unwieldy and cumbersome photographic equipment of the past, they would set forth across the globe in search of adventure and discovery.

    In this spirit we are delighted to launch a new feature and series in The Power of Photography project - A Room with a View.  A place to explore the full history of collecting photography, how the medium developed, and the physical presence of each process and print. We’ll be offering works at all price points, all priced and available to ‘buy now’ - or make an enquiry to find out more.

    The online portal for A Room with a View aims to recreate a visit to the gallery in person, in a warm and informal environment, sharing treasures from a forty year journey of appreciation.

    Explore the Room with a View

     

  • #1032 - Sebastião Salgado

    Marine Iguana (Amblyrhynchus cristatus), Rabida Island, The Galapagos [Tail], 2004
    #1032 - Sebastião Salgado

    “Every movement in the arm of the iguana is the same that we have in our arm – I identify with the iguana as my cousin. All of us came from the same cells. In a moment it was possible to be an iguana and the iguana to be me.”


    ~ Sebastião Salgado

  • #1031 - Patrick Taberna

    Montepulciano, Italie, 2000 (Printed 2017)
    by Michael Hulett
    #1031 - Patrick Taberna

    “What I want is to suggest rather than really show; I like my images to be little seeds sown in people's heads and for them to blossom in everyone's head.”

    ~ Patrick Taberna

  • #1030 - Herb Snitzer

    John Coltrane, 1961
    #1030 - Herb Snitzer

    “I’d like to point out to people the divine in a musical language that transcends words. I want to speak to their souls.”

     

    ~ John Coltrane (1926 - 1967)

  • #1029 - Dafydd Jones

    Feather Ball, 1981
    #1029 - Dafydd Jones

    "I had access to what felt like a secret world. It was a subject that had been written about and dramatised but I don't think any photographers had ever tackled before. There was a change going on. Someone described it as a 'last hurrah' of the upper classes."

    ~ Dafydd Jones

  • #1028 - Sheila Metzner

    Painted Gladiola, 1981, Printed 1981
    #1028 - Sheila Metzner

    "Photography is still the most basic form of magic. Caught in my "box of darkness", the image becomes immortal."

    ~ Shelia Metzner

  • #1027 - Steve McCurry

    Reflection, Agra, India, 1999
    #1027 - Steve McCurry

    "Most of my photos are grounded in people, I look for the unguarded moment, the essential soul peeking out, experience etched on a person’s face."

    ~ Steve McCurry

  • #1026 - Brigitte Carnochan

    Magnolia VII, 1998
    #1026 - Brigitte Carnochan

    “People tend to look at photographs too quickly, superficially. They make assumptions of familiarity. I want to slow the viewer down to appreciate in more detail the beauty of the natural world. We see the world in pieces and put it together in our imagination - a new reality. Each time we look, the fragments reconstitute themselves with subtle differences, a second look nuanced with small changes.”


    ~ Brigitte Carnochan

     

    Brigitte Carnochan could have easily flourished as a great 19th Century artist. She is a timeless classicist in the sense of someone who can rely on her own innate artistic skills and talent with no need to embrace modern technology to create something truly sublime. She creates because she has to. It is in her soul and her gracious approach to life and her sensitivity to nature around her.

    In an era where everyone can and often claims to be a photographer she is an endangered species. She is one of the most talented and dedicated artists I have ever met. To be in her presence is a gift. She is authentic and humble. She is not afraid to embrace beauty as you can see in these pages. She makes it her testament.

     

     

  • #1025 - Norman Seeff

    Sleepy John Estes, Memphis, 1975
    #1025 - Norman Seeff

    “Every night I was going somewhere. I’d work all day on a farm, play all night and get back home about sunrise. I’d get the mule and get right on going. I went to sleep once in the shed. I used to go to sleep so much when we were playing they called me “Sleepy”. But I never missed a note”

    ~ Sleepy John
    (1899-1977)


    “ I arrived at a small house far beyond the outskirts of Memphis. My guide asked Sleepy if I could photograph him. Sleepy replied “Okay buts got to buy beer” I couldn’t understand a word of what he was saying-his southern accent was so extreme. My hippie guide had to act as an interpreter. I ended up buying a lot of beer. People from all around the neighborhood rolled up and it turned into a big party.”
    ~Norman Seeff

  • #1024 - William Klein

    Two Hats in Room, Paris (VOGUE), 1963
    #1024 - William Klein

    "What would please me most is to make photographs as incomprehensible as life is."

    ~ William Klein

  • #1023 - Jack Robinson

    Joni Mitchell, NYC , 1968
    #1023 - Jack Robinson

    "All I really, really want our love to do
    Is to bring out the best in me and in you too"

     

    ~ "All I Want" by Joni Mitchell

  • #1021 - Gianni Berengo Gardin

    Tuscany (Two People Walking), 1965 (Printed 2023)
    #1021 - Gianni Berengo Gardin

    "Photography is never objective.”

     

    ~ Gianni Berengo Gardin

  • #1022 - Ken Veeder

    The Beach Boys
    #1022 - Ken Veeder

    "If everybody had an ocean
    Across the U.S.A
    Then everybody'd be surfin'
    Like Californi-a
    You'd see them wearing their baggies
    Huarache sandals too
    A bushy bushy blond hairdo
    Surfin' U.S.A"


    ~ "Surfin' U.S.A." by The Beach Boys

  • #1020 - Frances McLaughlin-Gill

    Fiona Campbell, The Palace at Versailles, Paris, 1951
    #1020 - Frances McLaughlin-Gill

    "Fashion is not frivolous. It is a part of being alive today."

     

    ~ Mary Quant
    (1930-2023)

  • #1019 - Michael Kenna

    Daybreak Reflections, Angkor Wat, Cambodia, 2018
    #1019 - Michael Kenna

    "I try not to make conscious decisions about what I am looking for. I don't make elaborate preparations before I go to a location. Essentially I walk, explore, discover and photograph."

    ~ Michael Kenna

  • #1018 - Bruce Davidson

    Hugging Couple, Ferris wheel, Coney Island, 1962
    #1018 - Bruce Davidson

    "You get not only a picture of who you're photographing, but you get a picture of yourself at the same time."


    ~ Bruce Davidson

  • #1017 - Jacques Lowe

    Hyannis Port Summer, Bobby, Michael, Courtney and dog Brumus, 1962
    #1017 - Jacques Lowe

    “The purpose of life is to contribute in some way to making things better."


    ~ Robert Francis Kennedy
    (1925 - 1968)

  • #1016 - Kristoffer Albrecht

    Cyclists from Above, Beijing, 1989
    #1016 - Kristoffer Albrecht

    "Life is like riding a bicycle. To keep your balance, you must keep moving."

     

    ~ Albert Einstein
    (1879-1955)

  • #1015 - Norman Seeff

    Steve Jobs, Cupertino, 1984
    #1015 - Norman Seeff

    “Your time is limited, so don’t waste it living someone else’s life"

     

    ~ Steve Jobs
    (1955-2011)

  • #1014 - Ron Van Dongen

    Rosa meinivoz 'Summer's Kiss', 1999
    #1014 - Ron Van Dongen

    “I was aiming for the rich details and opulent compositions of the Dutch and Flemish Golden Age painters. But soon I discovered it was just too much information. I wanted something simpler — to focus on a specific theme and develop a style.”


    ~ Ron Van Dongen

  • #1013 - Eikoh Hosoe

    Embrace #60, 1970
    #1013 - Eikoh Hosoe

    "When you take a photo at 1/1000 of a second, the moment can become an eternal fact, an eternal moment. So we have a philosophical problem of objectivity and subjectivity."

     

    ~ Eikoh Hosoe

  • #1012 - Manuel Alvarez Bravo

    Los Obstáculos/The Obstacles, Mexico, 1929
    #1012 - Manuel Alvarez Bravo

    "I think that light and shadow have exactly the same duality that exists between life and death."

     

    ~ Manuel Alvarez Bravo
    (1902-2002)

  • #1011 - Pentti Sammallahti

    Sando, Finland (Road to Island), 1975
    #1011 - Pentti Sammallahti

    " I feel like I received the photograph, I didn't take it. If you're in the right place at the right time, then all you have to do is push a button. Being a photographer doesn't come into it. Everything I've photographed exists regardless of me, my role is only to be receptive."

     

    ~ Pentti Sammallahti

  • #1010 - Jerry Schatzberg

    Carmine & Janet Randy with Car, 1959
    #1010 - Jerry Schatzberg

    “I think I like seeing honesty and I like seeing the truth, and I think I bring that to my films and I bring that to my stills as much as I can. I don't like superficial-looking things.”

    ~ Jerry Schatzberg

  • #1009 - David Montgomery

    Sophia Loren - London U.K., 1967
    #1009 - David Montgomery

    "Sex appeal is 50% what you've got and 50% what people think you've got.”

    ~ Sophia Loren

  • #1008 - Ansel Adams

    El Capitan, Sunrise, Winter, Yosemite National Park, California, 1968 (Printed 1976)
    #1008 - Ansel Adams

    “I knew my destiny when I first experienced Yosemite”

    ~ Ansel Adams
    (1902-1984)

  • #1007 - Unknown

    Flower Photogram 4, circa 1900
    #1007 - Unknown

    “If you see a tree as blue, then make it blue.”


    ~ Paul Gauguin
    (1848 - 1903)

  • #1006 - Bruce Davidson

    England (nannies pulling prams), 1960
    #1006 - Bruce Davidson

    “I had no brief, no agenda at all. They just let me loose. I was free to encounter life. There was a certain sense of grayness everywhere. That’s why these pictures are delicate and I was delicate too”


    ~ Bruce Davidson

  • #1005 - Norman Seeff

    Ray Charles, Los Angeles, 1985
    #1005 - Norman Seeff

    “I was born with music inside me. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me - like food or water.”


    ~ Ray Charles
    (1930 - 2004)

  • #1004 - Norman Seeff

    Patti Smith & Robert Mapplethorpe, New York, 1969
    #1004 - Norman Seeff

    “Soon after my arrival in NY, I met Robert and Patti at a downtown Manhattan bar. I thought they looked cool and asked them to do a session with me. The authenticity and emotional depth of their love was exactly what I was looking for in my images.”

    ~ Norman Seeff

    "I didn't write it to be cathartic, I wrote it because Robert asked me to… Our relationship was such that I knew what he would want and the quality of what he deserved. So that was my agenda for writing that book. I wrote it to fulfil my vow to him, which was on his deathbed. In finishing, I did feel that I'd fulfilled my promise."

    ~ Patti Smith

  • #1003 - John Simmons

    Parade Chicago, 1967
    #1003 - John Simmons

    “When I press the shutter, everything I've ever done, ever smiled about, cried about, or loved shapes how I see. Nothing is more important than that moment; it's what makes me see a picture."

    ~ John Simmons

  • #1002 - Martin Elkort

    Daddy's Girl, Coney Island, 1951, printed later
    #1002 - Martin Elkort

    “She did not stand alone, but what stood behind her, the most potent moral force in her life, was the love of her father.”


    ~ Harper Lee

  • #1001 - Melvin Sokolsky | The Fashion Show & The Flower Show

    Side Kick, Paris, 1963, printed later
    #1001 - Melvin Sokolsky | The Fashion Show & The Flower Show

    Peter Fetterman Gallery is proud to present The Fashion Show and The Flower Show. The exhibitions will be on view between June 17th, 2023 – October 7th, 2023. An opening reception will be held today, Saturday, June 17th from 3:00 – 6:00 PM.

     

    We look forward to seeing you this evening and sharing these two beautiful exhibitions with you all.

    Please join us at:

    Peter Fetterman Gallery
    2525 Michigan Ave, Suite A1
    Santa Monica, CA
    90404

     

    View The Fashion Show online 
    View The Flower Show online

  • #1000 - Ansel Adams

    Monolith, The Face of Half Dome, Yosemite National Park, California, 1927
    #1000 - Ansel Adams

    “I can still recall the excitement of seeing the visualization “come true” when I removed the plate from the fixing bath for examination. The desired values were all there in their beautiful negative interpretation. This was one of the most exciting moments of my photographic career.”

    ~ Ansel Adams
    (1902-1984)

  • #999 - Brigitte Carnochan

    Tea Rose I, 1997
    #999 - Brigitte Carnochan

    "The qualities that have fascinated me and led me to make a particular photograph are usually quite intuitive. I generally don't have a completed concept in my mind when I begin--I move things around, change angles, lighting - until everything seems right."

     

    ~ Brigitte Carnochan

  • #998 - Pentti Sammallahti

    Pyhäjärvi, Finland (Sleeping Boy & Dog), 2000 (Printed Later)
    #998 - Pentti Sammallahti

    "If there are no dogs in heaven, then when I die I want to go where they went."

     

    ~ Will Rogers

  • #997 - Inge Morath

    Sleigh Horses South of Moscow, 1965
    #997 - Inge Morath

    ”As I continued to photograph I became quite joyous. I knew that I could express the things I wanted to say by giving them form through my eyes”


    ~ Inge Morath
    (1923 - 2002)

  • #996 - Peter Fetterman At Photo Basel, Switzerland | Sarah Moon

    Photo Basel Switzerland’s first and only international art fair dedicated to photography based art, now in its 8th edition, is open!

    The fair takes place during Art Basel week from June 12th – 18th  at Volkshaus Basel, just a short walk from Art Basel at the convention centre.

     

     

  • #995 - Noell Oszvald

    Untitled #1, 2013
    #995 - Noell Oszvald

    "What I try to achieve is to set up concepts using the human body as a base, while not making it the main focus of the picture. The result is a still image that is built around a person, but all parts of the whole are of equal importance. I reduce my pictures to content, composition, and form because this minimalist approach allows me to put equal emphasis on the idea behind the artwork and the entirety of the image. Portraying a sense of calmness with images that are built up based on geometric shapes is a recurring theme of my work."

    ~ Noell Oszvald

  • #994 - Thurston Hopkins

    On the Isle de la Cité, Paris, 1952
    #994 - Thurston Hopkins

    "I take the rather unpopular view - among photographers - that words and pictures need one another."

    ~ Thurston Hopkins

  • #993 - Ansel Adams

    Old Faithful Geyser, Yellowstone National Park, 1942
    #993 - Ansel Adams

    “It is difficult to conceive of a substance more impressively brilliant than the spurting plumes of white waters in sunlight against a deep blue sky”


    ~ Ansel Adams
    1902-1984

  • #992 - Gianni Berengo Gardin

    Gran Bretagna, Great Britain, 1977 (Printed 2023)
    #992 - Gianni Berengo Gardin

    "Great images do not need a commentary or a context to elucidate them. As a matter of fact, it is the greatness of the images themselves that gives a meaning to the context."


    ~ Gianni Berengo Gardin

  • #991 - The Flower Show, PFG & L.A. Louver | Luis González Palma

    We are happy to join with our esteemed colleagues at LA Louver (Venice, CA) to celebrate this summer the beauty and power of botanicals in our two exhibitions, The Flower Show.

  • #990 - Peter Fetterman At Photo Basel, Switzerland | Lillian Bassman

    Dress by Thierry Mugler, German VOGUE, 1998 / Printed 2007
    #990 - Peter Fetterman At Photo Basel, Switzerland | Lillian Bassman

    “Lillian made visible that heart breaking invisible place between the appearance and the disappearance of things.”


    ~ Richard Avedon
    (1923-2004)

  • #989 - Ralph Gibson

    Place de La République, Paris, 1986
    #989 - Ralph Gibson

    “For me, photography is a subtractive process. If you're making a drawing, you add lines until you've finished, so that's an additive process. If you're making a sculpture out of marble, you subtract and keep chipping away until you have what you want. In the same way, in a world of infinite possible objects to photograph, I eliminate everything I don't want in a frame until I'm finally left with what I do want.”

     

    ~ Ralph Gibson

  • #988 - Janine Niépce

    L' Elegante et les Colonnes Morris, Paris, 1950/Printed Later
    #988 - Janine Niépce

    “In winter, the elegant ladies wore fur coats that were fitted and cut in such a unique manner, that one could immediately recognize each designer's signature. In the summer, printed dresses made of Lyon silk, combined in rare color harmonies, impeccably made-up faces, protected by flowery capelines illuminated the grey-blue city after sunset. Fragrance trails accompanied these beautiful passers-by. Chanel's N°5 or Guerlain's Chant d'Arômes. To decipher and to recognize them was a magical feeling. The proportions, the balance, the refinement, the purity of the lines of the French creations embodied a rare harmony.”


    ~ Janine Niépce
    (1921 – 2007)

  • #987 - Jeffrey Conley

    Figure and Waterfall, Iceland, 2018 (Printed 2023)
    #987 - Jeffrey Conley

    JEFFREY CONLEY

    "AN ODE TO NATURE"

    Musée de la Photographie Charles Nègre

    Opening June 09, 2023
    June 10, 2023 - September 24, 2023

  • #986 - Fathers Day | Elliott Erwitt

    Provence, France (Boy on Bicycle), 1955/Printed Later
    #986 - Fathers Day | Elliott Erwitt

    “Someday you will know that a father is much happier in his children’s happiness than in his own. I cannot explain it to you: it is a feeling in your body that spreads gladness through you.”

    ~ Honore de Balzac
    (Le Père Goriot, 1835)

  • #985 - Gianni Berengo Gardin

    Break During Workday, Milan, 1987 (Printed 2023)
    #985 - Gianni Berengo Gardin

    “I am a photographer. I’m not an artist. I’m just a witness of what I see.”


    ~ Gianni Berengo Gardin

  • #984 - William B. Post

    Woman picking flowers, 1900
    #984 - William B. Post

    “If you look the right way, you can see the whole world is a garden"


    ~ Frances Hodgson Burnett
    (1849-1924)

  • #983 - The Fashion Show | Len Prince

    Ford Model VIII Bathing Cap, New York City, 1991, printed 2017
    #983 - The Fashion Show | Len Prince

    "I make clothes. Women make fashion."


    ~ Azzedine Alaïa

  • #982 - The Flower show | Cig Harvey

    All the Pink Flowers, Rockport, Maine, 2020
    #982 - The Flower show | Cig Harvey

    "Photography always just gives, it never takes away"


    ~ Cig Harvey

  • #981 - Fred Lyon

    Fog Under Golden Gate Bridge, San Francisco, 1949
    #981 - Fred Lyon

    "Nobody has ever accused me of being an intellectual. So perhaps the most significant asset I bring to my efforts is an innocent eye. Endless curiosity propels me. Then the discipline of years and respect for the affairs of craftsmanship allow the vision to develop mysteriously into a surprise. Gratitude for arduous, mundane, or occasionally painful experiences is rare, but the many types of photography in my background have allowed some visual synthesis to emerge from my monkey mind. Restless and impatient, with no time to dwell on such things, I lurch onward. No subject is sacred or safe from my attack. Beware. Being inherently nosy, I poke into every odd corner. Since photography is a process of discovery for me, I periodically produce an image that delights or amuses me. Then I'm anxious to see what it evokes in others."

     

    ~ Fred Lyon
    (1924-2022)

  • #980 - Ansel Adams

    Winter Sunrise, Sierra Nevada from Lone Pine, 1944
    #980 - Ansel Adams
    "Manzanar, the site of one of the World War II relocation camps, is about fifteen miles north of Lone Pine. While I was photographing in and around the camp in 1943 and 1944 I made some of my best images. I knew the region well; it is roughly 150 miles from Yosemite over the Tioga Pass – or 400 road miles southward when the Tioga is closed by snow. While at Manzanar for a fortnight in the winter of 1944, Virginia and I arose very early in the mornings and drove to Lone Pine with hopes of a sunrise photograph of the Sierra. After four days of frustration when the mountains were blanketed with heavy cloud, I finally encountered a bright, glistening sunrise with light clouds streaming from the southeast and casting swift moving shadows on the meadow and the dark rolling hills. I set up my camera on my car platform at what I felt was the best location, overlooking a pasture. It was very cold – perhaps near zero – and I waited, shivering, for a shaft of sunlight to flow over the distant trees. A horse grazing in the frosty pasture stood facing away from me with exasperating, stolid persistence. I made several exposures of moments of light and shadow, but the horse was uncooperative, resembling a distant stump. I observed the final shaft of light approaching. At the last moment, the horse turned to show its profile, and I made the exposure. Within a minute the entire area was flooded with sunlight and the natural chiaroscuro was gone. The negative of Winter Sunrise is rather complex to print. It is a problem of agreeable balance between the brilliant snow on the peaks and the dark shadowed hills. I have often thought what a privilege it would be to live and work in this environment, perhaps best before the turn of the century when the efforts of man brought more beauty to the land than now, with our pavements, wires, contrails, and desolation. This photograph suggests a more agreeable past and may remind us that, with a revived dignity and reverence for the earth, more of the world might look like this again."

    ~ Ansel Adams
  • #979 - Shirley Baker

    Manchester, 1968
    #979 - Shirley Baker

    “I did know that fundamental changes were taking place… and nobody seemed to be interested in recording the faces of the people or anything in their lives"

     

    ~ Shirley Baker

  • #978 - Father's Day | John Dominis

    Jacques D'Amboise Playing with his Children, Seattle, Washington, 1962, printed 2006
    #978 - Father's Day | John Dominis

    "I am not ashamed to say that no man I ever met was my father's equal, and I never loved any other man as much."

     

    ~ Hedy Lamarr

  • #977 - New Exhibition: The Flower Show | Robert Doisneau

    Voiture de Quatre-Saisons: Les Fleurs de la Place du Marche Saint-Honore
    #977 - New Exhibition: The Flower Show | Robert Doisneau

    “I’m quite happy with my pictures. I’ve been co-habitant with them for years now and we know each other inside out. So I feel I’m entitled to say that pictures have a life and a character of their own. Maybe they’re like plants, they won’t really flourish unless you talk to them"

    ~ Robert Doisneau
    (1912-1994)

  • #976 - Sebastião Salgado

    Chinstrap Penguins, South Sandwich Islands, 2009 (Printed 2021)
    #976 - Sebastião Salgado

    "In GENESIS, my camera allowed nature to speak to me. And it was my privilege to listen."


    ~ Sebastião Salgado

  • #975 - John Gutmann

    Class (Olympic High Diving Champion Marjorie Gestring), 1936 (printed circa 1980)
    #975 - John Gutmann

    "As a rule I do not like to explain my photographs, I want my pictures to be read and explored. I believe a good picture is open to many individual (subjective) associations. I am usually pleased when a viewer finds interpretations that I myself had not been aware of."

     

    ~ John Gutmann
    (1905-1998)

  • #974 - Arnold Newman

    Elie Wiesel, New York City, 1985
    #974 - Arnold Newman

    “Influence comes from everywhere but when you are actually shooting you work primarily by instinct. But what is instinct? It is a lifetime of accumulation of influence, experience, knowledge, seeing and hearing. There is little time for reflection in taking a photograph. All your experience comes to a peak and you work on two levels, the conscious and the unconscious”

     

    ~ Arnold Newman
    (1918-2006)


    “I decided to devote my life to telling the story because I felt that having survived I owe something to the dead and anyone who does not remember. betrays them again"

     

    ~ Elie Wiesel
    (1928-2016)


    “Never shall I forget that night, the first night in the camp, which has turned my life into one long night, seven times cursed and seven times sealed. Never shall I forget that smoke. Never shall I forget the little faces of the children whose bodies I saw turned into wreaths of smoke beneath a silent blue sky. Never shall I forget that nocturnal silence which deprived me, for all eternity, of the desire to live. Never shall I forget those moments which murdered my God and my soul and turned my dreams to dust. Never shall I forget these things, even if I am condemned to live as long as god himself”

     

    ~ Elie Wiesel(from his 1956 work “Night")

  • #973 - Lillian Bassman

    Barbara Mullen, Essex House, c. 1950
    #973 - Lillian Bassman

    “Would you like to have an adventure now or would you like to have your tea first?”

    ~ J.M. Barrie
    “Peter Pan”


    “Long necks. The thrust of the head in a certain position. The way the fingers work. It’s all part of my painting background”

    ~ Lillian Bassman
    (1917-2012)

  • #972 - Arnold Newman

    Truman Capote, New York City, 1977, printed later
    #972 - Arnold Newman

    “Photography is 1% talent and 99% moving furniture”

     

    ~ Arnold Newman

    “I love New York even though it isn’t mine, the way something has to be, a tree or a street or a house, something, anyway, that belongs to me because I belong to it”

     

    ~ Truman Capote

  • #971 - Thurston Hopkins

    End of a Coming Out Party, Highgate, London, 1954
    #971 - Thurston Hopkins

    “I can’t recall anyone at Picture Post Magazine mentioning the ethics of photo journalism. It was just understood, a code of behavior which reflected the seriousness of the magazine”

    ~ Thurston Hopkins

    (1913-2014)

     

    “This Royal Throne of Kings, this sceptered isle,
    This earth of majesty this seat of Mars,
    This other Eden, demi paradise
    This fortress built by Nature for herself
    Against infection and the hand of war
    This happy breed of men, this little world
    This precious stone set in a silver sea
    Which serves it in the office of a wall
    Or as a moat defensive to a house
    Against the envy of less happier lands
    This blessed plot, this earth
    This realm, This England”


    ~ William Shakespeare
    (Richard II)

  • #970 - Elliott Erwitt

    Douglas, Wyoming. 1954
    #970 - Elliott Erwitt

    “To me photography is an art of observation. It’s about finding something interesting in an ordinary place. I’ve found it has little to do with the things you see and everything to do with the way you see them"

     

    ~ Elliott Erwitt

  • #969 - André Kertész

    Stairs at Montmartre, Paris, 1926
    #969 - André Kertész

    “The moment always dictates in my work. Everybody can look, but they don’t necessarily see. I see a situation and I know that it’s right”


    ~ André Kertész
    (1894-1985)

  • #968 - William Helburn

    Dovima under the El, 1956
    #968 - William Helburn

    "It’s up to us, as mothers and mother-figures, to give the girls in our lives the kind of support that keeps their flame lit and lifts up their voices — not necessarily with our own words, but by letting them find the words themselves.”


    ~ Michelle Obama
    (Former First Lady of the United States)

  • #967 - André Kertész

    Puddle, Empire State Building 1967
    #967 - André Kertész

    “I photographed real life - not the way it was, but the way I felt it. That is the most important thing, not analyzing but feeling”

     

    ~ André Kertész
    (1894-1985)

  • #966 - Elliott Erwitt

    Paris, 1957
    #966 - Elliott Erwitt
    “Be sure to take the lens cap off before photographing”

    ~ Elliott Erwitt
  • #965 - Steve McCurry

    Men Playing Chess, India, 1996 (Printed 2020)
    #965 - Steve McCurry

    "I’m interested primarily in people, and human behavior – how people relate to each other and their environment."

     

    ~ Steve McCurry

  • #964 - Doris Ulmann

    Paul Robeson, c. 1920's
    #964 - Doris Ulmann

    "My best pictures are always taken when I succeed in establishing a bond of sympathy with my sitter"

    ~ Doris Ulmann
    (1882 - 1934)


    "Artists are the gate keepers of truth. We are civilization’s radical voice”

    ~ Paul Robeson
    (1898 -1976)


    “The pursuit of Justice is all I have ever known”

    ~ Harry Belafonte
    (1927 - 2023)

  • #963 - Jeffrey Conley

    Figure in Vast Landscape, Iceland, 2018 (Printed 2023)
    #963 - Jeffrey Conley

    "I think of being out in the landscape as a time to harvest observations - then in the darkroom is the time where the observation finds its voice, its landing space in its physical manifestation as a platinum/ palladium print."

     

    ~ Jeffrey Conley

  • #962 - Willy Ronis | Mother's Day

    Le Nu Provençal, Gordes, 1949
    #962 - Willy Ronis | Mother's Day

    "Mothers hold their children's hands for a short while, but their hearts forever."

     

    ~ Unknown

  • #961 - Henri Cartier-Bresson

    Ile de la Cite, Paris, 1952, printed later
    #961 - Henri Cartier-Bresson

    “A photograph is neither taken or seized by force. It offers itself up. It is the photo that takes you. One must not take photos”


    ~ Henri Cartier-Bresson

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