After serving in the army during World War II, William Klein moved to Paris in 1949 and briefly studied painting with Fernand Léger. His first photographs were made in 1954 on a visit to New York and were published two years later in a book entitled Life Is Good and Good for You in New York: Trance Witness Revels. The verve of these pictures, made with a hand-held camera under diverse lighting conditions, won him a contract with Vogue, which his radically casual style pioneered a new philosophy of fashion photography.
Klein's photographs of societal events replaced the prevailing conception of elegance with renderings that emphasize the moment rather than the individual. What is lost is precise description is redeemed in the broad patterning and spontaneity of the captured instant. Kleins photographs are brilliant trascriptoins of a passing time. They convince the viewer that the meaning of life is carried in these ephemeral moments, described with the intimate scope of a turning head or a lifting arm. The loss of definition in the images results in vivid forms that come dangerously close to incoherence and confusion. In Klein's understanding, "it's not necessary to make order out of chaos. Chaos itself is interesting."