Edouard Boubat began taking photographs after World War II in France. The lifestyle of photojournalism provided Boubat with both the adventuer he craved as a young man and afforded hima certain freedom not readily available to all in post-war Europe. From the start Boubat had the innate ability to capture a moment on film and turn it into a magical image. His travels took him all over the world where he photographed for journals and for himself. All of his work, whether personal or public is charged with an immense poetry and pathos.
The essence of Boubat’s spirit is summed up in his own words: “Just as love at first sight erases everything and creates a kind of void, so I must confess that, when I take a picture, I have no desire, no intention, no memory. What I am photographing has taken control of me, it is a leap in the dark. It’s over in a second. This vacancy allows the fleeting instant to break through, the instsnt in which everything is plunged into one unique light.” (From Edouard Boubat: Pauses, 1983)
Boubat’s work has been exhibited throughout the world including the United States, Europe, and Mexico. He has been awarded several professional awards such as the National Photographic Prize of France and The Hasselblad Foundation Prize both in 1988.